Regina Silveira

Regina Silveira (Porto Alegre RS 1939)

Regina Silveira is one of the most important artists in Brazilian contemporary art, internationally recognized for her work as a multimedia artist, printmaker, painter and teacher. Her career stands out for her solid academic training and intense teaching activity, aspects that were fundamental in consolidating her relevance on the Brazilian and international art scene.

Regina Silveira earned her bachelor's degree in Painting in 1959 from the Instituto de Artes da Universidade Federal do Rio Grande do Sul (IA/UFRGS), where she studied with important masters, among them Aldo Locatelli and Ado Malagoli. Regina Silveira also obtained a teaching degree in Drawing from the Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS), broadening her training in the field of visual arts.

Regina Silveira deepened her artistic training in the early 1960s at the Ateliê Livre da Prefeitura de Porto Alegre, where she took classes with leading artists such as Iberê Camargo, Francisco Stockinger and Marcelo Grassmann. In 1967, Regina Silveira received a scholarship from the Instituto de Cultura Hispánica to study at the Faculty of Philosophy and Letters in Madrid, an experience that broadened her theoretical repertoire and her presence in the international art circuit.

In 1969, Regina Silveira was invited to teach at the University of Puerto Rico, beginning an important stage of her academic career. Upon returning to Brazil in 1973, Regina Silveira took over the coordination of the printmaking department at the Fundação Armando Álvares Penteado (FAAP), a position she held until 1985 and which strengthened her influence on the training of new generations of Brazilian artists.

In 1974, Regina Silveira joined the faculty of the Escola de Comunicações e Artes da Universidade de São Paulo (ECA/USP), where she carried out a significant part of her academic research. Regina Silveira earned her master's degree in 1980 and completed her doctorate in 1984, strengthening her work both in artistic production and in the university environment.

Regina Silveira lived in New York between 1991 and 1994 with grants awarded by internationally prestigious institutions such as the John Simon Guggenheim Foundation, the Pollock-Krasner Foundation and the Fulbright Foundation. In 1995, Regina Silveira was an artist in residence at the Civitella Ranieri Foundation and, in 2000, she received the Prêmio Cultural Sergio Motta, one of the most important Brazilian awards in the field of art and technology.

Over the course of her career, Regina Silveira has established herself as a central figure in Brazilian contemporary art. Regina Silveira stands out for the way she brings together artistic practice, research and teaching, as well as for her significant presence in the international visual arts circuit.

Critical Commentary

The work of Regina Silveira, a central reference in Brazilian contemporary art, reveals an ongoing investigation into systems of visual representation, marked by dialogues with important artistic sources of the 20th century. According to the critic Tadeu Chiarelli, Regina Silveira's poetics was deeply influenced by her contact with the work of Iberê Camargo, from whom she absorbed an understanding of technique as a means — and not an end — as well as a critical stance toward crystallized codes of representation.

Another fundamental reference for Regina Silveira is Marcel Duchamp, whose work allows the artist, through irony, to subvert and reinvent such codes, expanding their possibilities of meaning. This closeness to Duchampian thought is evident in works such as In Absentia M.D. (1983), in which Regina Silveira paints on the floor enlarged shadows of iconic works by Duchamp, starting from the physical absence of the objects and their empty pedestals.

In the late 1960s and early 1970s, Regina Silveira produced sculptures and silkscreens still linked to the geometric-constructive tradition. In Labirintos [Labyrinths] (1971), she began investigations with geometric grids and perspective systems. In the series Middle Class & Co (1971–1972), she addressed the fragmentation of the individual in contemporary society, introducing a critical dimension that would become recurrent in her work.

The appropriation of photographic images became a central procedure in Regina Silveira's practice, expanding the semantic dimension of her works. In photomontages printed in offset, conceived as simulacra of postcards — as in the series Brasil Today: Natural Beauties (1977) —, the artist sets images of urban landmarks and recognizable landscapes against elements of degradation, such as rubble and car cemeteries, putting pressure on the symbolic construction of the Brazilian landscape.

Throughout her career, Regina Silveira has incorporated various technologies and media, including heliography, microfilm, xerox, electronic panels, video art, videotext and mail art, reaffirming her pioneering role in experimentation with new media in the context of Brazilian art.

In Anamorfas [Anamorphs] (1980), Regina Silveira deepened her investigation into the subversion of perspective, starting from photographs of everyday objects that are redrawn with distortions — compressions, dilations and folds —, destabilizing the viewer's perception. In Simulacros [Simulacra] (1984), the artist creates shadows from invented projections, in which the object casting them is absent, establishing conceptual relationships with Dadaism and Surrealism.

The use of the shadow as an index of absence became a central element in Regina Silveira's work, proposing a reflection on the limits of representation and its relationship with perception. This investigation expanded into exhibition and architectural space, when the artist began to intervene directly on walls and floors with shadowed silhouettes in paint or latex.

Works such as Vértice [Vertex] (1994) and Escada Inexplicável II [Inexplicable Staircase II] (1999) explore the relationship between image and architecture, creating illusions of depth and spatial instability. In more recent works, Regina Silveira has extended her practice into urban space, using vinyl and light projections on building façades. In Lumen (2002), she investigates light and its visual multiplication, evoking effects similar to those of a kaleidoscope.

Regina Silveira's work also engages with social and political issues, addressing themes such as power — in Monudentro (1987) and The Saint’s Paradox (1994) —, violence — in Encuentro (1991) — and the social role of women — in Carrinho de Chá [Tea Trolley] (1986).

In addition to her artistic production, Regina Silveira has played a fundamental role in the training of new generations of artists in Brazil, having influenced names such as Ana Maria Tavares, Rafael França, Mônica Nador and Iran do Espírito Santo.

Critiques

"With Inflexões [Inflections], Regina Silveira seeks a way to dialogue with and revise some assumptions of the grammars of vision and thus conducts an eminently plastic investigation. The interactive and conventional advertisements of furniture stores are the starting point for the construction of a series of unusual objects that advance into space in all directions (...). If, through the emergence of this ´degenerative´, transforming power, the Inflections seem to respond to the object-based proposal of Surrealism, Regina Silveira's intention is not, however, metaphorical. (...) Testing the containing power of contours, Regina Silveira takes the perspective system to its utmost limit. She multiplies points of view, vanishing points and distance points, which destroy perspective from within, but she does not entirely renounce it. She adds a new perspective, usually curved, to the frontality of advertising images (...). Personal design or anti-design, the tension of the Inflections points to a vector of mutation, of instability, of ´uncertainty´, to a structural ´disharmony´, (...) a tangible sign of that ´disordering of order´ that Regina Silveira has proposed since the Anamorfas [Anamorphs]".
Annateresa Fabris
SILVEIRA, Regina. Regina Silveira: inflexões. São Paulo: Galeria Luisa Strina, 1987.

"In the specific case of Regina Silveira, the maturing of her poetics seems to have been determined by contact with the work of two artists apparently opposed in the stances they took in their careers: Iberê Camargo and Marcel Duchamp.
From the first (whose student the artist was in Porto Alegre), Regina Silveira would have learned his underlying existential anguish, which led her to break with her initial conception of art based on an extremely rigid, conservative training. From him she also absorbed the view of technique as a means and not an end; finally, Camargo seems to have made her doubt, for the first time, the codes of representation crystallized by tradition.
From her contact with the work of Duchamp (which took place in the 1970s), Regina Silveira realized that the path to the maturing of her poetics was to recover, in a critical key, those previously disdained codes, reinventing them in order to draw other possibilities of meaning from them. She became aware that art could be not merely the emanation of the artist's anguish before the world, but rather an organized system full of rules to be called into question by the artist.
As healthy residues of her experience with Iberê Camargo, Regina Silveira brought the somber tone of her works, the taste for the expressive deformation of signs, and an unrestricted distrust of the effectiveness, nowadays, of art and its institutionalized codes. With Duchamp, this distrust turned into relentless irony, into a mordancy aimed at destabilizing crystallized concepts of art".
Tadeu Chiarelli
CHIARELLI, Tadeu. Artista e orientadora.  In: MORAES, Angélica de (org.). Regina Silveira: cartografias da sombra. São Paulo: Edusp, 1996. p.215-216.

