Aldemir Martins (Ingazeiras CE 1922 - São Paulo SP 2006)
Aldemir Martins was one of the most important Brazilian artists of the 20th century, standing out as a painter, engraver, draftsman and illustrator. Born on November 8, 1922, in Ingazeiras, Ceará, Aldemir Martins built an artistic trajectory marked by a strong Brazilian identity, developing a work deeply linked to culture, landscape and everyday life in the Northeast.
Aldemir Martins showed interest by visual arts since youth. Still during the school period, he stood out as his class's artistic advisor. Between 1941 and 1945, he served in the Brazilian Army, where he continued to produce artistically and achieved the rank of Cabo Painter. In the same period, he actively participated in the cultural scene from Ceará, becoming one of the founders of the Artys group and SCAP, alongside artists such as Mário Barata, Antonio Bandeira and João Siqueira.
In 1945, Aldemir Martins moved For Rio de Janeiro and, the following year, he settled in São Paulo, the city where he consolidated his career. In the following decades, he developed an intense production and participated in important exhibitions in Brazil and abroad. Between 1960 and 1961, he lived in Rome, an experience that expanded his artistic repertoire and strengthened the international recognition of his work.
Aldemir Martins' work covers different artistic languages, including painting, engraving, drawing, ceramics and sculpture. His work is recognized for its experimental character and the use of varied supports, such as cigar boxes, papers, fabrics and other unconventional materials, expanding the possibilities of expression of its production. Vibrant, elements that give strength, movement and expressiveness to their compositions. Among the most recurrent themes of his work are cangaceiros, fish, roosters, horses, fruits and Brazilian landscapes. Also noteworthy is the famous series of cats, one of the most emblematic of his artistic production, recognized for his visual synthesis and the expressiveness of the forms.
With a broad, accessible and deeply connected production to Brazilian culture, Aldemir Martins became an artist of great recognition. public. The work of Aldemir Martins moves between the popular and the erudite, consolidating his legacy as one of the most relevant, influential and lasting names in Brazilian art.
Critical Comment
Aldemir Martins began his artistic production. Still at Colégio Militar, in 1934, early revealing the mastery of drawing and a sensitivity focused on everyday observation. In the 1940s, Aldemir Martins played a central role in the development of the cultural environment in Fortaleza, acting not only as an artist, but also as an articulator of fundamental initiatives for the consolidation of the visual arts in Ceará. In 1941, he participated in the creation of the Centro Cultural de Belas Artes alongside Antonio Bandeira, Raimundo Cela, Inimá de Paula and Mário Barata. In 1944, this nucleus would give rise to the Ceará Society of Plastic Arts (SCAP), an institutional framework relevant to modern art in the Northeast.
During this period, Aldemir Martins produced drawings, woodcuts, watercolors and illustrations for The Ceará press, highlighting from an early age its own language, marked by technical rigor and expressiveness. In 1945, he moved to Rio de Janeiro, where he participated in a collective exhibition of artists from Ceará at the Askanasy gallery. The following year, it was established in São Paulo, a decisive context for its national projection. In 1946, he held his first solo exhibition at the Institute of Architects of Brazil (IAB/SP) and resumed his work as an illustrator.
Between 1949 and 1951, Aldemir Martins deepened his training at the Museum of Art. from São Paulo (Masp), studying art history with Pietro Maria Bardi and engraving with Poty Lazzarotto. During this period, he produced the album Cenas da Seca do Nordeste, with a preface by Rachel de Queiroz. The work, influenced by Candido Portinari, consolidated the critical recognition of Aldemir Martins and won him the acquisition award in the Drawing category at the 1st International Biennial of São Paulo — a milestone in his trajectory and in the affirmation of his work in the Brazilian artistic circuit. From the following decades, Aldemir Martins expanded his work and consolidated himself as one of the main names in Brazilian modern art. In 1953, he created the setting for the play Lampião, by Rachel de Queiroz, reinforcing his dialogue with other artistic languages. In 1956, he achieved international recognition by being awarded as the best designer at the 28th Venice Biennale, one of the most important events in the Global Art Circuit.
From the 1960s onwards, Aldemir Martins became Also explore applied art, developing scenarios, textile prints, illustrations for porcelain and commercial projects. This diversification did not compromise the integrity of its language, but expanded the scope of its production. In 1975, he created the opening vignette of the soap opera Gabriela, from Rede Globo, and, in 1981, carried out a similar work for Terras do Sem Fim, reinforcing his presence in the visual culture of mass. In the 1980s, he maintained intense activity, collaborating with illustrations for games, t-shirts and packaging, always preserving the visual identity that characterizes the work of Aldemir Martins.
The trajectory of Aldemir Martins confirms his relevance as one of the great artists of Brazilian art. Its production highlights a consistent balance between experimentation, technical mastery and commitment to the representation of national culture. When moving between the erudite circuit and the popular universe, Aldemir Martins built an accessible and, at the same time, sophisticated work, capable of dialoguing with researchers, collectors and the general public.
Thus, Aldemir Martins consolidates himself as one of the main visual interpreters of Brazil, whose work remains an unavoidable reference for the study of Brazilian modern art and for the understanding of the cultural identity of the Northeast.
Criticism
Aldemir Martins was widely recognized by critics as an artist of expanded acting and multifaceted language. The critic Jacob Klintowitz described Aldemir Martins as a creator without defined limits, capable of moving through different fields of artistic and cultural production in Brazil. His work covers painting, engraving, drawing, ceramics and sculpture, also extending to innovative areas such as industrial design, illustration and visual productions for television. This versatility consolidated Aldemir Martins as one of the most complete and experimental artists of Brazilian art.
Among the most emblematic examples of this expanded performance is the opening of the soap opera Gabriela, Cravo e Canela, an adaptation of the novel by Jorge Amado. In this project, Aldemir Martins gathered the expressive strength of his drawing and painting to his sensitivity to popular culture, also incorporating innovative technological resources for the time. According to Klintowitz, Aldemir Martins managed to preserve his characteristic iconography — marked by firm features and symbolic figures — while dialoguing with mass communication, asserting himself as a modern artist and without borders.
