Thomaz Ianelli (São Paulo SP 1932 - Idem 2001)
Thomaz Ianelli was a painter, engraver, watercolorist and draftsman. Between 1948 and 1955, he worked as an apprentice in an advertising design company, the tram advertisement company. In the early 1950s, he attended the studio of his brother, the painter and sculptor Arcangelo Ianelli (1922). In 1953, he took classes in drawing and painting with Angelo Simeone (1899–1974), at the São Paulo Association of Fine Arts, in São Paulo. During this period, he came into contact with artists such as Mario Zanini (1907–1971), Flexor (1907–1971) and Arnaldo Ferrari (1906–1974), among others. 1957, he began to dedicate himself to painting and, the following year, joined the Guanabara Group, participating in his collective exhibitions. In 1961, he won the Travel Award in the Velázquez Contest, promoted by the Museum of Modern Art of Rio de Janeiro (MAM/RJ), and traveled to Europe, where he met works by artists such as Paul Klee (1879–1940) and Karel Appel (1921–2006), who influenced his painting.
In 1965, he taught a drawing course at the Center for Brazilian Studies, in Lima. He received an Acquisition Award at the 9th and 12th editions of the Bienal Internacional de São Paulo, in 1967 and 1975. President of the Professional Association of Plastic Artists. In 1979, he participated in the International Congress of Visual Arts, held in Stuttgart, Germany, and worked in a studio in Rothrist, Switzerland.
In 1981, he produced series of tempers and engravings in metal. In 1997, he illustrated the book Auto da Barca do Inferno, by Gil Vicente, published by the publisher Bibla. In 2000, the book Paintings by Thomaz Ianelli was released: Arte para Criança, by Alberto Goldin, by the publisher Berlendis & Verteccia.
Criticism
"(...) to say that Thomaz is a virtuoso colorist has become almost a truism nowadays. First, because the finding accompanies him as often as the references Klee and childhood, and there is no one who has not had it somewhere. Second, because the work of art at this point speaks immediately, and in itself (...). factors. And the most intriguing thing is that, as a rule, its colors are predominantly consonant (...). Thomaz usually works first with a certain color, before putting any other, establishing with it certain essential support points. Only then does the improvisation release (...). There are in several phases, in Thomaz's brushstroke, a reminiscence of Volpi. And I believe that there is more than chance there (...). Lighting by transparency (and even by a gesture format) characteristic of the tempera of Volpi".
OLÍVIO TAVARES DE ARAÚJO
ARAÚJO, Olívio Tavares de. Color, texture, signs and style. In: ______. Thomas. São Paulo: Grifo, 1980. p. 42-46.
"(...) Thomaz Ianelli's painting has, however, the particularity of being a work elaborated precisely in the course of the years of crisis. pictorial and speak today a language so free and so rich.
A language without commitment other than with its integrity of painting. In the dialectic of language and reality - dynamic and permanent contradiction in the art of Thomaz Ianelli -, he reached that point of balance in which The language is consistent enough to have autonomy and permeable enough not to stiffen and stereotype. After diving into the distant universe of the signs and archaic forms, it returned to landscapes and external themes, giving evidence of its ability to transmute anything into pictorial speech, according to the themes, the colors are also from the surface and the composition is inspired by the restructured natural order: the two-dimensionality is once again ambiguous, although predominant. But little by little, again the language becomes internalized, the colors and the invoice become the revealing means of one dimension another, touched with nostalgia and mystery, as in the works of 1980 and following. The painter plunges again into the remote world of sign forms, without direct reference to the outside world. But now - as is the case with his most recent works - this enigmatic universe has nothing of the Kleenian universe and is less the subjectivity of the painter than the revelation of the undergrounds of his own pictorial language. as if he wanted to show us his reverse side".