"In Regina Silveira's work, the shadow follows Platonic assumptions and indicates the possibility of transposing the real into the represented. The impasse is accentuated by the exploration of what Leonardo da Vinci called the marginal aberrations of perspective, that is, the universe of distortions born in the wake of apparently exact geometric procedures. (...)
The vigorous subjectivity of expressionist roots, explicitly exercised by the painter and printmaker at the beginning of her career, is something that immediately comes to mind for anyone observing her creative process. At the moment when the idea is only a pencil line on paper, she gives free rein to intuition. The shadows are not obtained from calculations. These are only called upon after the formal resolution responds to the intended content, and only to transfer this arbitrary cartography to the plane (drawings, prints, tapestries and cutouts) or to space (objects and installations). The artist destroys and rebuilds the possible gaze upon something before resorting to the ruler and the vanishing points that will objectify for the viewer the image shown and its set of corollary views. (...)
Regina Silveira chose this tool because it meets needs of symbolic articulation, allowing her to manipulate one of the foundations on which the notion of represented reality still rests. Perspective is a fulcrum of the illusory. By exploring contemporary themes with deformations born in the fantastic margins of perspectival rigor, the artist brings together the formal assumptions of Mannerism and the sophisticated framework of ideas set out by conceptual art".
Angélica de Moraes
MORAES, Angélica de (org.). Regina Silveira: cartografias da sombra. São Paulo: Edusp, 1996.

"The Simulacros [Simulacra] (1982-1984), which followed the Anamorfas [Anamorphs], complete the key points of reference of her language. They form a constellation of photographic works, installations and objects, always monochromatic (black on white), reverberating among themselves, which she considers ´a reflection on the representation of cast shadows, realized as a parodic visuality of the projective codes of linear perspective, of the theory of shadows, of photography and of topographic drawing´. In establishing visual structures based on the infringement of the laws of artificial representation created in the search for the exactness of the projective codes of classical perspective, what interested her above all, as it does today, was the use of points of view and angles of vision.
Despite the homogeneity in the making of all her work, devoted to the ambiguities of perspective (and in which the ´motifs´ or objects that serve as her models matter little), we would single out among the Simulacros the installation In Absentia (MD), built in a 10 x 20 m space at the Bienal Internacional de São Paulo in 1983, consisting of the monumental silhouettes of Bottlerack and Bicycle Wheel, stretched in oblique opposition across the floor and up the panels that enclosed the space. They were fictitious shadows that illusorily started from two absolutely empty sculpture bases and became distorted, challenging perception according to the viewer's distance points".
Walter Zanini
ZANINI, Walter. Regina Silveira. In: SILVEIRA, Regina. Regina Silveira: in absentia (stretched). [Texto traduzido e revisto por Walter Zanini em 1997].

Testimonials

"I have never considered myself a printmaker, because the idea of specializing in a single expressive medium bothers me. Nor am I interested in printmaking in itself. An artist is a specialist in visual languages. Printmaking is just one of the media in which these languages can be exercised. Art History is there to remind us that the great printmakers were also draftsmen and painters. My multimedia stance is based on the possibilities of building something from graphic images of different origins, through the most diverse graphic procedures. I have always used and mixed, without prejudice, silkscreen, offset, heliography, xerox and even traditional techniques such as lithography. Everything that deals with reproducibility interests me, just as the printed image interests me".
Regina Silveira
SILVEIRA, Regina. Pedagogia do traço: entrevista a Angélica de Moraes. In: MORAES, Angélica de (org.). Regina Silveira: cartografias da sombra. São Paulo: Edusp, 1996. p.92.