The critic Alberto Beuttenmüller highlighted another central aspect in the trajectory of Aldemir Martins: the protagonism of color. In his analysis, the chromatic use in the work of Aldemir Martins approaches movements such as Fauvismo and Cubism, although reinterpreted from a subjective and poetic perspective. Color, in its production, not only structures the composition, but acts as a fundamental expressive element, capable of intensifying the representation of the sertão and the northeastern landscape. building and deconstructing pictorial spaces through chromatic contrasts and structural simplifications. For Beuttenmüller, Aldemir Martins evolved as an artist increasingly guided by the energy of color, transforming it into essential language and one of the most enduring elements of his contribution to Brazilian art.
In this way, the critical reception of Aldemir Martins reinforces his position as one of the main names in modern art in Brazil, highlighting both his capacity for innovation and the coherence of a work deeply rooted in Brazilian culture and open to dialogue with different languages and audiences.
Curiosities
The trajectory of Aldemir Martins also stands out for collaborations that go beyond the traditional circuit of the visual arts, highlighting the versatility that marked his production. A significant example occurred during the World Cup in Mexico, when Aldemir Martins portrayed the player Roberto Rivelino in a work that is distinguished by the use of intense and contrasting colors, revealing a less conventional chromatic approach in relation to his best-known repertoire.
The relationship of Aldemir Martins with Brazilian literature also generated relevant projects. In partnership with the writer Jorge Amado, Aldemir Martins illustrated the book A Bola e o Goaleiro, a work that was later translated and published in Switzerland, in 1991, with the title Bola Fura-Redes Unter Torhüter. This collaboration reinforces the international insertion of Aldemir Martins, expanding the reach of his production beyond the Brazilian context.
An important milestone in the dissemination of the work of Aldemir Martins took place in 1958, the year of creation of the Jabuti Award. In this context, the artist integrated the Masters of the Drawing Collection, launched by Editora Cultrix, consolidating his presence in the editorial environment. The participation of Aldemir Martins in this collection highlights the recognition of his work in the field of drawing and its relevance to the formation of a visual repertoire in Brazil. and the publishing market, without losing the aesthetic coherence that defines its production. Such curiosities reinforce the role of Aldemir Martins as a plural artist, whose work remains relevant both in the artistic circuit and in Brazilian culture in a broad sense. for the consolidation of his career and for the recognition of his work on the national and international scene. Throughout the 1950s, Aldemir Martins accumulated relevant awards that positioned him as one of the main names in Brazilian modern art.
In 1953, Aldemir Martins received the exemption certificate from the jury at the III National Modern Art, in Rio de Janeiro, in addition to the Nadir Figueiredo Acquisition Award at the II Bienal de São Paulo. During this period, the artist also expanded his performance to other languages, performing theatrical scenography and releasing the woodcut album Cinco Carros de Cururu, in partnership with Paulo Vanzolini.
The year 1955. He marked a phase of great recognition for Aldemir Martins, with the conquest of the gold medal at the V Baiano Salão de Artes Plásticas, of the Drawing Award at the III Bienal de São Paulo and the small gold medal at the IV Salão de Arte Moderna, in Rio de Janeiro. In this context, Aldemir Martins also started the production of panels for public and private spaces, expanding his presence in the urban and institutional environment.
In 1956, Aldemir Martins reaffirmed his international projection by receiving the award for best international designer at 28th Venice Biennale, one of the most important art exhibitions in the world. In the same period, he was awarded again at the National Salon of Modern Art, exhibited engravings in Rome and produced book covers. Its cultural relevance was also recognized by the magazine Manchete, which included it among the “Best Paulistas of the Year”.
In 1957, Aldemir Martins won the Travel to the Country Award at the VI National Salon of Modern Art and was recognized as the best Brazilian designer at the IV Bienal de São Paulo. In 1958, he continued his international projection with exhibitions in the United States, in addition to publishing new albums. During this period, he was invited to hold panels at Congonhas Airport, in São Paulo, and received the Jabuti Award for Best Book Cover for the work History of Brazilian Modernism, by Mário da Silva Brito.
In 1959, Aldemir Martins was awarded with the award for travel abroad of the National Salon of Modern Art, staying for two years in Italy. During this period, he developed research with India ink applied to objects and fabrics, expanding his language and reaffirming his relevance in the context of Brazilian and international art.
Aldemir Martins' trajectory in Bienais and Salões highlights not only the institutional recognition of his work, but also its capacity for innovation and adaptation to different languages and supports. These milestones consolidate Aldemir Martins as a central figure in the history of modern art in Brazil.