Ferreira Gullar
GULLAR, Ferreira. The painting painting by Thomaz Ianelli. In: ________. Thomaz Ianelli. Translation Lucio Stein; Preface Theon Spanudis. São Paulo: Cotia Trading, 1985. p. 25-26.
"There are still configurations in his painting, but so deformed dissolved, which often becomes difficult to recognize them as such. Thus, gradually his painting entered the current phase that is characterized by the absolute dissolving of the figural elements. Thomaz created a new world of pictorial expressiveness. What are the characteristics of your world? First of all, the lightness, the fluidity, the amorphous cloudiness. A softness of the colorful fluids, a lyricism that rarely has elements of a slight drama, a floating, a perpetual levitation. Large spaces are diluted beyond the boundaries of the paintings. Fragments of designs, figural fragments hold consistency, the structure of these amorphous figures. We are within a magical and fae world. With the child inside him as a guide, Thomaz leads us within this world of his amorphous lyricism.(...). A purity, a kindness emanates from all its pictures. (...). Lyricism and sometimes drama take its place. Thus Thomaz creates a rich world of amorphous and levitating softness. Linear fragments such as cave cave drawings give, in a musical and danceable way, the structural solidity of this amorphous and nebulous world or, as a sensitive nervature, offer consistency to these fluid and ethereal figures. of diluted and insubstantial chromatisms. a gentle perpetual dance. A ghostly world, where the pure colorful sings its simple hymns".
Theon Spanudis
SPANUDIS, Theon. The World of Thomaz Ianelli. In: Gullar, Ferreira. The painting painting by Thomaz Ianelli. Translation Lucio Stein; Preface Theon Spanudis. São Paulo: Cotia Trading, 1985. p. 15-16.
"(...) The fact that the brushstroke of Thomaz Ianelli seeks to assert himself as such as he finds in these artists and in other previous ones (Malfatti, Flávio de Carvalho, Guignard, from Fiori or Bandeira) a broad tradition. The presence of the subject, like the one capable of individualizing his art and his language, finds an instance of affirmation in the question of brushing.
On the contrary, the exacerbated search for the objectivity of concretism in the 1950s would result in the project of using a flat color and industrial ink, which did not leave a trace of the author's passage. Thomaz Ianelli establishes dry and economical passage of the brush. Learned the Cezannian lesson, the brushstroke conquers space, constitutes the surface and builds the figure - it is always a visible and playful exercise.
The color of Thomaz Ianelli is above all pigment, in its earth palette. It comes from another Brazil, less plant or luminous and detached from the popular tradition. It is a palette of the serious lands, entrails brought to the light of the painting, without dramatic exasperation. From a world of spots, brushstrokes, inaccuracies emerge figures, such as a poetic army of children, ballerinas, animals and toys that structure the space. The look is stimulated to the search for images, such as the exercise of conjectures and a game of playful discoveries. The rewarding outcome is the apprehension of this universe of figures, inhabitants of the report who structure the space and make the work. They appear as an outcrop of childhood memory, remembering is perceiving the visible in the arena of the screen".
Paulo Herkenhoff
HERKENHOFF, Paulo. The playful Thomaz Ianelli. In: Thomaz. Thomaz Ianelli. São Paulo: Yutaka Sanematsu Art Office, 1987. P. 4.
"The artist often makes use of a metaphorical language to rescue what is beautiful in a reality that is sometimes harsh and dramatic. This is perhaps the secret of his work, the effectiveness of his paintings, as well as of the work of this other Thomaz, the builder of three-dimensional objects, small assemblages that are assembled, like his paintings, with the same dosage of humor and critical commentary on the world, from small fragments of matter or dream. of this world, Thomaz is always the best connoisseur, but so to speak, he conceals what he knows, disguising the purpose with which he combines the materials of his objects or the choice of the figures that populate his paintings, to only let it emerge, crossed by the synthesis of humor and the look. critical, the poetry that knows how to snatch from this world.
