Renina Katz (Rio de Janeiro 1925, São Paulo, 2025)
Renina Katz was a prominent Brazilian artist, whose performance was extended as a record company, draftsman, illustrator and teacher. His artistic training began between 1947 and 1950 at the Escola Nacional de Belas Artes, in Rio de Janeiro, where he had important names such as Henrique Cavalleiro and Quirino Campofiorito. In addition, he graduated in Drawing from the Faculty of Philosophy of the University of Brazil. His trajectory in the graphic arts began in 1946, with studies in woodcut under the guidance of Axl Leskoschek. Later, encouraged by Poty, he joined the Metal Engraving Course with Carlos Oswald, at the Liceu de Artes e Ofícios in Rio de Janeiro. He taught engraving at renowned institutions such as the São Paulo Museum of Art (MASP) and the Armando Álvares Penteado Foundation (FAAP), acting as an educator until the 1960s. Entitled Favela, a work that marked its commitment to the representation of the Brazilian urban and social reality through art.
From that period, it began its academic trajectory at the Faculty of Architecture and Urbanism of the University of São Paulo (FAU/USP), where it taught for 28 years. In this space, he also developed his intellectual production, presenting master's and doctoral theses that dialogued with his practical and theoretical experience in the field of visual arts.
The work of Renina Katz is marked by the refined technique, by the formal rigor and by the attentive look at Social and urban issues, characteristics that made it a reference in Brazilian engraving. Throughout his career, he influenced generations of artists and architects.
Critical Comment
At the beginning of his career, Renina Katz dedicates herself to painting and performs portraits and landscapes of Rio de Janeiro. In the 1950s, his work denoted social concerns with a character of denunciation. It reveals the universe of urban workers and marginalized characters, as in the various engravings that deal with the theme of migrants (1948/1956) or in the album Favelas, 1956. His woodcuts have a realistic character, a direct and Conciseness of formal elements and have great technical refinement, being compared, by some critics, with the production of the German label Käthe Kollwitz (1867 - 1945). The emotion is graphically expressed in the strong opposition between the blacks and whites that gives the scenes the dramatic aspect, as in retreatants, s.d.
Renina Katz leaves themes linked to social realism from the mid-1990s 1950, when his work gradually acquires a non-figurative character, although the relationship with the landscape remains in it. The artist starts to emphasize, more and more, the game of transparencies in her works. Starts production in lithogravure in the 1970s. Most of its engravings are suggestions for landscapes, conceived as places of memory. In the opinion of critic Roberto Pontual, when his engravings lean towards the lyrical character, Katz approaches the transparent and musical atmosphere of the works of Fayga Ostrower (1920 - 2001). of the representation of the urban landscape, also as a place of memory, inspired by the poem by Carlos Drummond de Andrade (1902 - 1987) entitled Landscape: How it is done. She states that "color arose as a necessity in the evolution of the work, and the multiplication of the matrices brought the possibility of exploring the various tonal values". Get a single engraving. In later works, such as Cosmos 2, 1992, or Limit 2, 1993, the subtle luminosity and the surprising use of color stand out.
Notes
1 mentioned in Katz, Renina. Renina Katz. São Paulo: Publisher of the University of São Paulo, 1997, p. 125.
Testimonies
"By the 1950s, as I was a post-war generation, the libertarian generation of the war against fascism, adhered to the so-called social realism aspect or socialist. I worked on what could be considered proselytizing: the series of favelas, the migrants, the landless peasants, the boys from the hill, etc... (...) sketches was made at the station in the North, in São Paulo (...) on Saturdays and Sundays I would go there and draw a lot. (...)
This period ended, and, for a number of reasons, it sold out. I changed, I was very young, my historical perspective has changed also, and that influenced my work. It was a complicated passage. (...) I started to look outside, I started to make landscapes, also to discover the urban landscape and, little by little, the work was transformed. My work, which everyone thinks is very abstract. Abstract, because there is always a reference of the surroundings, of the landscape... (...)