Individual exhibitions
1946 - São Paulo SP - Individual, at the IAB headquarters
1954 - New York (United States) - Individual, at the Catherine Viviano Gallery
1957 - Buenos Aires (Argentina) - Individual, at the Bonino Gallery
1959 - Salvador BA - Individual, at MAM/BA
1960 - Rio de Janeiro RJ - Individual, at the Bonino Gallery
1961 - Rome (Italy) - Individual, at the Pogliani Gallery
1962 - Madrid (Spain) - Individual, in the Nébili room
1962 - São Paulo SP - Individual, at the Art Gallery São Luiz
1962 - Düsseldorf (Germany) - Individual, at Düsseldorf Kunsthalle Grabbeplatz
1962 - São Paulo SP - Individual, at Clube Atlético Paulistano
1962 - Rio de Janeiro RJ - Individual, at the Bonino Gallery
1963 - Salvador BA - Individual, at Galeria Querino
1963 - Rome (Italy) - Individual, in lithography Edritice Romeiro
1964 - Lima (Peru) - Individual, at the Institute of Contemporary Art
1966 - Rio de Janeiro RJ - Individual, at the Bonino Gallery
1966 - London (England) - Football series, at Casa do Brasil
1967 - São Paulo SP - Individual, At Galeria Astreia
1969 - Porto Alegre RS - Individual, at Galeria Portinari
1970 - Blumenau SC - Individual, at Galeria Açu-Açu
1970 - Fortaleza CE - Individual, at Recanto de Ouro black
1970 - Rio de Janeiro RJ - Individual, at the Bonino Gallery
1972 - São Paulo SP - Landscapes of Aldemir, at A Galeria
1973 - Brasília DF - Aldemir Martins: paintings, drawings and prints, in the Hotel Nacional
1974 - São Paulo SP - Musicians of Aldemir, at A Gallery
1977 - Fortaleza CE - Aldemir Martins: paintings, drawings and prints
1977 - Rio de Janeiro RJ - Individual, at the Casa Blanca Gallery - Shopping Center da Gávea
1978 - São Paulo SP - A new Aldemir, at the Shopping News Art Gallery
1979 - São Paulo SP - Individual, at Itaugaleria
1979 - Recife PE - Individual, Ranulpho Art Gallery
1979 - Fortaleza CE - Individual inauguration of the Sala Aldemir Martins, at MAUC
1979 - Rio de Janeiro RJ - Individual, in reality Art Gallery
1980 - São Paulo SP - Homage to Primavera, at Galeria Augusto, Augusta
1981 - Rio de Janeiro RJ - Individual, in reality Art Gallery
1981 - São Paulo SP - Individual, at the Art Center of the Order/Sindicato dos Economists of São Paulo
1981 - Stockholm (Sweden) - Lithographies, at the Latin Gallery
1982 - São Paulo SP - Aldemir Martins: drafts and notes, at Galeria Augusto, Augusta
1982 - Fortaleza CE - Individual, at Galeria Ignez Fiuza
1982 - São Paulo SP - Individual, at Galeria Alberto Bonfiglioli
1983 - Rio de Janeiro RJ - Individual, in reality Art Gallery
1984 - São Paulo SP - Individual, at the Alberto Bonfiglioli Gallery
1984 - Porto Alegre RS - Individual, at the Masson Gallery
1984 - New York (United States) - Individual, on Amazon Art
1985 - Recife PE - Individual, Ranulpho Art Gallery
1985 - Paris (France) - Individual, at the Grand Palais de Paris
1985 - Salvador BA - Individual, at the Bahia Art Office
1985 - São Paulo SP - Active Space, at Galeria Augusto, Augusta
1987 - São Paulo SP - Aldemir Martins, at the André Art Gallery
1987 - São Paulo SP - Individual, at the Intersul Gallery
1988 - São Paulo SP - Aldemir Martins, 40 years old of engraving, at Galeria Intersul
1988 - São Paulo SP - Individual, at Renot Art Dealer
1989 - Ribeirão Preto SP - Aldemir Martins. engravings, at Ribeirão Shopping
1989 - São Bernardo do Campo SP - Paintings and drawings by Aldemir Martins, at Marusan Art Gallery
1989 - Paris (France) - The northeast of Aldemir Martins, in the Latin space Americain
1990 - Salvador BA - Individual, at the time Art Gallery
1991 - Paris (France) - Spring in Rio, at Galérie Debret
1991 - São Paulo SP - Aldemir Martins, at the Art Gallery André
1991 - São Paulo SP - Aldemir Martins: Engravings, at the Banespa Museum
1992 - São Paulo SP - Individual, at the São Paulo Museum of Art
1992 - São Paulo SP - Individual, at Casa das Rosas
1992 - São Paulo SP - Aldemir Martins, at the gallery
1993 - Jacareí SP - Individual, at the Cultural Foundation of Jacareí
1993 - São Paulo SP - Aldemir Martins in ceramic stone, at Ranulpho Art Gallery
1993 - São Paulo SP - Individual, at Masp
1994 - São Paulo SP - Paintings Drawings and Engravings, at Casa das Artes Galeria
1994 - São Paulo SP - Aldemir Martins: Drawings and engravings, at the Padre Anchieta Museum
1995 - São Paulo SP - Aldemir Martins, at the André Art Gallery
1995 - São Paulo SP - Aldemir Martins: a Brazilian engraver, at the André Art Gallery
1995 - Rio de Janeiro RJ - Aldemir Martins: a Brazilian engraver, at Casa das Artes Galeria
1995 - Curitiba PR - Aldemir Martins: a Brazilian engraver, in reality Art Gallery
1995 - Florianópolis SC - Aldemir Martins: A Brazilian engraver, at Fratelli Rubbo Art Gallery
1995 - Foz do Iguaçu PR - Aldemir Martins: a Brazilian engraver, at ITA Art Galeria
1995 - Recife PE - Aldemir Martins: a Brazilian recorder, in the Studio The Art Gallery
1995 - Recife PE - Aldemir Martins: a Brazilian engraver, at Ranulpho Art Gallery
1995 - Porto Alegre RS - Aldemir Martins: a Brazilian engraver, at Bublitz Decahedro Art Gallery
1995 - Campinas SP - Aldemir Martins: a Brazilian engraver, at Galeria Croqui
1995 - Goiânia GO - Aldemir Martins: a Brazilian engraver, at the time Art Gallery
1995 - Salvador Ba - Aldemir Martins: a Brazilian engraver, in the test of the artist gallery of art
1999 - Mauá SP - Aldemir Martins: a Brazilian engraver, at the Casa de Cultura and Museu Barão de Mauá
2000 - Fortaleza CE - Aldemir Martins: A look at Brazil, at Casa d'Arte