Perhaps it could be said that in Thomaz's work, in his lightness and in what carries magic and dream, there is something childish - to the condition that we know how to understand the term as synonymous with the hard work of reconquest of An ingenuity that only the child, still infences with the vortex of the world, is able to express. A form of innocence that only a great artist in his maturity is given to rescue."
Emanoel Araújo
ARAÚJO, Emanoel. Thomaz Ianelli: the apparent imaginary. In: Thomaz. The Imaginary of the Apparent. Thomaz. São Paulo: Pinacoteca do Estado, 1999. p. 2.
Testimonies
"To say something around my work, I am not obliged to find definitions or take the defense of my aesthetic current. Positioning art becomes, in my opinion, a complex task, because it has never forced itself to resemble the 'last model'.
On the other hand, I put myself open and interested in all positions called 'vanguardists', but always focused on a continued work, which I obviously believe in. Art is made with art and not with what is addressed. In terms of painting, what is brought within it is very worthwhile; the way it develops and starts to be understood.
The sensitivity of each one must be respected within their limits. I don't believe in aesthetic formulas, but in increasing our type of confrontational vision more and more. Through pictorial achievement, I find a satisfaction of life. Transcending the Material Plan and, from that moment on, the painting is interconnected with music and poetry.
Art has secrets to tell, but it only tells you through a lot of work and a lot of perseverance".
Thomaz Ianelli, 1992
IANELLI, Thomaz. The imaginary of the apparent. DE ARAÚJO, Agnaldo Farias; Curatorship Emanoel Araújo, Alberto H. Collazo, Rui Mário Gonçalves, Angélica de Moraes; Thomaz Testimony. São Paulo: Pinacoteca do Estado, 1999. [Excerpt from the ear of the Catalog].
Cerves
Fuji Art Museum - Tokyo (Japan)
Federal District Cultural Foundation - Brasília DF
Institute of Hispanic Culture of Madrid - Madrid (Spain)
MAM/SP - São Paulo SP
Margs - Porto Alegre RS
MASP - São Paulo SP
MNBA - Rio de Janeiro RJ
Madrid Museum of Contemporary Art - Madrid (Spain)
map - Belo Horizonte MG
University of Texas Art Museum - Austin (United States)
Paraná Art Museum - Curitiba PR
Pinacoteca do Estado - São Paulo SP
Individual exhibitions
1960 - São Paulo SP - First Individual, at the Folhas Art Gallery - Leirner Award
1961 - Campinas SP - Individual, at the AREMAR gallery
1961 - Rio de Janeiro RJ - Individual, at the Italian Institute of Culture. Piccolla Galeria
1961 - São Paulo SP - Individual, at Galeria Ambiente
1962 - Bilbao (Spain) - Individual, at the Vascongago Institute
1962 - Madrid (Spain) - Individual, at the Institute of Hispanic Culture
1962 - Paris (France) - Individual, at Maison du Brésil
1964 - Madrid (Spain) - Individual, at the Nebli Gallery
1964 - São Paulo SP - Individual, at the gallery São Luís
1965 - Lima (Peru) - Individual, at Galeria Candido Portinari
1965 - São Paulo SP - Individual, at Galeria Astreia
1968 - São Paulo SP - Individual, at Galeria Cosme Velho
