Regina Silveira (Porto Alegre RS 1939)
Regina Silveira is one of the most important artists of Brazilian contemporary art, internationally recognized for her performance as a multimedia artist, record company, painter and teacher. Its trajectory stands out for its solid academic background and intense teaching activity, fundamental aspects to consolidate its relevance in the Brazilian and international art scene.
Regina Silveira completed her Bachelor of Arts in 1959 by the Institute of Arts of the Federal University of Rio Grande do Sul. (IA/UFRGS), where he studied with important masters, including Aldo Locatelli and Ado Malagoli. Regina Silveira also obtained a degree in drawing from the Pontifical Catholic University of Rio Grande do Sul (PUCRS), expanding her training in the field of visual arts.
Regina Silveira deepened her artistic training in the early 1960s in the free studio. of the Porto Alegre City Hall, where he took classes with outstanding artists such as Iberê Camargo, Francisco Stockinger and Marcelo Grassmann. In 1967, Regina Silveira received a scholarship from the Hispanic Institute of Culture to study at the Faculty of Philosophy and Letters of Madrid, an experience that expanded her theoretical repertoire and insertion in the international artistic circuit.
Regina Silveira was invited, in 1969, teaching at the University of Puerto Rico, starting an important stage in his academic career. Upon returning to Brazil, in 1973, Regina Silveira took over the coordination of the engraving sector of the Armando Álvares Penteado Foundation (FAAP), a position she held until 1985 and that reinforced her influence on the formation of new generations of Brazilian artists.
Regina Silveira joined, in 1974, the faculty of the School of Communications and Arts of the University of São Paulo (ECA/USP), where she developed a significant part of her academic research. Regina Silveira obtained the title of Master in 1980 and completed her doctorate in 1984, strengthening her performance both in the field of artistic production and in the university environment.
Regina Silveira resided in New York between 1991 and 1994 with Scholarships awarded by internationally prestigious institutions such as the John Simon Guggenheim Foundation, the Pollock-Krasner Foundation and the Fulbright Foundation. In 1995, Regina Silveira was a resident artist at the Civitella Ranieri Foundation and, in 2000, received the Sergio Motta Cultural Award, one of the most relevant Brazilian recognitions in the area of art and technology.
Regina Silveira Throughout his career, he consolidated himself as a central figure in Brazilian contemporary art. Regina Silveira stands out for the articulation between artistic practice, research and teaching, in addition to her expressive projection in the international circuit of the visual arts. of visual representation, marked by dialogues with important artistic matrices of the 20th century. According to the critic Tadeu Chiarelli, the poetics of Regina Silveira was deeply influenced by the contact with the work of Iberê Camargo, of whom she absorbed the understanding of the technique as a means — and not as an end —, in addition to a critical stance in the face of crystallized representation codes.
Another fundamental reference for Regina Silveira is Marcel Duchamp, whose work allows the artist, through irony, to subvert and reinvent such codes, expanding their possibilities of meaning. This approach to Duchampian thought is evident in works such as In Absentia M.D. (1983), in which Regina Silveira paints on the ground magnified shadows of Duchamp's iconic works, starting from the physical absence of objects and their pedestals. voids.
In the late 1960s and early 1970s, Regina Silveira developed sculptures and serigraphs still linked to the geometric-constructive tradition. In Labyrinths (1971), he begins investigations with geometric meshes and perspective systems. In the Middle Class & CO (1971–1972), addresses the fragmentation of the individual in contemporary society, introducing a critical dimension that will become recurring in his work.
The appropriation of photographic images becomes a central procedure in the practice of Regina Silveira, expanding the dimension semantics of their work. In offset printed photomontages, conceived as simulacrums of postcards — as in the series Brasil Today: Natural Beauties (1977) — the artist contrasts images of urban landmarks and landscapes recognizable to elements of degradation, such as rubble and car cemeteries, tensioning the symbolic construction of the Brazilian landscape.