2000 - Fortaleza CE - The drawing of Aldemir Martins in the collection of Cora Pabst, at the Dragão do Mar Cultural Center
2002 - São Paulo SP - Aldemir Martins, at Estação Brás do Metrô
2002 - São Paulo SP - Aldemir Martins: a painter from Brazil, at Nova André Galeria
2003 - São Paulo SP - Individual, at the São Paulo Business Center
2003 - São Paulo SP - Aldemir Martins: 80 years old at the São Paulo State Business Center
2003 - São Paulo SP - Aldemir Martins: Serigraphies, at Casa das Artes Galeria
2004 - São Paulo SP - Designer, at Nova André Galeria
2004 - São Paulo SP - Entre Giclées e Telas, on Canvas Galeria de Arte
2005 - São Paulo SP - Aldemir Martins by Aldemir Martins: seven decades of artistic successes 1945-2005, MASP
2005 - Fortaleza CE - For the world to become more beautiful, at the Casa de Arte e Cultura Belchior
2005 - Rio de Janeiro RJ - The friend traveler, at the Centro Cultural Correios
2006 - São Paulo SP - O Friend traveler, at Sesc Vila Mariana
2006 - Osasco SP - XXXIV Exhibition: Homage to Aldemir Martins, at Unifieo
Collective exhibitions
1942 - Ceará - 2nd Salão Cearense
1943 - Ceará - 3rd Salão Cearense
1943 - Fortaleza CE - 1st Salon de Abril
1944 - Ceará - War painting, organized by SCAP
1945 - Rio de Janeiro RJ - 51st National Salon of Fine Arts
1945 - Rio de Janeiro RJ - Cearense Group, at the Askanasy Gallery
1947 - Czechoslovakia - Collective of Brazilian designers
1947 - São Paulo SP - 11th Salon of the Union of Plastic Artists of São Paulo
1947 - São Paulo SP - 19 painters, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 painters, at União Cultural Brasil-Estados United
1948 - Fortaleza CE - 4th April Salon
1948 - São Paulo SP - Exhibition with Mário Gruber and Enrico Camerini, at the Domus Gallery
1950 - Salvador BA - 2nd Bahian Arts Hall Plastics - Bronze Medal
1951 - São Paulo SP - 1st São Paulo International Biennial, at the Trianon Pavilion - Olívia Guedes Penteado Award
1952 - Feira de Santana BA - 1st Exhibition of Modern Art of Feira de Santana, at Banco Econômico
1952 - Rio de Janeiro RJ - 2nd Salão de Arte Nacional de Arte Moderna
1952 - Rio de Janeiro RJ - Exhibition of Brazilian artists, at MAM/RJ
1952 - Santiago (Chile) - Exhibition of paintings, Dibujos y Grabados Contemporáneos del Brasil
1953 - Rio de Janeiro RJ - 2nd National Salon of Modern Art - Jury exemption
1953 - São Paulo SP - 2nd São Paulo International Biennial, at MAM/SP - Nadir Figueiredo Award
1953 - Tokyo (Japan) - Brazilian Painters
1954 - Dallas (United States) - South American Art Today, at the Museum of Fine Arts
1954 - Fortaleza CE - 3rd Salon of Independents
1954 - Geneva (Switzerland) - Graveurs Brésiliens
1954 - Zurich (Switzerland) - Graveurs Brésiliens, at Kunstgewerbemuseum
1954 - São Luís MA - 5th Salon of Plastic Arts of Maranhão
1954 - São Paulo SP - 3rd Salão Paulista de Arte Moderna, at Galeria Prestes Maia - Acquisition Award
1954 - São Paulo SP - 40 artists from Brazil, at the São Luiz Art Gallery
1954 - São Paulo SP - Contemporary Art: Exhibition of the Museum of Modern Art of São Paulo Paulo, at MAM/RJ
1955 - Atibaia SP - 1st Official Exhibition of Painting of Atibaia
1955 - Salvador BA - 5th Baiano Salão de Belas Artes - Gold Medal
1955 - São Paulo SP - 3rd São Paulo International Biennial, at the Pavilion of Nations - Best Designer Award
1955 - São Paulo SP - 4th Salão Paulista de Arte Moderna, at the Prestes Maia Gallery - Small Gold Medal
1955 - Switzerland - International Biennial of Drawing and Engraving of Lugano
1956 - Messina (Italy) - Exhibition of the winners at the 27th Biennial of Venice, at the Internationale d'art Moderne Gallery
1956 - Rome (Italy) - Exhibition of engravings with Lívio Abramo, at the Circolo dei Principi
1956 - Rome (Italy) - Disegni di Aldemir Martins, Xylografie di Lívio Abramo
1956 - Venice (Italy) - 27th Venice Biennale - Drawing Award
1957 - Bern (Switzerland) - Exhibition of engravings with Lívio Abramo, at the Brazilian Embassy in Bern
1957 - Montevideo (Uruguay) - Modern Art in Brazil
1957 - Rio de Janeiro RJ - 6th National Salon of Modern Art - Travel to the Country Award
1957 - Rio de Janeiro RJ - Exhibition of Brazilian artists
1957 - Buenos Aires (Argentina) - Exhibition of Brazilian artists
1957 - São Paulo SP - 4th São Paulo International Biennial, at the Ciccilo Matarazzo Sobrinho Pavilion
1957 - São Paulo SP - 6th São Paulo Art Salon Modern, at the Prestes Maia Gallery
1958 - New York (United States) - International Art Festival, Galleries Festival
1958 - São Paulo SP - 7th São Paulo Salon of Modern Art, at the Prestes Maia Gallery - Travel to the Country Award
1959 - Amsterdam (Netherlands) - First collective exhibition of Brazilian artists in Europe
1959 - Barcelona (Spain) - First collective exhibition by Brazilian artists in Europe
1959 - Basel (Switzerland) - First exhibition Collective of Brazilian Artists in Europe
1959 - Leverkusen (Germany) - First collective exhibition of Brazilian artists in Europe
1959 - London (United Kingdom) - First collective exhibition of Brazilian artists in Europe
1959 - Milan (Italy) - First collective exhibition of Brazilian artists in Europe
1959 - Munich (Germany) - First collective exhibition by Brazilian artists in Europe, at Kunsthaus. Foreigner
1959 - São Paulo SP - 5th São Paulo International Biennial, at the Ciccilo Matarazzo Sobrinho Pavilion
1959 - São Paulo SP - 40 artists from Brazil, at Galeria São Luís
1959 - Rome (Italy) - First collective exhibition of Brazilian artists in Europe