1969 - Santos SP - Individual, at Galeria CCBEU
1970 - São Paulo SP - Individual, at Galeria Astreia
1971 - Campinas SP - Individual, at Banco Lar Brasileiro
1972 - São Paulo SP - Individual, NA Galeria Astreia
1973 - Rio de Janeiro RJ - Individual, at the Ipanema Art Gallery
1975 - São Paulo SP - Individual, at the Cosme Velho Gallery
1976 - São Paulo SP - Individual, at the gallery Graffiti
1977 - São Paulo SP - Individual, at Cristina Faria de Paula Art Gallery
1979 - Curitiba PR - Thomaz Ianelli: Oils and Watercolors, at MAC/PR
1979 - Rio de Janeiro RJ - Thomaz Ianelli :óleos e Guaches, at the Bonino Gallery
1980 - Paris (France) - Individual, at Galeria Debret
1980 - São Paulo SP - Individual, in the griffin art gallery
1982 - Rio de Janeiro RJ - Thomaz Ianelli: Oils and Temperas, at the Bonino Gallery
1984 - Belo Horizonte MG - Individual, at MAP
1984 - Rio de Janeiro RJ - Individual MNBA
1985 - Brasília DF - Individual, at the Cultural Foundation of the Federal District
1985 - Curitiba PR - Individual, at MAC/PR
1985 - Porto Alegre PR - Individual, at Margs
1985 - Porto Alegre RS - Individual, at Galeria Tina Presser
1985 - São Paulo SP - Individual, at MAM/SP
1986 - São Paulo SP - Thomaz Ianelli: The work on paper, at Paulo Figueiredo Art Gallery
1987 - Buenos Aires (Argentina) - Thomaz Ianelli: Paintings, at the Museo de Artes Flásicas Eduardo Sívori
1987 - Rio de Janeiro RJ - Individual, at the Saramenha Gallery
1987 - São Paulo SP - Individual, at Yutaka Sanematsu Art Office
1988 - Lisbon (Portugal) - Individual, at Galeria 111
1989 - Santiago (Chile) - Individual, at Galeria Arte Atual
1989 - São Paulo SP - Thomaz Ianelli: Watercolors, at the Kate Art Gallery
1990 - New Orleans (United States) - Individual, at the Global Art Gallery
1990 - Porto (Portugal) - Individual, at Galeria Zen
1992 - São Paulo SP - Individual, at MASP
1993 - Rio de Janeiro RJ - Individual, at Paço Imperial
1995 - Brasília DF - Individual, at Marlene Gastal Art Office
1996 - São Bernardo do Campo SP - Individual, at Espaço Henfil de Cultura
1997 - São Paulo SP - Individual, at Galeria Nara Roesler
1998 - Porto Alegre RS - Thomaz Ianelli, in the Porto Alegre Art Scholarship
1999 - Miami (United States) - Thomaz Ianelli: Watercolors, at the National Eagle Bank
1999 - São Paulo SP - Individual, at the Casa da Fazenda do Morumbi
1999 - São Paulo SP - Thomaz Ianelli: the imaginary of the apparent, at the Pinacoteca do Estado
2000 - Lisbon (Portugal) -Floating forms, at the Centro Cultural Padrão dos Descobrimentos
Collective exhibitions
1958 - Curitiba PR - 15th Salão Paranaense de Belas Artes, at the Paraná Public Library - Honorable Mention
1958 - São Paulo SP - 4th Group Exhibition Guanabara, at ACM
1959 - Curitiba PR - 16th Salão Paranaense de Belas Artes, at the Paraná Public Library
1959 - Santos SP - 6th Santista Salão de Belas Artes - Acquisition Award
1959 - São Paulo SP - 5th Exhibition of the Guanabara Group, at ACM
1960 - Rio de Janeiro RJ - 9th National Salon of Modern Art, at MAM/RJ
1960 - Santos SP - 8th Salão Santos of Fine Arts - Small Silver Medal