I made many silkscreen prints, in addition to the master's thesis (...) The tape recorders said they made a print and not engraving (...) I also continue to make metal prints. These are works that don't circulate much".
Renina Katz A Laurita Salles - June 1993
Renaissance from Renina Katz to Laurita Salles. Jun. 1993. p. 8, 10-11, 14-15.
"I started with the discovery of Japanese recorders, still a painting student at the National School of Fine Arts, in Rio de Janeiro... Japanese prints and I was fascinated... I then started looking for the engravings... Frans Masereel, who was a Belgian expressionist, Käthe Kollwitz, Munch, etc. (...) At that time there was an Austrian artist in Rio who taught classes, called Axl Leskoschek, and he was an excellent woodcutter... He was a teacher who conveyed such a passion for the woodcut that ended up contaminating everyone. (...) I began to think that the woodcut, at that moment, was the appropriate language for my artistic project: I was in a phase of a lot of political engagement, of denunciation..., in short, all those juvenile outbreaks and I thought that the woodcut, because of the cuts, from the incisions... (I worked in black-and-white, without any color), I would give myself what I needed.
There was Goeldi, which was a magnificent example, there was Lívio Abramo, Segall, there was Munch... recorders that pointed to a path in which I could obtain artistic results that were part of my project... and then I was totally enchanted..., I went to see the Mexicans, I went to see Posada, Leopoldo Mendez, who was an excellent recorder and founded the Taller of Graphic Arts of Mexico, which made a rescue of the popular engraving along the lines of the pose, of the times of the revolution... So with this set of information I went body and soul, and I was doing practically only drawing and woodcutting, with a few small incursions into the metal engraving, of 1948 until 1956... In 1956 it gave me a kind of crisis: I thought that my engraving was becoming an extreme elaboration, in a formal refinement, and that she was losing the force of conviction of the message I wanted to give... Because it was an engraving very committed to the messages... (...) and then I changed the course, starting with something else, which I still didn't define well what it was, in which I could transmit other messages... And all this was also involved with my militancy: in 1956 I already He was not a young militant..."
Renina Katz A Renato P. Dória - 1995/1996
the woodcut in Maria Bonomi and Renina Katz. Journal of Art and Archeology. Campinas, Unicamp, n. 2, p. 311, 1995.
Individual exhibitions
1950 - Rio de Janeiro RJ - Individual, at Enba
1952 - São Paulo SP - Renina Katz: engravings and drawings, in the MASP
1953 - São Paulo SP - Individual, at MASP
1953 - São Paulo SP - Renina Katz: Engravings, at MAM/SP
1958 - Rio de Janeiro RJ - Individual, at GEA Gallery
1958 - São Paulo SP - Individual, at Galeria Ambiente
1959 - São Paulo SP - Individual, at the Folhas Art Gallery
1963 - Rio de Janeiro RJ - Individual, at Petite Gallery
1964 - Santiago (Chile) - Individual, at Galeria Centro Chile-Brasil
1964 - Valparaíso (Chile) - Individual, at Galeria Centro Chile-Brasil
1966 - São Paulo SP - Individual, at Galeria Astreia
1967 - Rio de Janeiro RJ - Individual, at Petite Galeria