Across its trajectory, Regina Silveira incorporates various technologies and media, including heliography, microfilm, xerox, electronic panels, video art, videotext and mail art, reaffirming its pioneering role in experimenting with new media in the context of Brazilian art.
In Anamorphas (1980), Regina Silveira deepens her investigation into the subversion of perspective, starting from photographs of everyday objects that are redesigned with distortions — compressions, dilations and folds —, destabilizing the viewer's perception. In Simulacros (1984), the artist creates shadows from invented projections, in which the generating object is absent, establishing conceptual relationships with Dadaism and Surrealism.
The use of the shadow as an absence index becomes a central element in the work of Regina Silveira, proposing a reflection on the limits of representation and its relationship with perception. This investigation expands into the exhibition and architectural space, when the artist starts to intervene directly on walls and floors with silhouettes shaded in paint or latex.
Works such as Vertex (1994) and Ladder Inexplicable II (1999) explore the relationship between image and architecture, creating illusions of depth and spatial instability. In more recent productions, Regina Silveira expands her performance to the urban space, using vinyl and luminous projections on building facades. In Lumen (2002), he investigates light and its visual multiplication, evoking effects similar to those of a kaleidoscope.
Regina Silveira's work is also articulated with social and political issues, addressing themes such as power — in Monudentro (1987) and The Saint's Paradox (1994) —, violence — in Encuentro (1991) — and the social role of women — in a tea cart (1986).
In addition to her artistic production, Regina Silveira plays a fundamental role in the formation of New generations of artists in Brazil, having influenced names such as Ana Maria Tavares, Rafael França, Mônica Nador and Iran do Espírito Santo.
Criticisms
"With inflections, Regina Silveira seeks a way to dialogue and review some Assumptions of the grammars of vision and therefore conducts an eminently plastic research The interactive and conventional advertisements of furniture stores are the starting point for the construction of a series of unusual objects, which advance in space in all directions (...). If, through the emergence of this 'degenerative', transformative power, the inflections seem to respond to the objectual proposal of surrealism, Regina Silveira's intention is, however, not metaphorical. (...) Testing the power of containment of contours, Regina Silveira takes the perspectic system to its maximum limit. It multiplies the views, of escape, of distance, which destroy the perspective from within, but does not renounce it at all. It adds a new perspective, usually curved, to the frontality of advertising images (...). Personal design or antidesign, the tension of inflections refers to a vector of mutation, of instability, of 'uncertainty', to a structural 'disharmony', (...) tangible sign of that 'disordering of the order' that Regina Silveira proposes from The Anamorphs".
Annateresa Fabris
SILVEIRA, Regina. Regina Silveira: Inflections. São Paulo: Galeria Luisa Strina, 1987.
"In the specific case of Regina Silveira, the maturation of her poetics seems to have been determined by the contact with the work of two artists apparently opposed by the postures they took in their trajectories: Iberê Camargo and Marcel Duchamp.
of the First (of whom the artist was a student in Porto Alegre), Regina Silveira would have apprehended her existential anguish of background, which led her to break with her initial conception of art based on an extremely rigid, conservative learning. He also absorbed him by looking at technique as a means and not an end, finally, Camargo seems to have made her doubt for the first time of the codes of representation crystallized by tradition.
From the contact with the work of Duchamp (occurred in the years 70), Regina Silveira realized that the way to the maturation of her poetics was to recover, in critical key, those codes previously despised, reinventing them, to remove other possibilities of meaning from them. He became aware that art could be not only the emanation of the artist's anguish before the world, but rather an organized system full of rules to be put in check by the artist.
Regina Silveira brought as healthy residues from her Experience with Iberê Camargo The sombre tone of his works, the taste for the expressive deformation of signs, the unrestricted distrust of the effectiveness, nowadays, of art and its institutionalized codes. With Duchamp, this distrust was transformed into relentless irony, into bitterness aimed at the destabilization of crystallized concepts of art."