1960 - São Paulo SP - 9th Salão Paulista de Arte Moderna, at the Prestes Maia Gallery - Bronze Medal
1961 - São Paulo SP - 10th São Paulo Hall of Modern Art, at the Prestes Maia Gallery - 1st Poster Prize
1961 - Rio de Janeiro RJ - Still life in painting, at the IBEU Copacabana Gallery
1961 - Rio de Janeiro RJ - National Salon of Modern Art, at the MNBA - Travel Award abroad
1961 - São Paulo SP - 6th São Paulo International Biennial, at the Ciccilo Matarazzo Sobrinho Pavilion
1962 - Barcelona (Spain) - Arte de América y España
1962 - Madrid (Spain) - Art of America y España
1962 - Paris (France) - Art of America y España
1962 - Munich (Germany) - Art of America y España
1962 - Brussels (Belgium) - Art of America y España
1962 - Amsterdam (Holland) - Art of America y España
1962 - Milan (Italy) - Art of America y España
1962 - Bern (Switzerland) - Art of America y España
1963 - London (England) - Brazilian Art Today
1963 - Vienna (Austria) - Brazilian Today
1963 - Brussels (Belgium) - Brazilian Art Today
1963 - Paris (France) - 3rd Youth Biennial
1963 - São Paulo SP - 12th Salão Paulista de Modern Art, at the Prestes Maia Gallery - Silver Medal
1964 - Rio de Janeiro RJ - 2nd The Face and the Work, at Ibeu Copacabana
1965 - London (England) - Brazilian Art Today, at the Royal Academy of Arts
1965 - Rio de Janeiro RJ - 1st Esso Salon of Young Artists, at MAM/RJ
1965 - São Paulo SP - 1st Esso Salon of Young Artists, at MAC/USP
1966 - Bonn (Germany) - Brazilian Art Today, at Beethovenhalle
1966 - Washington (United States) - Brazilian painting
1966 - São Paulo SP - three premises, MAB-FAAP
1966 - Paris (France) - Brazilian painting
1966 - Fulda (Germany) - Brazilian painting
1967 - Mexico City (Mexico) - ten modern Brazilian painters at the Palace of Fine Arts
1967 - Montevideo (Uruguay) - Ten modern Brazilian painters
1967 - Santiago (Chile) - Ten modern Brazilian painters
1967 - Lima (Peru) - Ten painters Modern Brazilians
1967 - New York (United States) - Art by Latin America, at Zegri Gallery
1967 - São Paulo SP - 9th São Paulo International Biennial, at the Bienal Foundation - Itamaraty Award
1969 - Campinas SP - 5th Salão de Arte Contemporânea de Campinas
1969 - Santo André SP - 2nd Salão de Arte Contemporânea de Santo André, at the Municipal Palace - City of Santo André Award
1969 - São Paulo SP - The yellow in painting, in the Galeria Cosme Velho
1969 - São Paulo SP - 1st Panorama of Current Brazilian Art, at MAM/SP
1970 - Brasília DF - Commemorative Hall of Ecological Thought
1970 - São Paulo SP - Commemorative Hall of Ecological Thought
1970 - Rio de Janeiro RJ - Brazilian Contemporary Art, at the Boston Bank
1970 - Santo André SP - 3rd Salão de Arte Contemporânea de Santo André, at the Municipal Palace
1970 - São Paulo SP - 2nd Panorama of Current Brazilian Art, at MAM/SP
1970 - São Paulo SP - 2nd Salão Paulista de Arte Contemporânea, at MASP - Honorable Mention
1970 - São Paulo SP - Inaugural Exhibition, at the Gallery Astrorea
1971 - Paris (France) - Autumn Salon, at the Grand Palais