1969 - Rio de Janeiro RJ - Individual, at Petite Galeria
1970 - Rio de Janeiro RJ - Individual, at Petite Galeria
1970 - São Paulo SP - Individual, at Galeria ARS Mobile
1973 - Washington (United States) - Individual, at the Brazilian-American Cultural Institute
1974 - São Paulo SP - Individual, at the Multiple Art Gallery
1975 - Mexico City (Mexico) - Individual, at Galeria Arvil
1975 - Rio de Janeiro RJ - Individual, at Graffiti Art Gallery
1976 - Ouro Preto MG - Individual, at the Casa dos Contos Museum. Center for the Study of the Gold Cycle
1976 - São Paulo SP - Individual, at the Multiple Art Gallery
1977 - Porto Alegre RS - Individual, at the Guignard Gallery
1977 - Rio de Janeiro RJ - Individual, at the gallery Bonino
1977 - Washington (United States) - Individual, at the Brazilian-American Cultural Institute
1977 - São Paulo SP - Individual, at the Multiple Art Gallery
1978 - São Paulo SP - Individual, at the gallery Multiple Art
1979 - Asunción (Paraguay) - Individual, at the Centro de Estudos Brasileiros
1979 - Lisbon (Portugal) - Individual, at the José de Azeredo Perdigão Modern Art Center
1979 - Roma (Italy) - Individual, at Galleria Doria Pamphili
1980 - Ribeirão Preto SP - Individual, at Itaugaleria
1980 - Rio de Janeiro RJ - Brazilian engraving
1981 - Curitiba PR - Individual, at the Cultural Foundation of Curitiba
1981 - Rio de Janeiro RJ - Individual, at the Casa de Rui Barbosa Foundation
1981 - São Paulo SP - Individual, at the Suzanna Sassoun Gallery
1981 - São Paulo SP - Individual, MASP
1982 - Salvador BA - Individual, at Solar do Unhão
1983 - Hague (Holland) - Renina Katz: 20 lithographs
1984 - Brasília DF - Renina Katz: Lithographies, at the Paulo Figueiredo Gallery
1985 - Caxias do Sul RS - Individual, at the University of Caxias do Sul
1985 - Porto Alegre RS - Individual, at Margs
1986 - São Paulo SP - Individual, at Dash Galeria de Arte
1987 - Curitiba PR - Individual, in Documentation
1987 - São Paulo SP - Renina Katz: Aqurelas, in the multiple of art
1988 - Curitiba PR - Individual, at the Municipal Museum of Art
1989 - Curitiba PR - Individual, at the Engraving Museum
1989 - Rio de Janeiro RJ - Renina Katz: lithographs, at MNBA
1989 - São Paulo SP - individual MASP
1989 - São Paulo SP - Renina Katz: Drawings, at the Lasar Segall Museum
1990 - São Paulo - Renina Katz: the artist's space when young, in the Paço das Artes
1992 - Ouro Preto MG - Individual, at the Inconfidência Museum
1992 - Poços de Caldas MG - Individual, at the Casa da Cultura de Poços de Caldas
1994 - São Paulo SP - Diário de Antações, at the Pinacoteca do Estado
1995 - São Paulo SP - Renina Katz: Aquarrelas, in the multiple of art
1996 - São Paulo SP - Ares e Lugares, at the Pinacoteca do Estado
2002 - São Paulo SP - Individual, at ANA Cláudia Roso Art Office
2004 - São Paulo SP - Individual, at the Pinacoteca Station
Collective exhibitions
1946 - Rio de Janeiro RJ - The painters go to the people's school, in the ENBA
1948 - Rio de Janeiro RJ - 54th National Salon of Fine Arts, at MNBA
1949 - Rio de Janeiro RJ - 55th National Salon of Fine Arts, at MNBA
1949 - SALVADOR BA - 1st Baiano Salão de Belas Artes, at Hotel Bahia
1950 - Salvador BA - 2nd Bahia Fine Arts Hall, at the Belvedere da Sé Gallery
