Paintings
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Paulo Roberto Leal
Armage, Caramel And Redfolded paper glued on wood
1974
87 x 87 cm
signed on back
Label of Vernissage Art Gallery.
Beurret & Bailly Auktionen Galerie Widmer tag.
Genaro de Carvalho
Untitledoil on wood
114 x 714 cm
signed lower left
Work consisting of 14 parts of 57 x 102 (each). This piece was commissioned by the couple Rizziero Guerra for the family's residence. The correspondences between Luiz Contrucci and Genaro de Carvalho, dated from February and March 1960, document the process of production and negotiation of this mural. The texts reveal technical details of the work, such as dimensions, materials and structural division, as well as the financial and logistical procedures involved. In addition to its documentary value, the letters testify to the collaboration between artists and engineers in the context of Brazilian modern art. It is, therefore, an expressive example of the integration between art and architecture, a striking feature of modernist production in Brazil.
Manabu Mabe
Immigrant's Songoil on canvas
1978
180 x 250 cm
signed lower right
Cataloged in the Manabu Mabe Institute under nº 2562. Certificate of Authenticity nº 0793. Participated in the individual traveling exhibition: "Manbu Mabe", National Museum of Art Osaka; Kamakura Museum of Art Kumakura; Kumamoto Museum of Art Kumamoto, Japan, 1978. Itinerant exhibition Manabu Mabe: Brazil - Vibrant Colors, Kumamoto Prefecture Art Museum, Gifu Prefecture Art Museum, Yamato Loja, Nigata, Museum of Art of Hiroshima, Odakyu Art Museum, Tokyo, Japan, 1996. Reprinted in the catalog of the show p. 57. Participated in the exhibition: Rain no Cafezal, Museu da Casa Brasileira (MCB), São Paulo, 2001. Reprinted in the books: Mauricio, Jayme; SICRE, José Gómez; WOLFF, Theodore F.; Kawabata, Yasunari; Okamoto, Taro; KANEKO, Hideo. Introduction by Pietro Maria Bardi. "Manabu Mabe: Life and Work", São Paulo, 1986. p. 235; Shimbun, Nihon Keizai. Mabe: It rains in the coffee plantation- life and work. São Paulo: Banco América do Sul, 1998. Participated in the exhibition: "The Maximum Reality of Things", curated by Jacob Klintowitz, at Galeria Frente, from March 16 to June 1, 2024. Reprinted in the catalog of the show p. 72 and 73.
Jorge Guinle
Meal Expectationoil on canvas
1982
160 x 200 cm
signed on back
With the label of Modern Art Museum of Rio de Janeiro 1982. The work participated in the exhibition "Jorge Guinle| A certain brushstroke is worth more than a good idea", curated by Marcus de Lontra Costa and Rafael Fortes Peixoto, Galeria Danielian, Rio de Janeiro, September 14th to November 4th, 2023.
Hércules Barsotti
No. 18acrylic on canvas glued to plate
1988
40 x 160 cm
signed on back
Exhibition label "Hércules Barsotti - Non-Color" Curated Ana Maria de Morais Belluzzo, Museum of Modern Art of São Paulo, 2004.
Hélio Oiticica
Be Marginal - Be A Heroscreen printing on fabric
1968/2012
94 x 110 cm
signed on back
print run No. 6/10 signed by Cesar Oiticica.
Arthur Piza
Untitledclipped paper collage
1962
97 x 80 cm
reproduced in the book "Arthur Luiz Piza". São Paulo: Cosac & Naify, 2002. p.74 and 75.
Adriana Varejão
Extirpation Of Evil By Punctureoil and acupuncture needles on canvas
1994
200 x 240 cm
signed on back
Reproduced in the books: Louise Neri, Adriana Varejao, Brazil, 2001, no. 46; Adriana Varejão, Adriana Varejão: Entre Carnes e Mares, Rio de Janeiro, 2009, p. 104.
Participated in the exhibitions: 22 Bienal de São Paulo, 1994; Camargo Vilaça - Adriana Varejão Painting / Sutura, 1996; Mulherio, Galeria Danielian, 2022 - 2024.
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