1959 - Vienna (Austria) - First collective exhibition of Brazilian artists in Europe
1960 - Hamburg (Germany) - First collective exhibition by Brazilian artists in Europe
1960 - Jerusalem (Israel) - 12 Brazilian artists, at the Bezalel Museum Jerusalen
1960 - Lisbon (Portugal) - First collective exhibition of Brazilian artists in Europe
1960 - Madrid (Spain) - First collective exhibition of Brazilian artists in Europe
1960 - Paris (France) - First collective exhibition of Brazilian artists in Europe
1960 - Rio de Janeiro RJ - Inauguration press conference, at the Bonino Gallery
1960 - São Paulo SP - 1st Art Poster Exhibition, at MASP
1960 - São Paulo SP - Leirner Collection, Folhas Art Gallery
1960 - São Paulo SP - Collective of Brazilian and American Artists, at MAM/SP
1960 - São Paulo SP - Leirner Contemporary Art Award, at the Folhas Art Gallery
1960 - Tel Aviv (Israel) - 12 Brazilian artists
1960 - Utrecht (Holland) - First collective exhibition by Brazilian artists Europe
1961 - Rome (Italy) - Collective, at Galeria d'Arte della Casa do Brasil
1961 - São Paulo SP - 6th International Biennial of São Paulo, at the Ciccilo Matarazzo Sobrinho Pavilion
1962 - Curitiba PR - Salão do Paraná, at the Public Library of Paraná
1962 - Kassel (Germany) - Brasilianische Kuntler der Gegenwart
1962 - Rabat (Morocco) - Exhibition of Brazilian artists
1962 - Casablanca (Morocco) - Exhibition of Brazilian Artists
1962 - Tanger (Morocco) - Exhibition of Brazilian artists
1962 - Santos SP - 9th Santos Official Hall - Grand Medal Silver
1962 - São Paulo SP - Selection of Brazilian works of art from the Ernesto Wolf collection, at MAM/SP
1962 - Washington (United States) - Brazilian art in Washington
1963 - Rio de Janeiro RJ - O Face and the work, at the IBEU Copacabana Gallery
1963 - São Paulo SP - Collective, at IAB
1964 - Berlin (Germany) - Brazilian Art Today
1964 - London (England) - Brazilian Art Today
1964 - Rio de Janeiro RJ - 2nd The face and the work, at the Ibeu Copacabana Gallery
1964 - Rio de Janeiro RJ - Small size exhibition, at the Bonino Gallery
1964 - Vienna (Austria) - Brazilian Art Today
1965 - Bonn (Germany) - Brasilianischi Kunst Heute
1965 - New York (United States) - Brazilian Art Today. David Rockefeller Collection, at The Chase Manhattan Bank
1966 - Campo Grande MS - 1st Exhibition of Mato Grosso Artists
1966 - Lausanne (Switzerland) - 2nd International Salon of Galerie Pilotes de Lausanne
1967 - Amsterdam (Holland) - Kunstenaars van nu uit brazile, at the taverne pocket
1967 - Belo Horizonte MG - 21st Municipal Hall of Fine Arts
1967 - Ouro Preto MG - 1st Salon of Ouro Preto - Special Room
1967 - Rio de Janeiro RJ and Florianópolis SC - 5th Art Summary of Jornal do Brasil, at MAM/RJ and in the male
1967 - Vitória ES - 2nd National Salon of Visual Arts
1968 - Paris (France) 1966 Galena Rive Gauche
1968 - Rome (Italy) - Primi Premi Per la Graphia alla biennale internazionale di Venezia from 1946 to 1966 Galena Rive Gauche
1968 - São Paulo SP - 19 painters, at Art Gallery Theme
1968 - São Paulo SP - International Engraving Exhibition, at FAAP
1968 - São Paulo SP - First São Paulo Opinion Fair, Teatro Ruth Escobar
1968 - São Paulo SP - Didactic retrospective of the 19 painters, at the Art Gallery Theme
1969 - Fortaleza CE - Collective, at the Mini Museum Firmesa
1969 - São Paulo SP - 1st Panorama of Current Brazilian Art, at MAM/SP
1969 - São Paulo SP - Collective, at the Italian-Brazilian Cultural Institute
1970 - Fortaleza CE - 20th Municipal Hall of April
1970 - São Paulo SP - 2nd Panorama of Current Brazilian Art, at MAM/SP
1970 - São Paulo SP - Collective, at A Hebraica
1970 - São Paulo SP - Futebol Arte, at Paço das Artes
1970 - São Paulo SP - Pinacoteca do Estado de São Paulo 1970, at the Pinacoteca do Estado
1971 - Barcelona (Spain) - 3rd International Biennial del Deporte en las Bellas Artes
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Bienal Foundation
1972 - São Paulo SP - 2nd International Engraving Exhibition, at MAM/SP
1972 - São Paulo SP - Arte/Brazil/Today: 50 years later, At Galeria da Collectio
1973 - Atami - 1st Exhibition of Fine Arts Brazil-Japan
1973 - Brasília DF - 1st Exhibition of Fine Arts Brazil-Japan
1973 - Osaka (Japan) - 1st Exhibition of Fine Arts Brazil-Japan
1973 - Recife PE - Franciscan, the figure of San Francisco performed by 13 northeastern artists, at Ranulpho Art Gallery
1973 - São Paulo SP - 1st Brazil-Japan Fine Arts Exhibition
1973 - Tokyo - 1st Brazil-Japan Fine Arts Exhibition
1974 - Rio de Janeiro RJ - O Mar, at the IBEU Gallery Copacabana
1975 - Penápolis SP - 1st Northwest Plastic Arts Hall, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1975 - Rio de Janeiro RJ - Art and Ecological Thinking, at the Palace of Culture
1975 - Rio de Janeiro RJ - Carybé and Aldemir Martins, at the MINI Gallery
1975 - São Paulo SP - 13th São Paulo International Biennial, at the Bienal Foundation
1975 - São Paulo SP - 2nd Exhibition of Fine Arts Brazil-Japan, at the Legislative Assembly of the State of São Paulo
1975 - São Paulo SP - Art and Ecological Thought, at the Municipality of São Paulo/Palácio Anchieta and at Cetesb
1976 - Penápolis SP - 2nd Northwest Plastic Arts Salon, at Fundação Educacional de Penapolis. Faculty of Philosophy, Sciences and Letters of Penápolis
1976 - São Paulo SP - 10th Art and Ecological Thought, at the Jacareí Viaduct
1976 - São Paulo SP - 2nd Masters of Brazilian Painting, at A Gallery