Solo Exhibitions

1958 - Florianópolis SC - Solo, at Galeria Pancetti
1958 - Porto Alegre RS - Solo, at Edifício Mallet
1960 - Florianópolis SC - Solo, at Museu de Arte Moderna de Santa Catarina
1960 - Porto Alegre RS - Solo, at Galeria Casa das Molduras
1961 - Porto Alegre RS - Solo, at Museu de Arte do Rio Grande do Sul Ado Malagoli - Margs
1962 - Porto Alegre RS - Solo, at Aliança Francesa
1963 - Rio de Janeiro RJ - Solo, at Galeria Ibeu Copacabana
1964 - Porto Alegre RS - Solo, at Galeria do ICBNA
1965 - Rio de Janeiro RJ - Solo, at Galeria Goeldi
1966 - Montevideo (Uruguay) - Solo, at Galeria U
1966 - Porto Alegre RS - Solo, at Margs
1967 - Madrid (Spain) - Solo, at Galeria Seiquer
1968 - Montevideo (Uruguay) - Solo, at Galeria U
1968 - Porto Alegre RS - Solo, at Galeria IAB/RS
1968 - Porto Alegre RS - Solo, at Margs
1970 - Mayaguez (Puerto Rico) - Solo, at Sala de Arte da Universidade de Porto Rico
1973 - Madrid (Spain) - Solo, at Galeria Seiquer
1973 - Mayaguez (Puerto Rico) - Solo, at Universidad de Puerto Rico. Sala de Arte
1974 - Vitória ES - Solo, at Fundação Cultural do Espírito Santo
1975 - Buenos Aires (Argentina) - Solo, at Centro de Arte y Comunicación - Cayc
1975 - São Paulo SP - Solo, at Gabinete de Artes Gráficas
1977 - Buenos Aires (Argentina) - Solo, at Centro de Arte y Comunicación - Cayc
1977 - São Paulo SP - Solo, at Gabinete de Artes Gráficas
1978 - Madrid (Spain) - Solo, at Galeria de Arte da Casa do Brasil
1978 - Porto Alegre RS - Regina Silveira: Retrospective - Graphic Work, at UFRGS. Instituto de Artes
1980 - São Paulo SP - Anamorphs, at Museu de Arte Contemporânea da Universidade de São Paulo - MAC/USP
1982 - Rio de Janeiro RJ - Anamorphs, at Museu de Arte Moderna do Rio de Janeiro - MAM/RJ
1984 - Lisbon (Portugal) - Solo, at Galeria Diferença
1984 - Lisbon (Portugal) - Solo, at Círculo de Artes Plásticas
1984 - Porto Alegre RS - Shadows, at Margs
1984 - São Paulo SP - Simulacra, at MAC/USP
1985 - Curitiba PR - Solo, at Museu de Arte Contemporânea do Paraná - MAC/PR
1987 - São Paulo SP - Inflections, at Galeria Luisa Strina
1987 - Fortaleza CE - Inflections, at Arte Galeria
1988 - Lisbon (Portugal) - Solo, at Cooperativa Diferença de Comunicação Visual. Galeria Diferença
1988 - Lisbon (Portugal) - Projectio, at Fundação Calouste Gulbenkian
1988 - Lisbon (Portugal) - Vertex, at Fundação Calouste Gulbenkian
1988 - New York (United States) - Solo, at Franklin Furnace Archive, Inc.
1988 - Porto Alegre RS - Solo, at Margs
1989 - Porto Alegre RS - Solo, at Galeria Arte & Fato
1989 - São Paulo SP - Inflections: Painted Cutouts, at Galeria Luisa Strina
1989 - São Paulo SP - Vertex, at MAC/USP
1990 - Edewecht (Germany) - Projectio, at Micro Hall Art Center
1990 - Porto (Portugal) - Auditorium, at Cooperativa Árvore
1991 - Austin (United States) - On Absence: Office Furniture, at One American Center Building
1991 - Chicago (United States) - Solo, at The Mitchell Museum of the American Indian
1991 - Mount Vernon (United States) - Interiors, at Mitchell Museum
1991 - New York (United States) - Behind the Glass, at New York University. Grey Art Gallery
1991 - São Paulo SP - Auditorium, at Galeria Luisa Strina
1992 - Miami (United States) - Encuentro, at Bass Museum of Art
1992 - New York (United States) - Solo, at Ledisflam Gallery
1992 - New York (United States) - Solo, at The Queens Museum of Art
1992 - São Paulo SP - Regina Silveira: Retrospective, at Espaço Eugene Villen
1993 - New York (United States) - Masterpieces (In Absentia), at Ledisflam Gallery
1994 - São Bernardo do Campo SP - Graphos 2, at Espaço Henfil de Cultura
1994 - Washington (United States) - Expandables, from the Simulacra series, at Art Gallery of Baci
1995 - New York (United States) - Mapping the Shadows, at Ledisflam Gallery
1995 - Porto Alegre RS - Solo, at Margs
1996 - La Spezia (Italy) - Velox, at Galleria D'Arte Il Gabbiano
1996 - San Diego (United States) - Gone Wild, at série Inside/Out, at Museum of Contemporary Art
1996 - São Paulo SP - Graphies, at Masp
1997 - Chicago (United States) - To be Continued..., at N.I.U. Art Gallery
1997 - São Paulo SP - Intro: refresh window r.s, at Galeria Casa Triângulo
1998 - Buenos Aires (Argentina) - Superhero: Night and Day, at Museo de Arte Moderno
1998 - Buenos Aires (Argentina) - Velox, at Museo de Arte Moderno
1998 - San Antonio (United States) - Velox, at Blue Star Art Center
1998 - São Paulo SP - Velox, at Galeria Brito Cimino
1998 - Pisa (Italy) - Velox, at Studio Gennai
1999 - Santiago (Chile) - Desapariencias, at Galeria Gabriela Mistral
2000 - Brasília DF - Velox, at Galeria de Arte da Universidade de Brasília
2000 - Rio de Janeiro RJ - Equinox, at Pavilhão das Cavalarias - Parque Lage
2000 - São Paulo SP - Ex Orbis - Making of, at Senac
2000 - São Paulo SP - Ex Orbis: making of, at Centro de Comunicações e Artes do Senac
2000 - Washington (EUA) - Perpetual Transformation, at Art Museum of the Americas
2001 - Fortaleza CE - Duet/Duel, Palácio da Abolição
2001 - Rio de Janeiro RJ - Folds, at Paço Imperial
2001 - São Paulo SP - Folds, at Paço das Artes
2001 - São Paulo SP - Regina Silveira in the MAM Collection, at MAM/SP
2002 - São Paulo SP - The Lesson, at Galeria Brito Cimino
2003 - São Paulo SP - Claraluz, at Centro Cultural Banco do Brasil
2004 - Mexico City (Mexico) - Desapariencia, at El Cubo - Sala de Arte Público Siqueiros
2004 - Montevideo (Uruguay) - Tracking Over, at Centro Cultural Espanha
2004 - São Paulo SP - Skid, at MAM/SP
2005 - Madrid (Spain) - Lumen, at Palácio de Cristal
2006 - Lima (Peru) - Huellas & Sombras, at Galeria de Artes Visuales de la Universidad Ricardo Palma
2006 - São Paulo SP - Anamorphs, at Centro Cultural São Paulo - CCSP
2006 - Rio de Janeiro RJ - Luz Zul, at Centro Cultural Telemar
2006 - Rio de Janeiro RJ - Observatory, at Pinacoteca do Estado de São Paulo
2007 - Belo Horizonte MG - Regina Silveira, at Museu de Arte da Pampulha
2007 - Vila Velha ES - Fictions, at Museu Vale do Rio Doce
2008 - São Paulo SP - Mundus Admirabilis and Other Plagues, Galeria Brito Cimino
2009 - Køge (Denmark) - Tropel (reversed), Kunstmuseet Køge Skitsesamling. Køge Museum of Art in Public Spaces
2009 - Rio de Janeiro RJ - Shadow Line, Centro Cultural Banco do Brasil
2010 - São Paulo SP - Glossary, Espaço Cultural do Complexo Hospitalar Edmundo Vasconcelos
2010 - São Paulo SP - Meialuz, Centro Universitário Maria Antonia
2010 - São Paulo SP - Regina Silveira Occupation, Itaú Cultural
2010 - São Paulo SP - Tramazul, Museu de Arte de São Paulo
2010 - Porto Alegre RS - Solo, Bolsa de Arte de Porto Alegre
2010 - Rio de Janeiro RJ - Ex Orbis, Escola de Artes Visuais do Parque Lage
2011 - São Paulo SP - Solo, Museu Lasar Segall
2011 - Porto Alegre RS - A Thousand and One Days and Other Enigmas, Fundação Iberê Camargo
2012 - Ridgefield (United States) - Regina Silveira: In Absentia (Collection), Aldrich Contemporary Art Museum

