Works of art
Our collection includes selected works of art by renowned artists. We have the ideal, unique and exclusive works to enhance your collection. Select some options below and request a quote today.
Alfredo Volpi
Itanhaémoil on canvas
1940
57 x 80 cm
signed lower right
registered in the Raisonné de Volpi AcoAv 0053 catalog. published in Alfredo Volpi: Works catalog. Alfredo Volpi Institute of Modern Art. São Paulo, 2015. P. 94.
Participated in the exhibition: Retrospectiva Volpi, Museum of Modern Art of São Paulo - 10/1975 - 11/1975. Reprinted in the exhibition catalog: COELHO, Diná Lopes (org.). Retrospective Alfredo Volpi. apres. Paulo Mendes de Almeida. São Paulo: Museum of Modern Art, 1975. No page.
Former Domingos Giobbi Collection.
Tomie Ohtake
Untitledoil on canvas
1992
150 x 200 cm
signed on back
Reproduced in the book: "Tomie Othake". page: 263.
Label on the back of the Tomie Othake Institute.
Lina Bo Bardi
Churchwatercolor and ink on paper
32,5 x 50 cm
Drawing of the scenography of the film "A Compadecida", directed by George Jonas, 1968.
Amilcar de Castro
Untitledcut and bend uneven plate
1998
19 x 40 x 0,3 cm
signed on the piece
Certificate No. CA 000,790. Reproduced in the book: Amilcar de Castro: Cut and Fold. Text Tadeu Chiarelli. Rodrigo de Castro and Marília Razuk (coordinators). São Paulo: Cosac & Naify, 2003, p. 152, under IRR 37.
Aldemir Martins
Untitledscreen printing on paper
1995
m.e. 44 x 90 cm
signed lower right
copy P.I. (2). It has no frame.
Niobe Xandó
Untitledserigraphy
1970
100 x 70 cm
signed lower right
Reissue signed on the back by Lourdes Xandó.
copy 70/75.
Aldemir Martins
Aracy De Almeidaoil on canvas
1948
73 x 60 cm
signed upper right
The image of this work illustrated the vinyl record cover of the singer Aracy de Almeida, in 1959, unpublished sambas by Noel Rosa, Sinter label EP 45.1006.
Manabu Mabe
Abstractionoil on canvas
1960
110 x 130 cm
signed lower left
He participated in the exhibition: "The Maximum Reality of Things", curated by Jacob Klintowitz, Galeria Frente, 2024.
Enrico Bianco
Portrait Of Tatiana Grigorievaoil on canvas
1945
72 x 59 cm
Reproduced in the book by Pietro Maria Bardi's artist, p. 183, nº: 163.
Aldemir Martins
Yemanjaoil on canvas
1961
162 x 129 cm
signed lower right
Former collection Jorge Amado.
Yutaka Toyota
Negative Space - Harmonywood, aluminum and stainless steel sculpture
1971
95 x 42 x 12,5 cm
signed on back
Certificate of Authenticity No. 0001333- Series A.
Takashi Fukushima
Landscapeoil on canvas
1981
70 x 70 cm
signed lower right
He participated in the exhibition: "The Maximum Reality of Things", curated by Jacob Klintowitz, Frente Galeria, 2024.
Sérgio Camargo
Song Of The Couple In 16 Beatswood relief
1966
51 x 60,3 x 1,9 cm
signed
Certificate of Authenticity of the Estate of Sérgio Camargo signed by Raquel Arnaud, nº 15633.
Provenance: Galleria La Polena, Genoa, Italy.
Exhibitions: Genoa, Galleria La Polena, Camargo, October - November 1967.
Manabu Mabe
Earth Axis Soundoil on canvas
1960
185 x 185 cm
signed lower left
Participated in the Venice Biennale, 1960.
Eleonore Koch
Untitledmixed technique on paper
1980
21 x 30 cm
Reproduced in the book "Eleonore Koch, Ordainado Mundo" Centro Universitário Maria Antonia, 2009, on p. 58.
Candido Portinari
Wedding In The Countrysideoil on canvas
1944
60 x 73 cm
signed lower left
Registered 2070 [FCO 3975] Raisonné Catalog, Vol. II, p. 469 and 470.
Book: Candido Portinari. 1997. 277p. RP. color. P141, inf. p.140 [LV46].
Burle Marx
Still Life - Begonias And Alocasiaoil on canvas
1939
73 x 60 cm
signed lower right
Book: Burle Marx - A Poetics of Modernity. Sao Paulo, 1989. p. 63.
Exhibition label of the Belo Horizonte City Hall/MG Art Museum.
Participated in the exhibition "Nossos Brasis, Entre o Sonho e a Realidade", Caixa Cultural Brasília, 2025/2026, reproduced in the catalog p. 14.
Aluísio Carvão
Untitledoil on plate
1950
40 x 40 cm
Participated in the exhibition: "Utopian Abstractions", curated by Marcus de Lontra Costa and Rafael Fortes Peixoto. Danielian Gallery, São Paulo, 2024.
Book: "Carvian", p. 51.
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