1971 - Santos SP - 1st Biennial of Fine Arts - Federal Interventor Award
1972 - Belo Horizonte MG - Five years of Brazilian avant-garde, at the Palácio das Artes Foundation
1972 - Curitiba PR - 29th Salão Paranaense, at the Guaíra Theater
1972 - Quito (Ecuador) - Salão da La Independência, at Casa de la Cultura Ecuatoriano
1972 - Rio de Janeiro RJ - From yesterday to today, at the Italian Istituto Di Cultura de San Paolo
1972 - São Paulo SP - Art/Brazil/Today: 50 years later, at the gallery of the Collectio
1973 - São Paulo SP - 5th Panorama of Current Brazilian Art, MAM/SP
1973 - Washington (United States) - Art Gallery of the Brazilian, at the Brazilian-American Cultural Institute
1974 - Bogotá (Colombia) - 28 artists del Brazil, at the Bogotá Museum of Modern Art
1974 - Cali (Colombia) - 28 artists del Brazil, at the Museo de Arte Moderno La Tertulia
1974 - Caracas (Venezuela) - 28 artists del Brazil
1974 - Santiago (Chile) - 28 artists del Brazil, at the Museum of Modern Art
1974 - Lima (Peru) - 28 artists del Brazil
1974 - Medellín (Colombia) - 28 artists del Brazil
1974 - Ecuador - 28 artists del Brazil
1974 - São Paulo SP - Calendar, at the Cosme Velho Gallery
1975 - Brasília DF - Salão do Thought Ecological
1975 - São Paulo SP - 13th International Biennial of São Paulo, at the Biennial Foundation
1975 - São Paulo SP - Calendar, at the Documenta de Arte Galeria
1975 - São Paulo SP - Inaugural Exhibition, at the Grifo Arter Galeria
1975 - São Paulo SP - Hall of Ecological Thought
1976 - Paris (France) - Americas and the Caribbean, at United Nations Educational, Scientific and Cultural Organization
1976 - São Paulo SP - 8th Panorama of Current Brazilian Art, at MAM/SP
1976 - São Paulo SP - Americas and the Caribbean, at MAM/SP
1976 - São Paulo SP - Italians I Oriundi, at Fiat Automóveis
1977 - Goiânia GO - collectors from Goiás of the masters of Brazilian painting, At Casa Grande Art Gallery
1977 - Madrid (Spain) - Current Art of Ibero-Americana, at the Institute of Hispanic Culture - Itinerant
1977 - São Paulo SP - Exhibition of Arcades, at MAM/SP
1978 - Barcelona (Spain) - 17th International Drawing Award Joan Miró, at the Joan Miró Foundation
1978 - City of Singapore (Singapore) - four artists, four techniques, at the National Museum Art Gallery
1978 - Piracicaba SP - Four artists, four techniques, at the Teatro Municipal Doutor Losso Netto
1978 - São Paulo SP - 2nd National Hall of Antiquities and Art Galleries, at MASP
1978 - São Paulo SP - O Circo, in the Paço das Artes
1979 - Buenos Aires (Argentina) - 1st Trienal Latinoamericana del Grabado, in the National Exhibition Rooms
1979 - Mendonza (Argentina) - 1st Latin American Triennale del Grabado, at the Museum of Modern Art
1979 - São Paulo SP - Four colorists, at Christina Faria de Paula Art Gallery
1980 - Lausanne (Switzerland) - Galerie Claudine Planque Collection
1980 - New York (United States) - Latin American Art, at Sotheby's Park Bernet Gallery
1980 - São Paulo SP - Show Italy Brazil, at MASP
1981 - New York (United States) - 19th and 20th Century Latin American Paintings, at Sotheby's Park Bernet Gallery