Group Exhibitions

1957 - Porto Alegre RS - Watercolor Salon, at Aliança Francesa - 1st prize
1958 - Porto Alegre RS - 1st Pan-American Art Salon - honorable mention in drawing
1958 - Porto Alegre RS - 4th Municipal Salon
1959 - Porto Alegre RS - 11th Salon of the Associação de Artes Plásticas Francisco Lisboa
1960 - Belo Horizonte MG - 15th Belo Horizonte City Fine Arts Salon, at Museu de Arte da Pampulha - MAP
1960 - Curitiba PR - 17th Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná
1960 - Porto Alegre RS - 12th Salon of the Associação de Artes Plásticas Francisco Lisboa - bronze medal
1960 - Porto Alegre RS - 1st Sacred Art Salon, at Museu de Arte do Rio Grande do Sul - Margs
1960 - Porto Alegre RS - Contemporary Visual Arts Festival - silver medal
1961 - Belo Horizonte MG - 16th Belo Horizonte City Fine Arts Salon, at MAP
1961 - Porto Alegre RS - Rio Grande do Sul Art: From the Past to the Present, at Instituto de Belas Artes de Porto Alegre - Caixa Econômica Federal Acquisition Prize
1962 - Belo Horizonte MG - 17th Belo Horizonte City Fine Arts Salon, at MAP
1962 - Porto Alegre RS - 3rd Rio Grande do Sul Visual Arts Salon, at Universidade Federal do Rio Grande do Sul - UFRGS. Instituto de Artes
1962 - Rio de Janeiro RJ - 11th National Salon of Modern Art
1962 - São Paulo SP - 11th São Paulo Salon of Modern Art - bronze medal
1963 - Belo Horizonte MG - 18th Belo Horizonte City Fine Arts Salon
1963 - Curitiba PR - 20th Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná - acquisition prize in drawing
1963 - Rio de Janeiro RJ - 12th National Salon of Modern Art
1963 - Rio de Janeiro RJ - Exhibition of Gaúcho Artists
1963 - São Paulo SP - 12th São Paulo Salon of Modern Art, at Galeria Prestes Maia
1964 - Brasília DF - 1st Federal District Salon of Modern Art
1964 - Curitiba PR - 21st Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná - acquisition prize and silver medal
1964 - São Paulo SP - 13th São Paulo Salon of Modern Art
1965 - Belo Horizonte MG - 20th Belo Horizonte City Fine Arts Salon, at MAP
1965 - Curitiba PR - 22nd Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná
1965 - Porto Alegre RS - 2nd City of Porto Alegre Salon, at Margs
1965 - Rio de Janeiro RJ - 1st Esso Salon of Young Artists, at Museu de Arte Moderna do Rio de Janeiro - MAM/RJ
1965 - São Paulo SP - 1st Esso Salon of Young Artists, at Museu de Arte Contemporânea da Universidade de São Paulo - MAC/USP
1965 - São Paulo SP - 2nd Exhibition of Young National Drawing, at MAC/USP
1966 - Belo Horizonte MG - 21st Belo Horizonte Contemporary Art Salon, at MAP - acquisition prize in painting
1966 - Belo Horizonte MG - 21st Belo Horizonte City Fine Arts Salon, at MAP
1966 - Curitiba PR - 23rd Paraná Salon of Fine Arts, at Biblioteca Pública do Paraná
1966 - Porto Alegre RS - Art-Today, at Margs
1966 - Ribeirão Preto SP - 40 Brazilian and Foreign Prints from the MAC Collection, at Escola de Artes Plásticas de Ribeirão Preto
1966 - Rio de Janeiro RJ - 1st April Salon, at Museu de Arte Moderna do Rio de Janeiro - MAM/RJ
1966 - São Paulo SP - 13 Gaúcho Artists, at MAC/USP
1966 - São Paulo SP - 40 Brazilian and Foreign Prints from the MAC Collection, at MAC/USP
1967 - Barcelona (Spain) - Joan Miró International Drawing Prize, at Fundació Joan Miró
1967 - Osaka (Japan) - Group Show of Gaúcho Printmakers
1968 - Curitiba PR - 25th Paraná Salon, at Biblioteca Pública do Paraná
1968 - Mayaguez (Puerto Rico) - 1st 1ª Exposición Internacional de Dibujo, at Universidad de Puerto Rico
1968 - Piracicaba SP - 40 Brazilian and Foreign Prints from the MAC Collection, at USP. Esalq
1968 - Rio de Janeiro RJ - 1st 1ª Exposición Internacional de Dibujo, at MAM/RJ
1970 - Olinda PE - 40 Brazilian and Foreign Prints from the MAC Collection, at MAC/Olinda
1970 - Penápolis SP - 40 Brazilian and Foreign Prints from the MAC Collection, at Faculdade de Filosofia, Ciências e Letras de Penápolis
1970 - São Paulo SP - The 1970s, at MAC/USP
1972 - Mayaguez (Puerto Rico) - International Artists Cooperation, at Universidad de Puerto Rico. Sala de Arte
1973 - Biella (Italy) - Premio Internazionale di Biella per l'Incisione
1973 - Richmond (United States) - International Cyclopedia of Plans and Ocurrences
1973 - São Paulo SP - New Donations and Acquisitions, at MAC/USP
1974 - Buenos Aires (Argentina) - Systems Art, organized by Centro de Arte y Comunicación - Cayc
1974 - Montevideo (Uruguay) - The Creativa Post Card Show, at Galeria U
1974 - São Paulo SP - 8th Young Contemporary Art, at MAC/USP
1974 - São Paulo SP - Prospectiva 74, at MAC/USP
1975 - Ferrara (Italy) - Latin American Graphics, at Galleria Civica D'Arte Moderna - organized by Cayc
1975 - Liubliana (Iugoslávia, atual Eslovênia) - 11th International Printmaking Biennial, at Moderna Galerija Ljubljana
1975 - Lund (Sweden) - Latin American Graphics, at Universidade de Lund - organized by Cayc
1975 - Maastricht (Netherlands) - Latin American Graphics, at Galeria Ágora - organized by Cayc
1975 - Montreal (Canada) - Latin American Graphics, at Vehicule Art - organized by Cayc
1975 - Paris (France) - Rencontre Internationale Ouverte de Video, at Espace Pierre Cardin - organized by Cayc
1976 - Antwerp (Belgium) - Small Press Show, at Galeria Kontakt
1976 - Bahia Blanca (Argentina) - 20 Artistas Brasileños, at Museu de Belas Artes de Bahia Blanca
1976 - Buenos Aires (Argentina) - 20 Artistas Brasileños, at Centro de Arte y Comunicación - Cayc
1976 - Buenos Aires (Argentina) - Grabado Brasileño, at Centro de Arte y Comunicación - Cayc
1976 - Michigan (United States) - Modern Art in Brazil, at Michigan State University. Kresge Art Museum
1976 - Montecatini (Italy) - 18 Artists from Brazil, at Galleria Spazio Alternativa
1976 - São Paulo SP - The 1970s, at Centro de Arte y Comunicación - Cayc
1976 - São Paulo SP - The 1970s, at MAC/USP
1976 - São Paulo SP - Multimedia 2, at MAC/USP
1976 - Tokyo (Japan) - 10th International Bienal Exhibition of Prints
1977 - Antwerp (Belgium) - Editions & Communications in Latin America
1977 - Barcelona (Spain) - 50 Latin American Artists, at Fundación Cultural Joan Miró - organized by Cayc
1977 - São Paulo SP - The City of São Paulo: Reflections in Printmaking, at Gabinete de Artes Gráficas
1977 - São Paulo SP - Visual Poetics, at MAC/USP
1977 - São Paulo SP - Video - MAC, at MAC/USP
1978 - Alkmaar (Netherlands) and Budapeste (Hungary) - From Bookworks to Mailworks, at Alkmaar Municipal Museum e Fiatal Mûvészek Klubja
1978 - Amsterdam (Netherlands) - Rubber: stamps designs
1978 - Mexico City (Mexico) - América en la Mira, at Universidade Autônoma Metropolitana Cidade do México
1978 - Hungary - From Bookworks to Mailworks
1978 - Morelia (Mexico) - América en la Mira, at Museo de Arte Contemporáneo de Morelia
1978 - New York (United States) - First International Mail Art Show, at St. John's University