1951 - Rio de Janeiro RJ - 57th National Salon of Fine Arts, at the MNBA - Acquisition Award and Travel Award for the Country
1952 - Rio de Janeiro RJ - 2nd Salão Paulista de Arte Moderna, at Galeria Prestes Maia - Acquisition Award
1953 - Rio de Janeiro RJ - 2nd National Salon of Modern Art, at the MNBA
1954 - Geneva (Switzerland) - 9th Recontre International, at the Musée Rath
1954 - Goiânia GO - Exhibition of the National Congress of Intellectuals
1954 - Rio de Janeiro RJ - Black and White Salon, at the Palácio da Cultura
1954 - Salvador BA - 4th Baiano Salão de Belas Artes, at Hotel Bahia
1954 - São Paulo SP - 3rd São Paulo Hall of Modern Art, at the Prestes Gallery Maia
1954 - Warsaw (Poland) - Brazilian Art Exhibition
1954 - Zurich (Switzerland) - Brazilian art, modern Brazilian architecture and new Brazilian graphics, at Kunstgewerbemuseum
1955 - New Delhi (India) - Brazilian Art Exhibition
1955 - São Paulo SP - 3rd São Paulo International Biennial, at MAM/SP
1955 - São Paulo SP - 4th São Paulo's Modern Art Salon, NA Prestes Maia Gallery - Acquisition and Gold Medal Award
1956 - Rio de Janeiro RJ - 1st Railway Salon
1956 - Rio de Janeiro RJ - 5th National Salon of Modern Art
1956 - Venice (Italy) - 28th Venice Biennale
1956 - Wisconsin (United States) - International Print Show
1956 - Zurich (Switzerland) - Xylon 2
1957 - Rio de Janeiro RJ - 6th National Hall of Modern Art
1957 - São Paulo SP - 6th São Paulo Salon of Modern Art, at the Prestes Maia Gallery
1958 - Rio de Janeiro RJ - 7th National Salon of Modern Art, MAM/RJ
1958 - Rio de Janeiro RJ - Salão do Mar
1959 - Rio de Janeiro RJ - 8th National Salon of Modern Art, at MAM/RJ
1959 - São Paulo SP - 5th International Biennial of São Paulo, in the Ciccilo Matarazzo Sobrinho Pavilion
1959 - São Paulo SP - 8th Salão Paulista de Arte Moderna, at the Prestes Maia Gallery - Acquisition Award
1960 - São Paulo SP - 9th Salão Paulista de Arte Moderna, At Galeria Prestes Maia
1960 - São Paulo SP - Leirner Collection, at the Folhas Art Gallery
1960 - São Paulo SP - Women's contribution to the visual arts in the country, at MAM/SP
1961 - Rio de Janeiro RJ - 1st The face and the work, at the Ibeu Copacabana Gallery
1961 - São Paulo SP - 10th São Paulo Salão de Arte Moderna, at the Prestes Maia Gallery
1961 - São Paulo SP - 6th International Bienal de São Paulo, at the Ciccilo Matarazzo Sobrinho Pavilion
1963 - São Paulo SP - 7th São Paulo International Biennial, at the Bienal Foundation
1971 - Rio de Janeiro RJ - 9th Summary of Art JB, MAM/RJ
1974 - Geneva (Switzerland) - Collective, at the Ziegler Gallery
1974 - Madrid (Spain) - Graphic Art of today, in the exhibition hall of the General Directorate of Fine Arts
1974 - New Orleans (United States) - Contemporary Brazilian Prints, at Loyola University
1974 - Alabama (United States) - Contemporary Brazilian Prints, University of South Alabama
1974 - Tennessee (United States) - Contemporary Brazilian Prints, University of Tennessee
1974 - Washington (United States) - Contemporary Brazilian Prints, at the Brazilian-American Cultural Institute
1974 - Rio de Janeiro RJ - A modern Brazilian engraving, at the National Library Foundation
1974 - São Paulo SP - 6th Panorama Brazilian Art, at MAM/SP
1975 - Paris (France) - Brazilian graphic art, at the Musée Galliera
