Works of art
Our collection includes selected works of art by renowned artists. We have the ideal, unique and exclusive works to enhance your collection. Select some options below and request a quote today.
Miguel Rio Branco
Jj Baby Whale - San Diegophotography
1998/2018
20 x 20 cm
signed on back
copy No. 5/50.
Paulo Darzé Gallery's label.
Ismael Nery
Evewatercolor on paper
1931
22 x 15 cm
Reproduced in the book "Homage to Ismael Nery, an exhibition commemorating the 50th anniversary of his death", 1983.
Marcello Nitsche
Untitledacrylic cutout
44 x 22 cm
signed on the piece
Sintonia Award, 1981, 3rd place, central radio jingle.
Candido Portinari
Girl With Horsesgraphite on paper
1957
35 x 50 cm
signed lower right
Cataloged in Projeto Portinari under the FCO record: 1918 Cr: 4232. Reproduced in the artist's Raisonné, Vol. IV on p. 307. signed and dated in the lower half to the right "Portinari 57". Participated in the exhibition: Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27th to May 13, 2023, Galeria Frente, São Paulo. p. 267.
Candido Portinari
Fat Figure Caricaturefountain pen on paper
1956
26,2 x 20,5 cm
not signed
without signature. Cataloged in the Portinari Project under the FCO registration: 5615 CR: 3813, with Certificate of Authenticity No. 1672-A. Reproduced in the artist's Raisonné, vol.iv on p.170 and 171. participated in the exhibition: Candido Portinari. in the circle of light. At Asa do Sol, curated by Jacob Klintowitz from March 27 to May 13, 2023, Galeria Frente, São Paulo. p.251.
Paulo Roberto Leal
Armage, Caramel And Redfolded paper glued on wood
1974
87 x 87 cm
signed on back
Label of Vernissage Art Gallery.
Beurret & Bailly Auktionen Galerie Widmer tag.
Genaro de Carvalho
Untitledoil on wood
114 x 714 cm
signed lower left
Work consisting of 14 parts of 57 x 102 (each). This piece was commissioned by the couple Rizziero Guerra for the family's residence. The correspondences between Luiz Contrucci and Genaro de Carvalho, dated from February and March 1960, document the process of production and negotiation of this mural. The texts reveal technical details of the work, such as dimensions, materials and structural division, as well as the financial and logistical procedures involved. In addition to its documentary value, the letters testify to the collaboration between artists and engineers in the context of Brazilian modern art. It is, therefore, an expressive example of the integration between art and architecture, a striking feature of modernist production in Brazil.
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