1978 - Puebla (Mexico) - América en la Mira, at Galeria Universitária Antonio Ximenez de Las Cuevas
1978 - Recife PE - Stepel: International Exhibition of Rubber Stamp Drawings
1978 - São Paulo SP - 1st São Paulo International Video Art Meeting, at Museu da Imagem e do Som - MIS/SP
1978 - São Paulo SP - The 1970s, at Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo FAU/USP
1978 - São Paulo SP - Papers and Company, at Paço das Artes
1978 - São Paulo SP - Few and Rare, at Museu de Arte de São Paulo -Masp
1978 - Toluca (Mexico) - América en la Mira, at Galeria Universitária Escola de Diseno y Artesanias
1979 - Buenos Aires (Argentina) - 1st 1ª Trienal Latinoamericana del Grabado, at Salas Nacionales de Exposición
1979 - Curitiba PR - 1st Brazilian Drawing Show, at Museu de Arte do Paraná - Curitiba City Hall Prize
1979 - Curitiba PR - 2nd Curitiba Annual Printmaking Show, at Centro de Criatividade de Curitiba
1979 - Gênova (Italy) - Mail Art, at Centro de Communicazione Ristretta
1979 - Lisbon (Portugal) - Lis' 79: Internacional Exhibition of Drawings
1979 - Mendoza (Argentina) - 1st 1ª Trienal Latinoamericana del Grabado, at Museo de Arte Moderno
1979 - New York (United States) - Contemporary Brazilian Works on Paper: 49 artists, at Nobé Gallery
1979 - New York (United States) - Mail Art Show - Castle Gallery, at the College of New Rochelle
1979 - Recife PE - International Mail Art Exhibition, at Unicap
1979 - São Paulo SP - 70 Brazilian Printmakers, at MAC/USP
1979 - São Paulo SP - Gerox: Exhibition of Xerox Prints, at Espaço Max Pochon
1979 - São Paulo SP - International Multimedia, at Escola de Comunicação e Artes da Universidade de São Paulo - ECA/USP
1979 - São Paulo SP - Drawing as an Instrument, at Pinacoteca do Estado de São Paulo
1979 - Stuttgart (Germany) - Mail Art Exhibition, at the Artist's Meeting Place
1980 - Caxias do Sul RS - Xerographies, at UCS. Clube Juvenil
1980 - Curitiba PR - Prints, at Centro de Criatividade de Curitiba
1980 - João Pessoa PB - Xerographies, at Núcleo de Arte Contemporânea
1980 - Joinville SC - Xerographies, at Museu de Arte de Joinville
1980 - Lisbon (Portugal) - Mail Art, at Galeria Quadrum
1980 - Madrid (Spain) - Postal Object, at Galeria Ambito
1980 - Piracicaba SP - Xerographies, at Casa das Artes Plásticas
1980 - Porto Alegre RS - Gerox, at Espaço NO Galeria Chaves
1980 - Reykjavík (Islândia) - Book Show, at The Living Museum
1980 - São Paulo SP - 12th Panorama of Current Brazilian Art, at MAM/SP
1980 - São Paulo SP - 30 Years of TV in Brazil: VT Art Exhibition, at Pinacoteca do Estado
1980 - São Paulo SP - Two Meters and One Page, at Cooperativa de Artistas Plásticos
1980 - São Paulo SP - Gerox: Exhibition of Xerox Prints, at Pinacoteca do Estado
1980 - São Paulo SP - About São Paulo, at Cooperativa de Artistas Plásticos
1980 - São Paulo SP - Xerographies, at Pinacoteca do Estado
1980 - Spartanburg (United States) - Excentric Images, at Converse College
1981 - Amsterdam (Netherlands) - Kunstenaarsboeken: Artist's Book, at Stedelijk Museum Amsterdam
1981 - Cali (Colombia) - 4th Graphic Arts Biennial
1981 - São Paulo SP - 16th Bienal Internacional de São Paulo, at Fundação Bienal
1981 - São Paulo SP - Contemporary Brazilian Artists, at Galeria de Arte São Paulo
1981 - São Paulo SP - Photo/Idea, at MAC/USP
1981 - São Paulo SP - Heliography Exhibition, at Pinacoteca do Estado
1981 - São Paulo SP - Video Exhibition, at Centro de Estudos Aster
1982 - Amsterdam (Netherlands) - Art Photocopies Exhibition, at Centrum't Hoogt
1982 - Caxias do Sul RS - Artemicro, at Universidade de Caxias do Sul
1982 - Coimbra (Portugal) - Microart, at Círculo das Artes Plásticas
1982 - La Plata (Argentina) - Libros de Artistas, at Museo de Bellas Artes de La Plata
1982 - Lisbon (Portugal) - Microart, at Cooperativa Diferença
1982 - Rio de Janeiro RJ - Artemicro, at MAM/RJ
1982 - São Paulo SP - Art in Process, at MAM/SP
1982 - São Paulo SP - Artemicro, at MIS/SP
1982 - São Paulo SP - Intercomunicável/Intercomunicabile, at MAC/USP
1983 - Dallas (United States) - Artemicro, at Bath House Cultural Center
1983 - Natal RN - Multimedia, at Universidade Federal do Rio Grande do Norte - UFRN
1983 - New York (United States) - Latin-American Artist's Multiples, at Franklin Furnace Archive, Inc.
1983 - Porto Alegre RS - Gaúcho Art Book: 1950/1983, at Margs
1983 - Porto Alegre RS - From Past to Present: The Visual Arts in Rio Grande do Sul, at Cambona Centro de Arte
1983 - Ribeirão Preto SP - Xerography: Brazilian Sampling, at Galeria Campus
1983 - San Juan (Puerto Rico) - 6th 6ª Bienal de San Juan del Grabado Latinoamericano y del Caribe, at Instituto de Cultura Puertorriqueña - special mention
1983 - São Paulo SP - 17th Bienal Internacional de São Paulo, at Fundação Bienal
1983 - São Paulo SP - Lit Art
1983 - São Paulo SP - Art in the Street
1983 - São Paulo SP - Language, at Monica Filgueiras Galeria de Arte
1984 - Curitiba PR - 6th City of Curitiba Printmaking Exhibition. Woodcut in the History of Brazilian Art, at Casa Romário Martins
1984 - Dallas (United States) - Brasil Works, at Bath House Cultural Center
1984 - Havana (Cuba) - 1st Havana Biennial, at Museo Nacional de Bellas Artes
1984 - Ribeirão Preto SP - Brazilian Printmakers of the 1950s/60s, at Galeria Campus-USP-Banespa
1984 - Rio de Janeiro RJ - Woodcut in the History of Brazilian Art, at Funarte. Galeria Sérgio Milliet
1985 - Penápolis SP - 6th Noroeste Visual Arts Salon, at Fundação das Artes de Penápolis. Faculdade de Filosofia, Ciências e Letras de Penápolis
1985 - Porto Alegre RS - Iberê Camargo: Trajectory and Encounters, at Margs
1985 - São Paulo SP - Art and Technology, at MAC/USP
1985 - São Paulo SP - Art New Media/Multimedia: Brazil 70s/80s, at Museu de Arte Brasileira - MAB/Faap
1985 - São Paulo SP - Highlights of Brazilian Contemporary Art, at MAM/SP
1985 - São Paulo SP - Contemporary Graphics: The Tradition, at Espaço Cultural Humberto Tecidos
1985 - São Paulo SP - Trends of the Artist's Book in Brazil, at Centro Cultural São Paulo - CCSP
1986 - Brasília DF - Iberê Camargo: Trajectories and Encounters, at Galeria do Teatro Municipal de Brasília
1986 - Fortaleza CE - 1st International Exhibition of Ephemeral Sculptures, at Fundação Demócrito Rocha
1986 - Fortaleza CE - Imagine: The Planet Greets the Comet, at Arte Galeria
1986 - Havana (Cuba) - 2nd Havana Biennial
1986 - New York (EUA) - Couriers: Six Brazilian Artists, at Snug Harbor Cultural Center
1986 - Porto Alegre RS - Paths of Brazilian Drawing, at Margs
1986 - Rio de Janeiro RJ - Iberê Camargo: Trajectories and Encounters, at MAM/RJ
1986 - São Paulo SP - The New Dimension of the Object, at MAC/USP
1986 - São Paulo SP - Contemporary Artistic Graphics Module III: The Alternative, at Espaço Cultural Humberto Tecidos