1975 - Vienna (Austria) - Brazilian graphic art, at the Albertina Museum
1975 - Lisbon (Portugal) - Brazilian graphic art, at the Gulbenkian Foundation
1976 - Buenos Aires (Argentina) - 20 Brazilian artists, at the Centro de Arte y Comunicación (CAYC) and in the Bellas Artes de Bahia Blanca
1976 - Massachusetts (United States) - Brazilian graphic art at Bristol Community College
1976 - São Paulo SP - 7 lithography artists, at the Global Art
1977 - São Paulo SP - 9th Panorama of Current Brazilian Art, at MAM/SP
1977 - Washington (United States) - The Original and its Reproduction: A Melhoramentos Project, Brazilian-American Cultural Institute
1978 - Curitiba PR - 1st Annual Engraving Exhibition City of Curitiba, at the Creativity Center
1979 - Belo Horizonte MG - Watercolor in Brazil, at the Paço das Artes
1979 - São Paulo SP - Headquarters and branches: 4 artists, at Sesc
1979 - Tel Aviv (Israel) - Brazilian artists in Israel
1980 - Belgrade (Yugoslavia) - Artists Brazilians
1980 - Curitiba PR - Engravings, at the Creativity Center
1980 - São Bernardo do Campo SP - Collection of the Pinacoteca de São Bernardo
1980 - São Paulo SP - 12th Panorama of Current Brazilian Art, at MAM/SP
1980 - São Paulo SP - Collective, at Galeria Lácio
1981 - New York (United States) - The engraving of Brazilian women, in the Brazilian Cultural Foundation
1982 - Maracaibo (Venezuela) - 2nd Engraving Biennial
1982 - Penápolis SP - 5th Northwest Plastic Arts Hall, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1982 - São Paulo SP - Six Brazilian Expressionist Recorders: Segall, Goeldi, Abramo, Renina, Poty, Grassmann, at the Lasar Segall Museum
1983 - London (England) - 18 Women Brazilian Artists, at the Barbican Art Gallery
1983 - Rio de Janeiro RJ - 6th National Salon of Plastic Arts, at MAM/RJ
1984 - Curitiba PR - 6th Exhibition of the Engraving City of Curitiba. The woodcut in the history of Brazilian art, at Casa Romário Martins
1984 - Ourinhos SP - Homage to the art of engraving in Brazil, in Itaugaleria
1984 - Ribeirão Preto SP - Brazilian engravers years 50/60, at Galeria CampusUSP-Banespa
1984 - Rio de Janeiro RJ - 4 recorders, at Arte Maior Galeria
1984 - Rio de Janeiro RJ - The woodcut in the history of Brazilian art, Funarte. Sérgio Milliet Gallery
1984 - Rio de Janeiro RJ - Recent donations 82-84, at MNBA
1984 - Rio de Janeiro RJ - City view, at the Solar Grandjean de Montigny
1984 - São Paulo SP - 15th Panorama of Current Brazilian Art, at MAM/SP - Cia. Suzano Papers and Pulp Award
1984 - São Paulo SP - Tradition and rupture: synthesis of Brazilian art and culture, at the Bienal Foundation
1985 - Rio de Janeiro RJ - 8th National Salon of Plastic Arts, at MAM/RJ
1985 - Rio de Janeiro RJ - Axl Leskoschek and his students: Brazil/1940-1948, at the Art Gallery Banerj
1985 - São Paulo SP - Axl Leskoschek and his students: Brazil/1940-1948, at MAM/SP
1985 - São Paulo SP - 18th International Biennial of São Paulo, at the Biennial Foundation
1986 - Belo Horizonte MG - Brazilian Aquarelistas, at Cemig Espaço Cultural Galeria de Arte
1986 - Havana (Cuba) - 2nd Havana Biennial
1986 - Venice (Italy) - 42nd Venice Biennale
1987 - Campinas SP - 1st International Engraving Biennial, at MACC
1987 - Spain - Contemporary Brazilian Art
1987 - Ljubljana (YUGOSLAVIA - CURRENT SLOVENIA) - 17th International Engraving Biennial, at the modern Gallerija Ljubljana