1981 - São Paulo SP - Artists Brazilian contemporaries, at the São Paulo Art Gallery
1982 - Mexico City (Mexico) - 3rd Iberoamerican Art Biennial
1982 - New York (United States) - Contemporary Artists at Kouros Gallery
1983 - Atami (Japan) - 6th Exhibition of Fine Arts Brazil-Japan
1983 - Kyoto (Japan) - 6th Exhibition of Fine Arts Brazil-Japan
1983 - Rio de Janeiro RJ - 6th Brazil-Japan Fine Arts Exhibition, at MNBA
1983 - São Paulo SP - 14th Panorama of Current Brazilian Art, at MAM/SP
1983 - São Paulo SP - 6th Brazil-Japan Fine Arts Exhibition, at MASP
1983 - Tokyo (Japan) - 6th Brazil-Japan Fine Arts Exhibition
1984 - São Paulo SP - Art on Rua 2
1984 - São Paulo SP - Tradition and Rupture: Synthesis of Brazilian Art and Culture, at the Bienal Foundation
1985 - New York (United States) - Important Latin American Paintings, at Sotheby's Park Bernet Gallery
1985 - Rio de Janeiro RJ - Six decades of modern art: Roberto Marinho Collection, at Paço Imperial
1986 - Havana (Cuba) - 2nd Havana Biennial
1986 - Los Angeles (States) United States) - 1st Los Angeles International Art Fair
1986 - Rio de Janeiro RJ - Seven decades of Italian presence in Brazilian art, at Paço Imperial
1986 - São Paulo SP - Some trends in Argentine and Brazilian painting, in the gallery Praxis
1986 - São Paulo SP - Color and design, or tension and humor, at the Papier Gallery
1986 - São Paulo SP - Wall of graphic arts, at MAM/SP
1986 - São Paulo SP - Panorama of Current Brazilian Art, at MAM/SP
1986 - São Paulo SP - VOLPI Permanence and Headquarters: 7 artists from São Paulo, at Galeria Montesanti Roesler
1986 - São Paulo SP - Some trends in Argentine and Brazilian paintings, at the gallery Praxis
1986 - São Paulo SP - Before and Now: 8 painters, at the Cásper Líbero Foundation
1986 - São Paulo SP - Color and design or tension and humor, at Galeria Papier
1986 - São Paulo SP - Graphic Arts Wall, at MAM/SP
1986 - São Paulo SP - 17th Panorama of Current Brazilian Art, at MAM/SP
1986 - São Paulo SP - 1st Quadrennial of Advertising: Special Rooms, in the MAM/SP
1986 - São Paulo SP - VOLPI Permanence and Headquarters: 7 artists from São Paulo, at Montesanti Roesler Gallery
1987 - Rio de Janeiro RJ - Roberto Marinho Collection, at the Imperial Palace
1987 - Buenos Aires (Argentina) - Roberto Marinho Collection, at the Museum of Fine Arts
1987 - Lisbon (Portugal) - Roberto Marinho Collection, at the Calouste Gulbenkian Foundation
1987 - São Paulo SP - 20th São Paulo International Biennial, at Fundação Bienal
1987 - São Paulo SP - 18th Panorama of Current Brazilian Art, at MAM/SP
1987 - São Paulo SP - 20th Exhibition of Contemporary Art, at Chapel Art Show
1987 - Taipei (Taiwan) - 3rd International Biennial Print Exhibition, at the Taipei Fine Arts Museum
1988 - Lisbon (Portugal) - 2nd Art Forum Contemporary
1988 - Xingú National Park (Mato Grosso) - Watercolors to the Natural
1988 - Beijing (China) - 1st Brazil-China Exhibition, at the Fine Arts Gallery of China
1988 - São Paulo SP - 15 years of the Brazil-Japan Fine Arts Exhibition, at the Mokiti Okada M.O.A. Foundation.