1986 - São Paulo SP - Iberê Camargo: Trajectories and Encounters, at Masp
1986 - São Paulo SP - Projeto Vermelho-Proggetto Rosso, at MAB/Faap
1986 - São Paulo SP - XX-XXI: A Turn of the Century, at Pinacoteca do Estado
1987 - Paris (France) - Le Jeune Gravure Contemporaine et ses Invités de Brésil, at Galeries Nationales du Grand Palais
1987 - São Paulo SP - 18th Panorama of Current Brazilian Art, at MAM/SP
1987 - São Paulo SP - The Weave of Taste: Another Look at Everyday Life, at Fundação Bienal - APCA Award, best installation in visual arts
1987 - São Paulo SP - Photo/Idea, at MAC/USP
1988 - Campinas SP - 13th Campinas Contemporary Art Salon, at Museu de Arte Contemporânea de Campinas - MACC
1988 - Madrid (Spain) - Lo Permeable del Gesto, at Centro Cultural Galileo
1988 - Montevideo (Uruguay) - Primer Encuentro Internacional de Grabado de Montevideo, at Museo Nacional de Artes Visuales
1988 - Ribeirão Preto SP - Art Today 88, at Casa da Cultura de Ribeirão Preto
1988 - São Paulo SP - 19th Panorama of Current Brazilian Art: Three-Dimensional Forms, at MAM/SP
1988 - São Paulo SP - Contemporary Printmaking: Brazil-France, at MAC/USP
1988 - Tolosa (Spain) - Copy Art Show, Vídeo Festival, at Casa de la Cultura
1989 - Belo Horizonte MG - 50 Years of Graphic Creation, at MAP
1989 - São Paulo SP - The Artist's Eye: Haroldo de Campos - A Selection, at MAC/USP
1989 - São Paulo SP - The Small Infinite and the Great Circumscribed, at Arco Arte Contemporânea Galeria Bruno Musatti
1990 - Brasília DF - Brasília Visual Arts Prize, at Museu de Arte de Brasília - MAB/DF
1990 - Curitiba PR - 9th City of Curitiba Printmaking Exhibition. Guest Artists: Lithographs, at Casa Romário Martins
1990 - Curitiba PR - 9th City of Curitiba Printmaking Exhibition, at Museu da Casa da Gravura
1990 - San Juan (Puerto Rico) - 9th 9ª Bienal de San Juan del Grabado Latinoamericano y del Caribe, at Instituto de Cultura Puertorriqueña
1990 - São Paulo SP - 21st Panorama of Current Brazilian Art, at MAM/SP
1990 - São Paulo SP - The Presence of Drawing, at Paço das Artes
1990 - São Paulo SP - People of Fiber, at Sesc Pompéia
1991 - Havana (Cuba) - 4th Havana Biennial
1991 - New Delhi (India) - 7th India Triennale
1991 - New York (United States) - Brazilian Art Today, at Grey Art Gallery
1991 - New York (United States) - Dissimilar Identity, at Scott Alan Gallery
1991 - Porto Alegre RS - Atelier Livre Exhibition: 30 Years - Student Artists, at the Atelier Livre da Prefeitura de Porto Alegre
1991 - São Paulo SP - 2nd International Studio of Image Technologies, at Sesc Pompéia
1991 - Mexico City (Mexico) - Imaquinaciones: 16 miradas al 92
1991 - Madrid (Spain) - Imaquinaciones: 16 miradas al 92
1992 - Buenos Aires (Argentina) - Muestra Abierta Internacional de Arte: 500 Años de Represión, at Centro Cultural Recoleta
1992 - Curitiba PR - 10th Curitiba City Printmaking Show, at Museu da Gravura
1992 - Houston (United States) - International Festival Houston. Imaquinaciones: 16 miradas al 92
1992 - Rio de Janeiro RJ - Art Printmaking in Brazil: A Proposal for a Mapping, at Centro Cultural Banco do Brasil
1992 - Seville (Spain) - Expo 92: Imaquinaciones: 16 miradas al 92
1993 - Brasília DF - A Look at Joseph Beuys, at Fundação Athos Bulcão
1993 - João Pessoa PB - Woodcut: From Cordel to the Gallery, at Funesc
1993 - Lisbon (Portugal) - Brazilian Matrices and Prints: Guita and José Mindlin Collection, at Centro de Arte Moderna José de Azeredo Perdigão
1993 - New York (United States) - Drawings: 30th anniversary exhibition, at Leo Castelli Gallery
1993 - New York (United States) - The Return of the Cadavre Exquis, at The Drawing Center
1993 - New York (United States) - Woman at Art, at Ledisflam Gallery
1993 - São Paulo SP - The Presence of the Ready-Made: 80 Years, at MAC/USP
1993 - São Paulo SP - Brazilian Graphics: Alternative Publishing, at MIS/SP
1993 - Washington (United States) - Ultramodern: the art of contemporary Brazil, at The National Museum of Women in the Arts
1994 - Albuquerque (United States) - Arts of the Americas 1994, at College of Fine Arts
1994 - Belo Horizonte MG - America
1994 - Brasília DF - 3rd Brasília Visual Arts Forum, at MAB/DF
1994 - Brasília DF - America
1994 - Brasília DF - Cidade Imaginada-Imagined City, at Fundação Athos Bulcão
1994 - Havana (Cuba) - 5th Havana Biennial
1994 - Juiz de Fora MG - America, at UFJF
1994 - New York (United States) - Recovering Popular Culture, at Museu del Barrio
1994 - Rio de Janeiro RJ - America
1994 - Rio de Janeiro RJ - Via Fax, at Museu do Telefone
1994 - Rio de Janeiro RJ - Video Art Brazil: The Pioneers, at CCBB
1994 - San Juan (Puerto Rico) - Pequeño Formato Latino-Americano 94, at Luigi Marrozzini Gallery
1994 - São Paulo SP - 2nd Arte Cidade: The City and Its Flows
1994 - São Paulo SP - Contaminated Photography, at CCSP
1994 - São Paulo SP - America, at Masp
1994 - São Paulo SP - Behind the Scenes of Creation, at Oficina Cultural Oswald de Andrade
1994 - São Paulo SP - Bienal Brasil Século XX, at Fundação Bienal
1994 - São Paulo SP - Images of the City, at CCSP
1994 - São Paulo SP - Woodcut: From Cordel to the Gallery, at Metrô
1995 - La Spezia (Italy) - Children's Corner, at Galleria D'Arte Il Gabbiano
1995 - New York (EUA) - Prints, at Brooke Alexander Gallery
1995 - São Paulo SP - Book-Object: The Frontier of Voids, at MAM/SP
1995 - São Paulo SP - Drawing in São Paulo: 1956-1995, at Galeria Nara Roesler
1995 - São Paulo SP - Annual Program of Visual Arts Exhibitions, at CCSP
1996 - La Spezia (Italy) - Arte in Scatola, at Galleria Il Gabbiano
1996 - São Paulo SP - Contemporary Brazilian Art: Recent Donations/96, at MAM/SP
1996 - São Paulo SP - Ex Libris/Home Page, at Paço das Artes
1997 - Belo Horizonte MG - 25th Belo Horizonte National Art Salon, at MAP
1997 - Caracas (Venezuela) - Group Show, at Museo de Bellas Artes
1997 - Irving (United States) - Contemporary Brazilian Prints, at University of Dallas. Haggar Art Gallery
1997 - Little Rock (United States) - Re-Aligning Visions: alternative currents in South American drawing, at Arkansas Art Center
1997 - Monterrey (Mexico) - Group Show, at Museu de Arte Contemporânea
1997 - New York (United States) - Re-Aligning Visions: alternative currents in South American drawing, at El Museo del Barrio
1997 - Odessa (United States) - Contemporary Brazilian Prints, at Gallery at The University of Texas of the Permian Basin
1997 - Plano (United States) - Contemporary Brazilian Prints, at Collin County Community College. Spring Creek Art Gallery
1997 - São Paulo SP - The City of Artists, at MAC/USP
1997 - São Paulo SP - Cubed, at Paço das Artes
1997 - São Paulo SP - Brito Cimino Arte Contemporânea: Inaugural Exhibition, at Galeria Brito Cimino
1997 - São Paulo SP - Diversity of Brazilian Contemporary Sculpture, at Avenida Paulista - produced by Ministério da Cultura/Itaú Cultural