1988 - Curitiba PR - 8th Exhibition of Engraving City of Curitiba, at the Cultural Foundation
1988 - Lisbon (Portugal) - Pioneers and Disciples, at the José de Azeredo Perdigão Modern Art Center
1988 - Salvador BA - The illustrators of Jorge Amado, at the Casa de Jorge Amado Foundation
1988 - São Paulo SP - 1st FASM National Watercolor Salon, at Faculdade Santa Marcelina
1988 - São Paulo SP - MAC 25 years: Acquisitions and recent donations at MAC/USP
1988 - São Paulo SP - OS Rhythms and Forms: Contemporary Brazilian Art, at Sesc Pompéia
1989 - Copenhagen (Denmark) - The rhythms and forms: contemporary Brazilian art, at the Charlottenborg Museum
1989 - Spain - El Grabado Brasileño Contemporáneo
1989 - Rio de Janeiro RJ - Brazilian engraving: 4 themes, at EAV/Parque Lage
1989 - São Paulo SP - 20th International Biennial of São Paulo, at the Bienal
1990 - Curitiba PR - 9th Mostra da Engraving Cidade de Curitiba, at the Engraving Museum
1990 - Logroño (Spain) - El Grabado Brasileño Contemporáneo
1991 - Curitiba PR - Municipal Museum of Art: Collection, at the Municipal Museum of Art
1991 - São Paulo SP - A Mata, at MAC/USP
1991 - São Paulo SP - Man and Nature, at MAC/USP
1991 - São Paulo SP - Records and impressions: seminal artists, at Casa das Rosas
1992 - Curitiba PR - Focusing on metal engraving, at the Engraving Museum
1992 - Curitiba PR - 10th Engraving Exhibition City of Curitiba/Mostra América, at the Engraving Museum
1992 - Rio Janeiro RJ - Art Engraving in Brazil: Proposal for a mapping, at CCBB
1993 - João Pessoa PB - Woodcut: from Cordel to Galeria, at Funesc
1993 - Lisbon (Portugal) - Brazilian matrices and prints: Guita and José Mindlin Collection, at the José de Azeredo Perdigão Modern Art Center
1993 - Managua (Nicaragua) - Collective, at the Center for Brazilian Studies
1993 - São Paulo SP - Works for illustration of the literary supplement: 1956 1967, at MAM/SP
1993 - Venice (Italy) - Collective, at Fondazione Scientifica Querini Stampalia
1994 - Rio de Janeiro RJ - Book Object: The Frontier of Voids, at CCBB
1994 - Rio de Janeiro RJ - Trenches: Art and Politics in Brazil, at MAM/RJ
1994 - São José dos Campos SP - 1st Gravure Biennial of São José dos Campos
1994 - São Paulo SP - Flags: 60 artists honor the 60 years at USP, at MAC/USP
1994 - São Paulo SP - Bienal Brasil Século 20th, at the Bienal Foundation
1994 - São Paulo SP - Collective, at the CCSP
1994 - São Paulo SP - Engravings: subtleties and mysteries, printing techniques, at the Pinacoteca do Estado
1994 - São Paulo SP - The Engraving Clubs of Brazil, at the Pinacoteca do Estado
1994 - São Paulo SP - Poetics of the Resistance: aspects of Brazilian engraving, at the SESI Art Gallery
1994 - São Paulo SP - woodcut: from cordel to the gallery, in the subway
1995 - São Paulo SP - Book Object: The frontier of the voids, in the MAM/SP
1995 - São Paulo SP - 1st United Artist, at Casa das Rosas
1996 - Rio de Janeiro RJ - Panorama of Brazilian Engraving, at Castro Maya Museums. CHÁCARA DO CÉU MUSEUM
1996 - São Paulo SP - Bandeiras, at the SESI Art Gallery
1996 - São Paulo SP - Ex Libris /Home Page, at Paço das Artes
1996 - São Paulo SP - Women Artists in the MAC collection, at MAC/USP
1996 - São Paulo SP - 4th Studio UNESP SESC SENAI of Image Technologies, at SESC Pompéia