Tadeu Chiarelli
CHIARELLI, Tadeu. Artist and Advisor. in: MORAES, Angélica de (org.). Regina Silveira: Cartographies of the Shadow. Regina Silveira, the shadow follows the Platonic assumptions and indicates the possibility of transposing the real to the represented. The impasse is accentuated by the exploration of what Leonardo da Vinci called marginal aberrations of perspective, that is, the universe of distortions born in the wake of apparently exact geometric procedures. (...)
The vigorous subjectivity of the expressionist root, exercised explicitly by the painter and record company at the beginning of his career, is something that immediately comes to the mind of those who observe his creation process. The moment the idea is just the line of the pencil on the paper, it gives the rein loose the intuition. Shadows are not obtained from calculations. These are only summoned after the resolution responds to the intended content and only to transfer this arbitrary cartography to the plan (drawings, engravings, tapestries and cutouts) or to the space (objects and installations). The artist destroys and rebuilds the possible look at something before using the ruler and the vanishing points that will aim for the spectator for the demonstrated image and its set of corollary visions. (...)
Regina Silveira chose this tool because it meets the needs of symbolic articulation, allowing to manipulate one of the foundations on which the notion of reality represented still rests. Perspective is a fulcrum of the illusory. By exploring contemporary themes with deformations born on the fantastic margins of perspectivist rigor, the artist promotes the union of formal mannerist assumptions with the sophisticated framework of ideas enunciated by conceptual art".
Angélica de Moraes
MORAES, Angélica de (Org.). Regina Silveira: Cartographies of the Shadow. São Paulo: Edusp, 1996.
"The simulacra (1982-1984), who succeeded Anamorphos, complete the key points of reference in their language. It is a constellation of photographic works, installations and always monochromatic objects (black on white), reverberating among themselves, which she considers as 'a reflection on the representation of projected shadows, materialized as a parodic visuality of the projective codes of the linear perspective, of the theory of shadows, photography and topographical drawing´. In the establishment of visual structures based on the violation of the laws of artificial representation created as searches for the accuracy of the projective codes of the classical perspective, it was of interest, above all, the use of points of view and the angles of vision.
Notwithstanding the homogeneity of the establishment of all his work focused on the ambiguities of perspective (and in which the 'motives' or objects that serve as a model do not matter), we would emphasize among the simulacra the installation in absentia (MD), built in a space of 10 x 20 m at the São Paulo International Biennial, in 1983, consisting of the monumental silhouettes of Bottlerack and Bicycle Wheel, stretched in oblique opposition on the floor and the elevation of panels that closed the environment. They were fictitious shadows that illusorily started from two bases of sculpture that were absolutely empty and distorted, defying perception according to the distance points of the gaze."
Walter Zanini
ZANINI, Walter. Regina Silveira. In: SILVEIRA, Regina. Regina Silveira: In Absentia (Stretched). [Text translated and revised by Walter Zanini in 1997].
Testimations
"I never considered myself a record label, because the idea of specialization in a single expressive medium bothers me. I'm also not interested in the engraving itself. Artist is an expert in visual languages. Engraving is just one of the means in which these languages can be exercised. The history of art is there to remind us that the great engravers were also designers and painters. My multimedia posture is based on the possibilities of building something from graphic images from different origins, on the most diverse graphic procedures. I've always used and mixed screen printing without prejudice, off set, heliography, xerox and even traditional techniques such as lithogravure. Everything that deals with reproducibility interests me, just as I am interested in the printed image".
Regina Silveira
Silveira, Regina. Pedagogy of the Trace: Interview with Angélica de Moraes. In: Moraes, Angélica de (Org.). Regina Silveira: Cartographies of the Shadow. São Paulo: Edusp, 1996. p.92.