1997 - São Paulo SP - Three-Dimensionality in 20th-Century Brazilian Art, at Itaú Cultural
1997 - Wichita Falls (United States) - Contemporary Brazilian Prints, at Midwestern State University Art Gallery
1998 - Abilene (United States) - Contemporary Brazilian Prints, at Abilene Christian University Shore Art Gallery
1998 - Alverca (Portugal) - Artist's Book, at Galeria Municipal de Alverca
1998 - Amadora (Portugal) - 4th Amadora Printmaking Biennial
1998 - Austin (United States) - Re-Aligning Visions: alternative currents in South American drawing, at Archer M. Huntington Art Gallery
1998 - Baton Rouge (United States) - Contemporary Brazilian Prints, at Louisiana State University
1998 - Belo Horizonte MG - Three-Dimensionality in 20th-Century Brazilian Art, at Itaú Cultural
1998 - Brasília DF - Three-Dimensionality in 20th-Century Brazilian Art, at Galeria Itaú Cultural
1998 - Caracas (Venezuela) - Re-Aligning Visions: alternative currents in South American drawing, at Museo de Bellas Artes
1998 - Kingston (Canada) - Of Mudlarkers and Measurers, at Agnes Etherington Art Center
1998 - La Spezia (Italy) - Al Fuoco! Al Fuoco!, at Galleria D'Arte Il Gabbiano
1998 - Monterrey (Mexico) - Re-Aligning Visions: alternative currents in South American drawing, at Museo de Arte Contemporâneo
1998 - Penápolis SP - Three-Dimensionality in 20th-Century Brazilian Art, at Galeria Itaú Cultural
1998 - Rio de Janeiro RJ - 16th National Salon of Visual Arts, at MAM/RJ
1998 - Rio de Janeiro RJ - Brazilian Art in the Collection of the Museu de Arte Moderna de São Paulo: Recent Donations 1996-1998, at CCBB
1998 - Rio de Janeiro RJ - Reflexive Horizon, at Centro Cultural Light
1998 - Santiago (Chile) - El Empeño Latino-americano, at Universidad de Chile. Museo de Arte Contemporáneo
1998 - São Paulo SP - 24th Bienal Internacional de São Paulo, at Fundação Bienal
1998 - São Paulo SP - 2nd Contemporary Legacies, at MAC/USP
1998 - São Paulo SP - Art/Trash
1998 - São Paulo SP - Figurations: 30 Years of Brazilian Art, at MAC/USP
1998 - São Paulo SP - The Collector, at MAM/SP
1998 - São Paulo SP - The Collectors - Guita and José Mindlin: Matrices and Prints, at Galeria de Arte do Sesi
1998 - Bassano in Teverina (Italy) - Stelle Cadenti, at Associazione Culturale per L'Arte Contemporânea
1998 - Vila Franca de Xira (Portugal) - Artist's Book, at Câmara Municipal de Vila Franca de Xira
1999 - Brasília DF - The City of Artists, at Galeria do Itaú Cultural
1999 - Buenos Aires (Argentina) - Arte de las Americas: el ojo del milenio, at Centro Cultural Recoleta
1999 - Mexico City (Mexico) - Homenaje al Lápiz como Instrumento de Libertad, at Museo José Luis Cuevas
1999 - Miami (EUA) - Re-Aligning Vision: Alternative Currents in South American Drawing, at Miami Art Museum
1999 - Long Island (EUA) - 100 Drawings, at PS1 Contemporary Art Center
1999 - Miami (United States) - Re-Aligning Visions: alternative currents in South American drawing, at Miami Art Museum
1999 - New York (United States) - 100 Drawings, at PS1 Contemporary Art Center
1999 - Ottawa (Canada) - Passion for Wings, at National Aviation Museum
1999 - Paris (France) - International Contemporary Art Fair
1999 - Porto Alegre RS - 2nd Bienal de Artes Visuais do Mercosul, at Margs, at Espaço Usina Gasômetro and at Espaço Armazém do Cais do Porto (antigo DEPREC)
1999 - Rio de Janeiro RJ - Rio Printmaking Exhibition: São Paulo: Printmaking Today, at Palácio Gustavo Capanema
1999 - São João da Boa Vista SP - 2nd Fernando Furlanetto Photography Week, at Teatro Municipal
1999 - São Paulo SP - Enigmas, at Galeria Brito Cimino
1999 - São Paulo SP - Nocturnes, at MAM/SP
1999 - São Paulo SP - Contemporary Prints, at MuBE
1999 - São Paulo SP - Brazil in the Century of Art, at Galeria de Arte do Sesi
1999 - São Paulo SP - Parallèle, at Galeria Brito Cimino
1999 - São Paulo SP - Why Duchamp?, at Paço das Artes
1999 - Washington (United States) - Mastering the Millenium, at Museum of the Americas
2000 - Basel (Switzerland) - Art 31
2000 - Belo Horizonte MG - Investigations. Are They or Aren't They Prints?, at Itaú Cultural
2000 - Brasília DF - Investigations. Are They or Aren't They Prints?, at Galeria Itaú Cultural
2000 - Buenos Aires (Argentina) - 1st Argentine Latin American Graphic Arts Biennial, at Museo Nacional del Grabado - Gran Premio Banco de la Provincia de Buenos Aires
2000 - Caxias do Sul RS - Contemporary Art Exhibition, at Universidade de Caxias do Sul
2000 - Hannover (Germany) - Expo 2000 Hannover
2000 - Rio de Janeiro RJ - Situations: Brazilian Art of the 1970s, at Fundação Casa França-Brasil
2000 - São Paulo SP - Conceptual Art and Conceptualism: The 1970s in the MAC/USP Collection, at Galeria de Arte do Sesi
2000 - São Paulo SP - Cow Parade
2000 - São Paulo SP - The Role of Art, at Galeria de Arte do Sesi
2000 - São Paulo SP - New Work, at MAC/USP
2001 - Ancona (Italy) - Esercizi di Stile, at Museo dell'Informazione e di Arte Contemporanea de Senigallia
2001 - Austin (EUA) - Rembrandt to Rauschenberg: Building the Collection, at Jack S. Blanton Museum of Art
2001 - Campinas SP - (Almost) Ephemeral Art, at Itaú Cultural
2001 - New York (United States) - Brazil: body and soul, at Solomon R. Guggenheim Museum
2001 - Porto Alegre RS - Liba and Rubem Knijnik Collection: Contemporary Brazilian Art, at Margs
2001 - Porto Alegre RS - Mima Lunardi, Rolf Wicker and Regina Silveira, at Torreão
2001 - Rio de Janeiro RJ - The Spirit of Our Time, at MAM/RJ
2001 - São Paulo SP - Cutouts, at Galeria Brito Cimino
2001 - São Paulo SP - 33rd Faap Annual Visual Arts Exhibition, at Faap
2001 - São Paulo SP - 50 Years of the Biennial: A Tribute to Ciccillo Matarazzo, at Fundação Bienal
2001 - São Paulo SP - The Overexcited Body - Art and Sport in Contemporary Society, at Sesc Pompéia
2001 - São Paulo SP - The Spirit of Our Time, at MAM/SP
2001 - São Paulo SP - The Trajectory of Light in Brazilian Art, at Itaú Cultural
2001 - Washington (United States) - Virgin Territory: women, gender, and history in contemporary brazilian art, at National Museum of Women in the Arts
2002 - Brasília DF - Fragments to Your Magnet, at Espaço Cultural Contemporâneo Venâncio
2002 - Curitiba PR - Raw Material, at Museu de Arte, Arquitetura e Cidade
2002 - Londrina PR - Are They or Aren't They Prints?, at Museu de Arte de Londrina
2002 - Rio de Janeiro RJ - Archipelagos - The Plural Universe, at MAM/RJ
2002 - Rio de Janeiro RJ - Artefoto, at CCBB
2002 - Rio de Janeiro RJ - Paths of the Contemporary 1952-2002, at Paço Imperial
2002 - São Paulo SP - 4th 4º Artecidadezonaleste, at Sesc Belenzinho
2002 - São Paulo SP - From Concept to Space, at Instituto Tomie Ohtake
2002 - São Paulo SP - Art.Ficial Emotion, at Itaú Cultural
2002 - São Paulo SP - Strategies to Dazzle, at Galeria de Arte do Sesi
2002 - São Paulo SP - Strategies to Dazzle, at MAC/SP