1976 - São Paulo SP - Collective, at the Educational Foundation of Penápolis
1976 - São Paulo SP - The Young Drawing of the 40s, at the Pinacoteca do Estado
1977 - Atami (Japan) - 3rd Brazil-Japan Fine Arts Exhibition
1977 - Kyoto (Japan) - 3rd Brazil-Japan Fine Arts Exhibition
1977 - Rio de Janeiro RJ - 3rd Exhibition of Fine Arts Brazil-Japan
1977 - São Paulo SP - 3rd Exhibition of Fine Arts Brazil-Japan
1977 - Tokyo (Japan) - 3rd Exhibition of Fine Arts Brazil-Japan
1978 - Penápolis SP - 3rd Northwest Plastic Arts Hall, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1978 - Rio de Janeiro RJ - 18th Art and Ecological Thought, at the Euclides da Cunha Library
1978 - São Paulo SP - 16th Art and Ecological Thought, NA Cetesb
1978 - São Paulo SP - 19 painters, at MAM/SP
1979 - São Paulo SP - Figurative Artists, at Itaúgaleria
1979 - São Paulo SP - 15th International Biennial of São Paulo, at Fundação Bienal
1979 - São Paulo SP - 4th Exhibition of Fine Arts Brazil-Japan
1979 - São Paulo SP - 4th Exhibition of Fine Arts Brazil-Japan
1980 - Bonn (Germany) - Four Brazilian artists, at the Kultur-Forum Bonn Center
1980 - Lisbon (Portugal) - Four Brazilian artists at the Gulbenkian Museum of the Calouste Gulbenkian Foundation
1980 - Penápolis SP - 4th Northwest Plastic Arts Hall, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1980 - Presidente Prudente SP - 3rd Salão de Artes Plásticas de Presidente Prudente, at Palácio da Cultura Dr. Pedro Furquim
1980 - Porto (Portugal) - four artists Brazilians, at the Board of Trade
1980 - Santiago (Chile) - Collective, at the Museum of Bellas Artes de Santiago
1980 - São Paulo SP - 48 artists, at the Pinacoteca do Estado
1980 - São Paulo SP - 5th Exhibition of Fine Arts Brazil-Japan
1980 - São Paulo SP - Collective, at MAM/SP
1980 - São Paulo SP - Inauguration press conference, at Galeria Grossmann
1981 - São Paulo SP - 5th Brazil-Japan Fine Arts Exhibition
1981 - São Paulo SP - The Art of Playboy, at Masp
1981 - Rio de Janeiro RJ - The Art of Playboy, at the Palace Hotel
1982 - Stockholm (Sweden) - Stockholm Art Fair - Special Room
1982 - Lisbon (Portugal) - Brazil 60 Years of Modern Art: Gilberto Chateaubriand Collection, at the José de Azeredo Modern Art Center Perdigão
1982 - London (United Kingdom) - Brazil 60 Years of Modern Art: Gilberto Chateaubriand Collection at Barbican Art Gallery
1982 - Penápolis SP - 5th Fine Arts Hall Northwest, at the Educational Foundation of Penápolis. Faculty of Philosophy, Sciences and Letters of Penápolis
1982 - Rio de Janeiro RJ - Football: Interpretations, at the Art Gallery Banerj
1982 - Rio de Janeiro RJ - Universo do Futebol, at MAM/RJ
1982 - Salvador BA - The Brazilian art of the Odorico Tavares Collection, at the Carlos Costa Pinto Museum
1982 - São Paulo SP - From Modernism to Biennial, at MAM/SP
1983 - Atami (Japan) - 6th Exhibition of Fine Arts Brazil-Japan
1983 - Kyoto (Japan) - 6th Exhibition of Fine Arts Brazil-Japan
1983 - Olinda PE - Exhibition of the Abelardo Rodrigues Collection of Plastic Arts, in the MAC/PE
1983 - Rio de Janeiro RJ - 6th Exhibition of Fine Arts Brazil-Japan, at MNBA
1983 - Rio de Janeiro RJ - National Salon of Plastic Arts, at MAM/RJ
1983 - São Paulo SP - 14th Panorama of Current Brazilian Art, at MAM/SP
1983 - São Paulo SP - 6th Exhibition of Fine Arts Brazil-Japan, at MASP
1983 - São Paulo SP - Art on the street
1983 - São Paulo SP - Palmeira, at the Alberto Bonfiglioli Gallery
1983 - Tokyo (Japan) - 6th Brazil-Japan Fine Arts Exhibition
1984 - The Hague (Holland) - The color and design of Brazil
1984 - Madrid (Spain) - The color and design of Brazil
1984 - Paris (France) - The color and design of Brazil
1984 - Lisbon (Portugal) - A Color and drawing of Brazil
1984 - Rome (Italy) - The color and design of Brazil
1984 - Itu SP - 3rd Art Exhibition. Various trends, at Casa da Cultura
1984 - Ourinhos SP - Homage to the art of engraving in Brazil, at Itaugaleria
1984 - Ribeirão Preto SP - Brazilian recorders 50s/60s, at the Campus USP Gallery - Banespa
1984 - Rio Claro SP - 2nd Salão de Artes Plasticas de Rio Claro
1984 - Rio de Janeiro RJ - Brazilian painting active, at Espaço Petrobrás
1984 - São Paulo SP - 15º Panorama of Current Brazilian Art, at MAM/SP
1984 - São Paulo SP - The color and design of Brazil, at MAM/SP
1984 - São Paulo SP - Tradition and rupture: synthesis of Brazilian art and culture, at the Foundation Biennial
1984 - Teresina PI - 7th National Salon of Plastic Arts
1985 - Atami (Japan) - 7th Brazil-Japan Fine Arts Exhibition
1985 - Brasília DF - Painting active Brazilian, at the Cultural Foundation of the Federal District
1985 - Fortaleza CE - Aldemir Martins, Floriano Teixeira, Pietrina Checcacci, Sérgio Lima and Sérvulo Esmeraldo, at the Ignez Fiuza Gallery
1985 - Kyoto (Japan) - 7th Brazil-Japan Fine Arts Exhibition
1985 - Ottawa (Canada) - Trois Peintres Brésiliens
1985 - Penápolis SP - 6th Northwest Plastic Arts Hall, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1985 - Rio de Janeiro RJ - 7th Exhibition of Fine Arts Brazil-Japan, at the Brazil-Japan Foundation
1985 - Rio de Janeiro RJ - 8th National Arts Hall Plasticas, at MAM/RJ
1985 - São Paulo SP - 100 Obras Itaú, at MASP
1985 - São Paulo SP - 7th Exhibition of Fine Arts Brazil-Japan, at Fundação Brasil-Japão
1985 - São Paulo SP - Aldemir Martins, Rapoport, Satyro, Scliar, Virgolino, at Ranulpho Art Gallery
1985 - São Paulo SP - The mothers and the flower in the view of 33 painters, Ranulpho Art Gallery
1985 - Tokyo (Japan) - 7th Brazil-Japan Fine Arts Exhibition