Individual exhibitions
1958 - Florianópolis SC - Individual, at Pancetti Gallery
1958 - Porto Alegre RS - Individual, in the Mallet Building
1960 - Florianópolis SC - Individual, at the Santa Catarina Modern Art Museum
1960 - Porto Alegre RS - Individual, at the Casa das Molduras Gallery
1961 - Porto Alegre RS - Individual, at the Rio Grande do Sul Art Museum Ado Malagoli - Margs (Porto Alegre, RS)
1962 - Porto Alegre RS - individual, in the French alliance
1963 - Rio de Janeiro RJ - Individual, at the Ibeu Copacabana Gallery
1964 - Porto Alegre RS - Individual, at the ICBNA Gallery
1965 - Rio de Janeiro RJ - Individual, Goeldi Gallery
1966 - Montevideo (Uruguay) - Individual, at the U
Gallery 1966 - Porto Alegre RS - Individual, at Margs
1967 - Madrid (Spain) - Individual, in the gallery Seiquer
1968 - Montevideo (Uruguay) - Individual, at Galeira U
1968 - Porto Alegre RS - Individual, at Galeria IAB/RS
1968 - Porto Alegre RS - Individual, Margs
1970 - Mayaguez (Porto Rico) - Individual, in the Art Room of the University of Puerto Rico
1973 - Madrid (Spain) - Individual, at the Seiquer Gallery
1973 - Mayaguez (Porto Rico) - Individual, at the University of Puerto Rico. Art Room
1974 - Vitória ES - Individual, at the Espírito Santo Cultural Foundation
1975 - Buenos Aires (Argentina) - Individual, at the Centro de Arte y Comunicación - Cayc
1975 - São Paulo SP - Individual, in the Graphic Arts Office
1977 - Buenos Aires (Argentina) - Individual, at the Centro de Arte y Comunicación - CAYC
1977 - São Paulo SP - Individual, at the Graphic Arts Office
1978 - Madrid (Spain) - Individual, at the Casa do Brasil Art Gallery
1978 - Porto Alegre RS - Regina Silveira: Retrospective - Graphic Work, at UFRGS. Institute of Arts
1980 - São Paulo SP - Anamorphos, at the Museum of Contemporary Art of the University of São Paulo - MAC/USP
1982 - Rio de Janeiro RJ - Anamorphas, at the Museum of Modern Art in Rio de Janeiro - MAM/RJ
1984 - Lisbon (Portugal) - Individual, at Galeria Diferença
1984 - Lisbon (Portugal) - Individual, in the Fine Arts Circle
1984 - Porto Alegre RS - Sombras, Margs
1984 - São Paulo SP - Simulacros, at MAC/USP
1985 - Curitiba PR - Individual, at the Museum of Contemporary Art of Paraná - MAC/PR
1987 - São Paulo SP - Inflections, at the gallery Luisa Strina
1987 - Fortaleza CE - Inflections, in the art gallery
1988 - Lisbon (Portugal) - Individual, at the Cooperative Difference in Visual Communication. Difference Gallery
1988 - Lisbon (Portugal) - Projectio, at the Calouste Gulbenkian Foundation
1988 - Lisbon (Portugal) - Vértice, at the Calouste Gulbenkian Foundation
1988 - New York (United States) - Individual, at the Franklin Furnace Archive, Inc.