2002 - São Paulo SP - Appropriated Images, at MAM/SP
2002 - São Paulo SP - Paralela, at a warehouse on Avenida Matarazzo, 530
2003 - Brasília DF - Artefoto, at CCBB
2003 - Curutiba PR - Imagery, Fundação Cultural de Curitiba
2003 - Frankfurt (Germany) - Art Frankfurt 2003
2003 - Grinnel (EUA) - Layers of Brazilian Art, at Faulconer Gallery
2003 - Iowa City (United States) - Layers of Brazilian Art, at Faulconer Gallery
2003 - Ribeirão Preto SP - Electronic Image, at Casa da Cultura de Ribeirão Preto
2003 - Rio de Janeiro SP - Artefoto, CCBB
2003 - Rio de Janeiro RJ - Fiat Lux: Light in Art, at Centro Cultural da Justiça Federal
2003 - São Paulo SP - Printmaking Is Doing Fine, Thank You: Historical and Contemporary Brazilian Printmaking, at Espaço Virgílio
2003 - São Paulo SP - The Subversion of Media, at Itaú Cultural
2003 - São Paulo SP - Art and Society: A Controversial Relationship, at Itaú Cultural
2003 - São Paulo SP - Arteconhecimento: 70 Years of USP, at MAC/USP
2003 - São Paulo SP - MAC USP 40 Years: Contemporary Interfaces, at MAC/USP
2003 - São Paulo SP - My Friends, at MAM/SP
2003 - São Paulo SP - Prestes Maia Occupation, at Agentedupla, A Revoloução Não Será Televisionada, Bartolomeu, Bijari, Brócolis, Catadores de Histórias, Contra Filé, Coringa, Esqueleto Coletivo, Formigueiros, Nova Pasta, Mídia Tática, Rejeitados, Piratininga e Transição Listrada
2003 - São Paulo SP - Extrapolated Word, at Sesc Pompéia
2004 - Belo Horizonte MG - Pampulha, Collected Work: 1943-2003, at MAP
2004 - Campinas SP - Metrópolis Contemporary Art Collection, at Espaço Cultural CPFL
2004 - Porto Alegre RS - Electrodigital Hyper-Relations, at Santander Cultural
2004 - Quito (Ecuador) - Baroque Strategies - Contemporary Brazilian Art, at Centro Cultural Metropolitano
2004 - Montreal (Canada) - We Come in Peace... - Histories of the Americas, at Musée d'Art Contemporian
2004 - São Paulo SP - Contemporary Art in the Municipal Collection, at CCSP
2004 - São Paulo SP - ArtKnowledge - 70 Years of USP, at MAC/SP
2004 - São Paulo SP - In Situ, CCSP
2004 - São Paulo SP - Paper Cabinet, at CCSP
2004 - São Paulo SP - New Acquisitions: 1995 - 2003, at MAB-FAAP
2004 - São Paulo SP - Art Room, at Galeria Brito Cimino
2004 - São Paulo SP - Still Life / Natureza Morta, at Galeria de Arte do Sesi
2004 - São Paulo SP - Brazilian Version, at Galeria Brito Cimino
2005 - Bogotá (Colombia) - Campos Latinoamericanos, at Galeria Alcuadrado
2005 - Curitiba PR - Art in Metrópolis, at Museu Oscar Niemeyer
2005 - Houston (EUA) - Indelible Images, at Museum of Fine Arts
2005 - Lahore (Paquistão) - World Performing Arts Festival
2005 - Rio de Janeiro RJ - The Image of Sound, at Paço Imperial
2005 - São Paulo SP - Art in Metrópolis, at Instituto Tomie Ohtake
2005 - São Paulo SP - The Portrait as Image of the World, at MAM/SP
2005 - São Paulo SP - Homo Ludens: From Make-Believe to Vertigo, at Itaú Cultural
2006 - Berlin (Germany) - The Image of Sound: Football, at Haus der Kulture der Welt
2006 - Caxias do Sul RS - Metal Engraving: Matter and Concept at the Ateliê Iberê Camargo, at Centro Municipal de Cultura Dr. Henrique Ordovás Filho
2006 - Fortaleza CE - Contemporary Brazilian Printmaking, at the Centro Dragão do Mar de Arte e Cultura
2006 - Jerusalem (Israel) - Tracing Shadows, at Israel Museum
2006 - Porto Alegre RS - Ado Malagoli 100 Years, at Margs
2006 - Rio de Janeiro RJ - Football Is a Game for 11, at Museu da República
2006 - São Paulo SP - The City for the City, at Galeria Olido
2006 - São Paulo SP - The Image of the Sound of Dorival Caymmi, at Museu Afro-Brasil
2006 - São Paulo SP - Brazilian Art Show, at Pavilhão Ciccilo Matarazzo Sobrinho
2006 - São Paulo SP - Print Club: 20 Years, at MAM/SP
2006 - São Paulo SP - Radical Maneuvers, CCBB
2006 - São Paulo SP - Paralela 2006, at Pavilhão dos Estados
2006 - São Paulo SP - Volpi and the Contemporary Legacies, at MAC/SP
2007 - Brasília DF - Garden of Power, at CCBB
2007 - São Paulo - Art in Brazil 1981 - 2006, at Itaú Cultural
2007 - São Paulo - Memory of the Future - Ten Years of Art and Technology, at Itaú Cultural
2007 - São Paulo - The 1970s - Art as Question, at Instituto Tomie Ohtake
2007 - São Paulo - Cut and Paste / Ctrl_C Ctrl_V, at Sesc Pompéia
2007 - São Paulo SP - 1st Photography Circuit, Shopping Iguatemi
2007 - São Paulo SP - Itaú Contemporâneo: Art in Brazil 1981-2006, Itaú Cultural
2007 - São Paulo SP - Memory of the Future - Ten Years of Art and Technology at Itaú Cultural, Itaú Cultural
2007 - São Paulo SP - Cut and Paste | Ctrl_C Ctrl_V, Sesc Pompéia
2007 - Brasília DF - Garden of Power, Centro Cultural Banco do Brasil
2008 - São Paulo SP - Art for the Amazon: Art and Attitude, Fundação Bienal
2008 - São Paulo SP - MAM 60, Oca
2008 - São Paulo SP - Visual Poetics: Art, Concept and Intimacy, Museu de Arte Brasileira - FAAP
2008 - São Paulo SP - Procedente MAP: New Acquisitions, Museu de Arte da Pampulha
2008 - Belo Horizonte MG - N Multiples, Murilo Castro Escritório de Arte
2009 - São Paulo SP - Masters of Printmaking. Matrices and Prints from the José e Guita Mindlin Library, Espaço Cultural BM&FBovespa
2009 - São Paulo SP - A World Without Frames, Museu de Arte Contemporânea da Universidade de São Paulo
2009 - Belo Horizonte MG - Cybernetic Art, Museu Inimá de Paula
2009 - Milan (Italy) - Small Great Works - Contemporary Brazilian Art, Istituto Brasile - Italia
2010 - São Paulo SP - Mail Art from the 16th Bienal de São Paulo, Centro Cultural São Paulo. Divisão de Artes Plásticas (SP)
2010 - São Paulo SP - Cybernetic Art
2010 - São Paulo SP - 41st Chapel Art Show, Escola Maria Imaculada - Chapel School
2010 - São Paulo SP - Expanded Gallery, Luciana Brito Galeria
2010 - São Paulo SP - War Games, Memorial da América Latina. Galeria Marta Traba
2010 - São Paulo SP - Pop-Up Exhibition, Shopping Cidade Jardim
2010 - São Paulo SP - Around Here, Forms Have Become Attitudes, Sesc
2010 - São Paulo SP - 6th SP-Arte, Fundação Bienal
2010 - São Paulo SP - Tékhne, Museu de Arte Brasileira
2010 - São Paulo SP - One Day It Will Have to Have Ended: 1969/74, Museu de Arte Contemporânea da Universidade de São Paulo
2010 - Rio de Janeiro RJ - The 70's, Galeria Progetti
2010 - Viamão RS - Silence( )s and Whisper( )s, Fundação Vera Chaves Barcellos
2011 - São Paulo SP - Strategies for Accidental Lights, Luciana Brito Galeria
2011 - São Paulo SP - Order and Progress: Constructive Will in Brazilian Art, Museu de Arte Moderna
2011 - São Paulo SP - 7th SP-Arte, Pavilhão da Bienal
2011 - Porto Alegre RS - Cybernetic Art - Itaú Cultural Art and Technology Collection, Centro Cultural Usina do Gasômetro
2011 - Rio de Janeiro RJ - War Games: Confrontations and Convergences in Contemporary Brazilian Art, Caixa Cultural
2011 - Viamão RS - A Point of Irony, Fundação Vera Chaves Barcellos