1989 - Lisbon (Portugal) - 2nd Contemporary Art Forum
1989 - Lisbon (Portugal) - Six decades of Brazilian modern art: Roberto Marinho Collection, at the José de Azeredo Perdigão Modern Art Center
1989 - São Paulo SP - 20th São Paulo International Biennial, at the Bienal Foundation
1989 - São Paulo SP - 20th Panorama of Current Brazilian Art, at MAM/SP
1990 - Atami (Japan) - 9th Brazil-Japan Contemporary Art Exhibition
1990 - Brasília DF - 9th Exhibition Brazil-Japan of Contemporary Art
1990 - Buenos Aires (Argentina) - contemporary Brazilian contemporary, at the OAS
1990 - Óbidos (Portugal) - 3rd Bienal de Óbidos, in the Solar da Praça de Praça de Santa Maria
1990 - Rio de Janeiro RJ - 9th Brazil-Japan Contemporary Art Exhibition
1990 - São Paulo SP - 9th Brazil-Japan Contemporary Art Exhibition, at the Brazil-Japan Foundation
1990 - Sapporo (Japan) - 9th Brazil-Japan Contemporary Art Exhibition
1990 - Tokyo (Japan) - 9th Brazil-Japan Contemporary Art Exhibition
1991 - Santiago (Chile) - Diez Años, at the current art gallery
1991 - Santos SP - 3rd Santos National Biennial, at the Patrícia Galvão Cultural Center
1991 - São Paulo SP - two Brazilian painters: Siron Franco, Thomaz Ianelli, at the Memorial Foundation of Latin America
1992 - Campinas SP - Awarded at the Contemporary Art Salons of Campinas, at MACC
1992 - Rio de Janeiro RJ - Artis Mundi, Global Eco Forum 92
1992 - São Paulo SP - Guanabara Group: 1950-1959, at Renato Magalhães Gouvêa - Art Office
1993 - Caracas (Venezuela) - International Fair of Art Galleries
1993 - João Pessoa PB - Xylograph: From Cordel to the Gallery, at Funesc
1993 - Santos SP - 4th National Bienal de Santos, at the Patrícia Galvão Cultural Center
1993 - São Paulo SP - Universe of the Circus and Art of Aretuzza, at the Pinacoteca do Estado
1993 - São Paulo SP - Latin American Visual Arts Yearbook Show
1993 - Buenos Aires (Argentina) of the Latin American Plastic Arts Yearbook
1994 - Miami (United States) - Art Miami 94 - International Art Fair
1994 - São José dos Campos SP - 1st Gravure Biennial of São José dos Campos
1994 - São Paulo SP - From Brazilian and Miró imagery, at MAC/USP
1994 - São Paulo SP - Woodcut: from cordel to the gallery, in the subway
1994 - São Paulo SP - Flags: 60 artists honor the 60th anniversary of USP, at MAC/USP
1995 - Illinois (United States) - FASM Watercolor Exhibition, at Northern Illinois University. Gallery 200
1995 - São Paulo SP - FASM Watercolor Show, at Faculdade Santa Marcelina
1996 - Mexico City (Mexico) - Aquarela Brasil-Mexico 96, at the National Museum of La Acuarela
1996 - Rio de Janeiro RJ - Arcos da Lapa do Lapa do Laboratoire Sculpture Urbaine Grenoble, in Arcos da Lapa
1996 - São Paulo SP - Bandeiras, at the Art Gallery of the Sesi
1997 - Grenoble (France) - Labratoire Sculpture Urbaine
1997 - São Paulo SP - 10 years old, at the Faculty of Arts Santa Marcelina
1997 - São Paulo SP - Jerusalem 3,000 years for peace at Mube
1997 - São Paulo SP - UBU: Pataphysics in the Tropics, at MAB-FAAP
1998 - São Paulo SP - Contemporary Art, at Sérgio Caribé Galeria de Art
1999 - Rio de Janeiro RJ - Rio Engraving Show. Brazilian modern engraving: Collection National Museum of Fine Arts, at the MNBA
1999 - Rio de Janeiro RJ - Exhibition Rio Engraving: São Paulo: Engraving today, at the Gustavo Capanema Palace
1999 - São Paulo SP - 8 artists Brazilians, at Sérgio Caribé Galeria de Arte
1999 - São Paulo SP - Americamérica: Works of the Three Americas, at MASP
2000 - São Paulo SP - Os Anjos are back, at the Pinacoteca do Estado
2001 - Rio de Janeiro RJ - Brazilian Watercolor, at the Light Cultural Center
2001 - São Paulo SP - Inaugural Exhibition, at Arte Infinita Galeria
Posthumous exhibitions
2004 - São Paulo SP - Guanabara Group, at MASP. Prestes Maia Gallery
Source: Itaú Cultural