1988 - Porto Alegre RS - Individual, at Margs
1989 - Porto Alegre RS - Individual, at Galeria Arte & Fact
1989 - São Paulo SP - Inflections: Painted Clippings, at Galeria Luisa Strina
1989 - São Paulo SP - Vertex, at MAC/USP
1990 - Edewecht (Germany) - Projectio, at the Micro Hall Art Center
1990 - Porto (Portugal) - Auditorium, at Cooperativa Tree
1991 - Austin (United States) - on Abssence: Furniture, at One American Center Building
1991 - Chicago (United States) - Individual at The Mitchell Museum of the American Indian
1991 - Mount Vernon (United States) - Interiors, At the Mitchell Museum
1991 - New York (United States) - Behind the Glass at New York University. Gray Art Gallery
1991 - São Paulo SP - Auditorium, at Luisa Strina Gallery
1992 - Miami (United States) - Encuentro, at the Bass Museum of Art
1992 - New York (United States) - Individual, at Ledisflam Gallery
1992 - New York (United States) - Individual, at The Queens Museum of Art
1992 - São Paulo SP - Regina Silveira: Retrospective Espaço Eugene Villen
1993 - New York (United States) - Masterpieces (in absentia), at the ledisflam gallery
1994 - São Bernardo do Campo SP - Graphos 2, at the Henfil de Culture
1994 - Washington (United States) - Expandables, from the Simulacros series, at the Art Gallery of Baci
1995 - New York (United States) - Mapping the Shadows, at LeDisflam Gallery
1995 - Porto Alegre RS - Individual, at Margs
1996 - La Spezia (Italy) - Velox, at Galleria d'Arte Il Gabbiano
1996 - San Diego (United States) - Gone Wild, in the series Inside/Out, at the Museum of Contemporary Art
1996 - São Paulo SP - Gragrafias, at Masp
1997 - Chigado (United States) - To be continued..., in the N.U. Art Gallery
1997 - São Paulo SP - Intro: Refresh Window R.S, at Casa Triângulo Gallery
1998 - Buenos Aires (Argentina) - Superhero: Night and Day, at the Museo de Modern Art
1998 - Buenos Aires (Argentina) - Velox, at the Museum of Modern Art
1998 - San Antonio (United States) - Velox, at the Blue Star Art Center.
1998 - São Paulo SP - Velox, at Brito Cimino Gallery
1998 - Pisa (Italy) - Velox, at Studio Gennai
1999 - Santiago (Chile) - Desaparicias, at the Gabriela Gallery Mistral
2000 - Brasília DF - Velos, at the Art Gallery of the University of Brasília
2000 - Rio de Janeiro RJ - Equinócio, at the Cavalry Pavilion - Parque Lage
2000 - São Paulo SP - Ex Orbis - Making Of, at Senac
2000 - São Paulo SP - Ex Orbis: Making Of, at the Senac Communications and Arts Center
2000 - Washington (USA) - Perpetual Transformation, in the ART Museum of the Americas
2001 - Fortress CE - Duet/duel, Palace of Abolition
2001 - Rio de Janeiro RJ - Dobras, in the Paço Imperial
2001 - São Paulo SP - Dobras, in Paço das Artes
2001 - São Paulo SP - Regina Silveira in the MAM collection, at MAM/SP
2002 - São Paulo SP - A Lesson, at the Brito Cimino Gallery
2003 - São Paulo SP - Claraluz, Banco do Brasil Cultural Center
2004 - Mexico City (Mexico) - Desapariencia, at El Cubo - Public Art Room Siqueiros
2004 - Montevideo (Uruguay) - Tracking Over, at the Centro Cultural Spain
2004 - São Paulo SP - Slipping, at MAM/SP
2005 - Madrid (Spain) - Lumen, at the Crystal Palace
2006 - Lima (Peru) - Huellas & Shadows, at the Visual Arts Gallery of La Universidad Ricardo Palma
2006 - São Paulo SP - Anamorphas, at Centro Cultural São Paulo - CCSP
2006 - Rio de Janeiro RJ - Luz Zul, at the Telemar Cultural Center
2006 - Rio de Janeiro RJ - Observatory, at the Pinacoteca do Estado de São Paulo