1997 - Barra Mansa RJ - Contemporary Traits: Homage to Brazilian engraving, at the Centro Universitário de Barra Mansa
1997 - São Paulo SP - A Cidade dos Artistas, at MAC/USP
1998 - Brasília DF - Brazilian like me, like me?, at the Ministry of Foreign Affairs
1998 - Brasília DF - Cien recuerdos for Garcia Lorca, at Espaço Cultural 508 Sul
1998 - Campinas SP - The great art of engraving, at Galeria Croqui
1998 - Jacareí SP - Women Record companies: A tribute to Edith Behring, in Vila Cultura - Pátio do Trilhos
1998 - Rio de Janeiro RJ - GRAVIO THINK: The engraving of language, in the Paço Imperial
1998 - São Paulo SP - Impressions: the art of Brazilian engraving, at the Banespa-Paulista Cultural Space
1998 - São Paulo SP - The Collectors - Guita and José Mindlin: Matrices and Engravings, at the SESI Art Gallery
1999 - Rio de Janeiro RJ - Exhibition Rio engraving. Guita and José Mindlin Collection, at the Correios Cultural Space
1999 - Rio de Janeiro RJ - Exhibition Rio Engravura. Brazilian modern engraving: Collection National Museum of Fine Arts, in the MNBA
1999 - Rio de Janeiro RJ - Exhibition Rio Engraving. Maria Bonomi and Renina Katz: recent prints, at the National Historical Museum
1999 - São Paulo SP - Brazilian like me, like who?, at MAB/FAAP. Cultural Hall
1999 - São Paulo SP - Lithograph: Loyalty and Memory, at the Unicid Arts
2000 - Mexico City (Mexico) - 12th Iberoamerican Art Biennial, at the Palácio de Bellas Artes de La Ciudad de México
2000 - São Paulo SP - Brazil on paper: hues and experiences, at the Unicid Arts Space
2000 - São Paulo SP - Investigations: Brazilian engraving, at Itaú Cultural
2000 - São Paulo SP - Maria Bonomi, Renina Katz: validity, at the Multiple Art Gallery
2000 - São Paulo SP - The role of art, in the SESI Art Gallery
2000 - Valencia (Spain) - From La Anthropophagia to Brasilía: Brazil 1920-1950, at Ivam. Center Julio Gonzáles
2001 - Brasília DF - Investigations. The Brazilian engraving, at Galeria Itaú Cultural
2001 - Penápolis SP - Investigations. The Brazilian engraving, at Galeria Itaú Cultural
2001 - Rio de Janeiro RJ - Brazilian Watercolor, at the Light Cultural Center
2001 - São Paulo SP - The feminine in art, at the Mário de Andrade Library
2002 - Passo Fundo RS - Engravings: Paulo Dalacorte Collection, at the Ruth Schneider Visual Arts Museum
2002 - Porto Alegre RS - Engravings: Paulo Dalacorte Collection, at the Work Museum
2002 - São Paulo SP - From Anthropophagia to Brasília: Brazil 1920-1950, at MAB
2002 - São Paulo SP - Open Opera: Celebration, at Casa das Rosas
2002 - São Paulo SP - Who does the biennials, in the Multiple Art Gallery
2003 - Rio de Janeiro RJ - Brazilianart project, at Almacén Art Gallery
2003 - São Paulo SP - The engraving goes well, thank you: the Brazilian historical and contemporary engraving, at Espaço Virgílio
2003 - São Paulo SP - Art and Society: a controversial relationship, at Itaú Cultural
2003 - São Paulo SP - Arteconócio: 70 years USP, at MAC/USP
2003 - São Paulo SP - Entre Aberto, at Engraving Brazilian
2003 - São Paulo SP - Israel and Palestine: two states for two people, at Sesc Pompéia
2003 - São Paulo SP - MAC USP 40 years: Contemporary interfaces, at MAC/USP
2004 - São Paulo SP - New acquisitions: 1995 - 2003, at MAB/FAAP
Source: Itaú Cultural