1986 - Belgrade (Yugoslavia) Belgrade
1986 - London (England) - The 3th International Art Contemporary Fair
1986 - Madrid (Spain) - Arc
1986 - São Paulo SP - 17th Panorama de Arte current Brazilian, at MAM/SP
1987 - Salvador BA - twelve Brazilian artists, at Anarte Galeria
1987 - Salvador BA - Inauguration of the Casa de Jorge Amado Foundation
1987 - São Paulo SP - the biennials in the MAC: 1951 to 1985, at MAC/USP
1987 - São Paulo SP - The Craft of Art: Painting, at SESC
1988 - Fortaleza CE - Celebration of 30th Anniversary of the Foundation of SCAE, Society of Plastic Artists of Fortaleza
1988 - Paris (France) - Exhibition of Ecological Paintings FIAC, at the Grand Palais de Paris
1988 - Beijing (China) - 1st Brazil-China Exhibition, at the Gallery of Fine Arts of the China
1988 - Rio de Janeiro RJ - Hedonism: Gilberto Chateaubriand Building Gallery Gilberto Chateaubriand
1988 - Salvador BA - The illustrators of Jorge Amado, at Fundação Casa de Jorge Amado
1988 - Salvador BA - The illustrators of Jorge Amado, at Fundação Casa de Jorge Amado
1988 - São Paulo SP - 15 years of the Brazil-Japan Fine Arts Exhibition, at the Mokiti Okada M.O.A. 1988 - São Paulo SP - Brasiliana: O Homem e a Terra, at the Pinacoteca do Estado
1988 - São Paulo SP - Juréia, at the Sadala Gallery
1988 - São Paulo SP - The walls of Maison Vogue, at MASP
1988 - São Paulo SP - The rhythms and forms: contemporary Brazilian art, at SESC/Pompéia
1989 - Copenhagen (Denmark) - The rhythms and forms: contemporary Brazilian art, in the museum Charlottenborg
1989 - São Paulo SP - The Tables, at Ranulpho Art Gallery
1989 - São Paulo SP - Thirty-three ways to see the world, at Ranulpho Art Gallery
1990 - Brasília DF - Pantanal: Seven Visions, in the Visual Art Gallery
1990 - São Paulo SP - Fruits, Flowers and Colors, at Ranulpho Art Gallery
1990 - São Paulo SP - Painted Cats, at Ranulpho Galeria de Art
1991 - Curitiba PR - Municipal Museum of Art: Collection, at the Municipal Museum of Art
1991 - Fortaleza CE - SCAP: 50 years, at the Imperial Othon Palace Hotel
1991 - Paris (France) - collective, at the Grand Palais de Paris
1991 - São Paulo SP - Music in painting, at Ranulpho Art Gallery
1991 - São Paulo SP - Chico e os Bichos, at Ranulpho Art Gallery
1991 - São Paulo SP - Graphic Record: Original lithographs, at the Kramer Art Gallery
1992 - Rio de Janeiro RJ - Eco Art, at the Museum of Modern Art
1992 - Santo André SP - Lithogravure: Methods and Concepts, in the Paço Municipality
1992 - São Paulo SP - 7th Brazilian Art Salon, at the Mokiti Okada Okada M.O.A.
1992 - São Paulo SP - The look of Sérgio on Brazilian art: drawings and paintings, at the Mário de Andrade
1993 - João Pessoa PB - Woodcut: From Cordel to the Gallery, at Funesc
1993 - Rio de Janeiro RJ - Arte Erotica, at MAM/RJ
1993 - Rio de Janeiro RJ - The MAC and the Biennials, at the EAV/Parque Lage
1993 - Santo André SP - 21st Salão de Arte Contemporânea de Santo André, at the Municipal Palace
1993 - São Paulo SP - 100 masterpieces of the Mário de Andrade Collection: Painting and Sculpture, at IEB/USP
1993 - São Paulo SP - Exhibition Luso-Nippo-Brazilian, at MAB/FAAP
1993 - São Paulo SP - Works for illustration of the literary supplement: 1956 - 1967, at MAM/SP
1994 - Rio de Janeiro RJ - Trencheiras: Art and Politics in Brazil, at MAM/SP
1994 - São Paulo SP - Bienal Brasil Século 20th, at the Fundação Bienal
1994 - São Paulo SP - Engravings: Subtleties and Mysteries, Printing Techniques, at the Pinacoteca do Estado
1994 - São Paulo SP - Poetics of the Resistance: Aspects of Brazilian Engraving, in the Art Gallery of the SESI
1994 - São Paulo SP - woodcut: from cordel to the gallery, in the company of the metropolitan of São Paulo
1994 - São Paulo SP - woodcut: from cordel to the gallery, at the Museum of Art of São Paulo
1995 - São Paulo SP - Brazil-Japan Art, at Fundação Mokiti Okada M.O.A.
1995 - São Paulo SP - Projeto Arte Atual Brasil, at Renato Magalhães Gouvêa Art Office
1995 - São Paulo SP - Projeto Contacto, at the SESC Paulista gallery
1996 - Barra Mansa RJ - 12 names in Brazilian painting, at the Centro Universitário de Barra Mansa
1996 - Belo Horizonte MG - Itinerant impressions, Palácio das Artes
1996 - Osasco SP - Expo Fieo, at FIEO
1996 - Penápolis SP - Brazilian contemporary art at the Funarpe collection, in Itaugaleria
1996 - São Paulo SP - Norfest 96, at D&d Shopping
1996 - São Paulo SP - OFF Bienal, at MUBE
1997 - São Paulo SP - Collective Christmas Exhibition, at the André Art Gallery
1998 - Fortaleza CE - Jangada, at the Ceará Museum
1998 - Marseille (France) - Football Art
1998 - Paris (France) - Football Art
1998 - Rio de Janeiro RJ - Futebol Arte, at Fundação Casa França-Brasil
1998 - São Paulo SP - Spring press conference, at the André Art Gallery
1998 - São Paulo SP - Futebol Arte, at Galeria Marta Traba
1998 - São Paulo SP - Impressions: the art of engraving Brazilian, at the Banespa Paulista Cultural Space
1998 - São Paulo SP - The modern and the contemporary in Brazilian art: Gilberto Chateaubriand Collection - MAM/RJ, at MASP
1998 - São Paulo SP - Os Collectoros - Guita and José Mindlin: matrices and engravings, at the SESI Art Gallery
1999 - Porto Alegre RS - Art Garage: Inaugural Exhibition, at the Art Garage
1999 - Rio de Janeiro RJ - Exhibition Rio Engravura. Brazilian modern engraving. Collection National Museum of Fine Arts, in the MNBA
1999 - Rio de Janeiro RJ - Exhibition Rio Engravura. São Paulo: Engraving today, at the Gustavo Capanema Palace
1999 - São Paulo SP - Daily life/art. Consumption - Metamorphosis of Consumption, at Itaú Cultural
1999 - São Paulo SP - daily life/art. Consumption - Paratodos, at Itaú Cultural
1999 - São Paulo SP - Lithography: Fidelity and Memory, at the Unicid Arts Space
2000 - Londrina PR - Millennium Collective, at the Bahiarte Gallery
2000 - São Paulo SP - Brazil on paper: hues and experiences, at the Unicid Arts Space
2000 - São Paulo SP - Sociarte collective, at Clube Atlético Monte Líbano. Cultural Space
2000 - São Paulo SP - Investigations. Brazilian engraving, at Itaú Cultural
2000 - São Paulo SP - Great Brazilian artists, at Casa das Festas
2001 - Brasília DF - Investigations. The Brazilian engraving, at Itaugaleria
2001 - Juazeiro do Norte CE - 1st Cariri Art Biennial
2001 - Penápolis SP - Investigations. The Brazilian engraving, at Itaú Cultural
2001 - Rio de Janeiro RJ - Brazilian Watercolor, at the Light Cultural Center
2001 - Santo André SP - 1st Engraving Biennial of Santo André
2001 - São Paulo SP - 4 decades, at Nova André Galeria
2001 - São Paulo SP - Art Hoje, at Arvani Arte
2001 - São Paulo SP - Instant biographies, at Casa das Rosas
2001 - São Paulo SP - Aldo Franco Collection, at the Pinacoteca do Estado
2001 - São Paulo SP - Figures and Faces, at A Galeria
2001 - São Paulo SP - Brazilian Art Museum: 40 years, at the Brazilian Art Museum
2001 - Uberlândia MG - Brazilian prints from the muna collection: 60's, 70's and 80's, at MUNA
2002 - Porto Alegre RS - Drawings, engravings, sculptures and watercolors, in the art garage
2002 - São Paulo SP - Aldemir Martins, Jean Emile and Tuneu, at Augusto Augusta
2002 - São Paulo SP - Open Opera: Celebration, at Casa das Rosas
2003 - Rio de Janeiro RJ - Brazilianart project, at Almacén Art Gallery
2003 - São Paulo SP - 7 Visions, at Nova André Galeria
2003 - São Paulo SP - Arte & Artists: Exhibition of the nineteen painters, at MASP. Prestes Maia Gallery
2003 - São Paulo SP - Entre Aberto, in the Brazilian engraving
2003 - São Paulo SP - Israel and Palestine: two states for two peoples, at SESC/Pompeia
2004 - Rio de Janeiro RJ - The Century of a Brazilian: Roberto Marinho Collection, at Paço Imperial
2004 - São Paulo SP - 450 x 45, at Nova André Galeria
2004 - São Paulo SP - As Bienais: a look at Brazilian production 1951/2002, at the Bergamin Gallery
2004 - São Paulo SP - Fifty 50, at the Museum of Modern Art
2004 - São Paulo SP - Collective of contemporary artists, at Esporte Clube Sírio
2004 - São Paulo SP - Paper Office, at the São Paulo Cultural Center
2004 - São Paulo SP - New acquisitions: 1995-2003, at MAB/FAAP
2005 - São Paulo SP - 30 years with art, at Sesc Interlagos
2005 - São Paulo SP - Odorico Tavares: my Bahian house - dreams and desires of a collector, at the SESI Art Gallery
2005 - São Paulo SP - small large works, in the Cultural Blue Life
2005 - Campo Grande MS - Formas Brasileiras, in Marco
2005 - Curitiba PR - Odorico Tavares: my Bahian house - dreams and desires of a collector, at the Oscar Niemeyer Museum
2005 - Fortaleza CE - Brazilian Art: in the public and private collections of Ceará, at the Unifor Cultural Space
2006 - São Paulo SP - Engraving Club: 20 years, at the Museum of Modern Art
2006 - São Paulo SP - Viva Cultura Viva do Povo Brasileiro, at the Afro Brasil Museum
2006 - Belém PA - Traces and Transitions of Brazilian Contemporary Art, at the Casa das Onze Janelas Cultural Space
2006 - Florianópolis SC - Traces do Acervo Caixa, at the Museu de Arte de Santa Catarina
2006 - Fortaleza CE - Futebol, Alegria do Povo, at the Oboé Cultural Center
Posthumous exhibitions
2007 - Americana SP - ... limits..., at Casa de Cultura Hermann Müller
2007 - São Paulo SP - Aldemir Martins: 50 years after Venice, in Art and Events
2008 - São Paulo SP - Aldemir, Luz! Cor!, at Nova André Galeria
2008 - São Paulo SP - The art that bathes the Northeast, at Palácio dos Bandeirantes
2008 - São Paulo SP - Brazil, at the Banco do Brasil Cultural Center
2008 - São Paulo SP - Brazil: Terra of contrasts, at the Afro Brasil Museum
2009 - São Paulo SP - CRITICAL LOOK: ABCA's award-winning art and the artistic collection of the palaces, at Palácio dos Bandeirantes
2009 - Milan (Italy) - Small Greater Works - Brazilian Contemporary Art, at the Instituto Brasile - Italy
2009 - Rio de Janeiro RJ - Brazil Brazilian, at the Centro Cultural Banco do Brasil
2010 - São Paulo SP - Visual notes by Aldemir Martins, at the Citibank Cultural Space
2010 - São Paulo SP - 41st Chapel Art Show, at Maria Imaculada School - Chapel School
2010 - São Paulo SP Participant Artist - 6th SP-Arte, at the Bienal Foundation
2010 - Fortaleza CE - Picasso A Gary Hill, at Centro Dragão do Mar de Arte e Cultura
2011 - Belém PA - Images that populate the dream : Elf 30 years old, at Galeria Elf
2011 - Belo Horizonte MG - 1911-2011 - Brazilian art and then, in the Itaú collection, at the Clóvis Salgado Foundation. Palácio das Artes
2011 - Salvador BA - Marcos Moniz Barreto Collection 15 years old, at the MCR Galeria de Arte
2012 - Fortaleza CE - a name in the center of the collection: Aldemir Martins and the Caixa collection, in the cultural box
2012 - São Paulo SP - The return of the Tamagni collection: even the stars for difficult paths, at the Museum of Modern Art in São Paulo
2012 - Recife PE - Odorico Tavares : Dreams and Desires of a Collector - Instituto Ricardo Brennand
2013 - Fortaleza CE - Trajectories - Brazilian Art at the Edson Queiroz Foundation Collection - Unifor 40 years, at the Unifor Cultural Space