2007 - Belo Horizonte MG - Regina Silveira, at the Museum of Art of Pampulha
2007 - Vilha Velha ES - Fictions, at the Vale do Rio Doce Museum
2008 - São Paulo SP - Mundus Admirabilis and other pests, Brito Cimino Gallery
2009 - Køge (Denmark) - Tropel (reversed), Kunstmuseet Køge Skitsesamling. Køge Museum of Art in Public Spaces
2009 - Rio de Janeiro RJ - Shadow Line, Centro Cultural Banco do Brasil
2010 - São Paulo SP - Glossary, Cultural Space of the Edmundo Vasconcelos Hospital Complex
2010 - São Paulo SP - Meialuz, Centro Universitário Maria Antonia
2010 - São Paulo SP - Occupation Regina Silveira, Itaú Cultural
2010 - São Paulo SP - Tramazul, São Paulo Museum of Art
2010 - Porto Alegre RS - Individual, Porto Alegre Art Scholarship
2010 - Rio de Janeiro RJ - Ex Orbis, Parque Lage Visual Arts School
2011 - São Paulo SP - Individual, Lasar Museum Segall
2011 - Porto Alegre RS - Thousand and One Days and Other Enigmas, Iberê Camargo Foundation
2012 - Ridgefield (United States) - Regina Silveira: In Absentia (Collection), Aldrich Contemporary Art Museum
Collective exhibitions
1957 - Porto Alegre RS - Watercolor Salon, at Aliança Français - 1st Prize
1958 - Porto Alegre RS - 1st Pan-American Hall of Art - Honorable Mention in Drawing
1958 - Porto Alegre RS - 4th Municipal Hall
1959 - Porto Alegre RS - 11th Salon of the Association of Plastic Arts Francisco Lisboa
1960 - Belo Horizonte MG - 15th Salon of Fine Arts of the City of Belo Horizonte, at the Pampulha Art Museum - MAP&NSP;
1960 - Curitiba PR - 17th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1960 - Porto Alegre RS - 12th Salon of the Francisco Lisboa Plastic Arts Association - Bronze Medal
1960 - Porto Alegre RS - 1st Sacred Art Salon, at the Rio Grande do Sul Art Museum - MARGS 
1960 - Porto Alegre RS - Contemporary Plastic Arts Festival - Silver Medal
1961 - Belo Horizonte MG - 16th Salon of Fine Arts of the city of Belo Horizonte, at MAP
1961 - Porto Alegre RS - Arte Rio Grandense: from the past to the present, at the Instituto de Belas Artes de Porto Alegre - Caixa Econômica Federal acquisition award
1962 - Belo Horizonte MG - 17th Salão de Belas Artes of the city of Belo Horizonte, at MAP
1962 - Porto Alegre RS - 3rd Salon of Plastic Arts of Rio Grande do Sul, at the Federal University of Rio Grande do Sul - UFRGS. Instituto de Artes
1962 - Rio de Janeiro RJ - 11th National Salon of Modern Art
1962 - São Paulo SP - 11th Salão Paulista de Arte Moderna - Bronze Medal
1963 - Belo Horizonte MG - 18th Salon of Fine Arts of the City of Belo Horizonte
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Paraná Public Library - Drawing Acquisition Award
1963 - Rio de Janeiro RJ - 12th National Art Salon Moderna
1963 - Rio de Janeiro RJ - Exhibition of artists from Rio Grande do Sul
1963 - São Paulo SP - 12th Salão Paulista de Arte Moderna, at Galeria Prestes Maia
1964 - Brasília DF - 1st Salão de Arte Moderna do Distrito Federal
1964 - Curitiba PR - 21st Salão Paranaense de Belas Artes, at the Public Library of Paraná - Acquisition and Silver Medal Award
1964 - São Paulo SP - 13th São Paulo Salon of Modern Art
1965 - Belo Horizonte MG - 20th Salon of Fine Arts of the City of Belo Horizonte, at MAP
1965 - Curitiba PR - 22nd Salão de Belas Artes Paraná, at the Paraná Public Library
1965 - Porto Alegre RS - 2nd Salão Cidade de Porto Alegre, at Margs
1965 - Rio de Janeiro RJ - 1st Esso Salon of Young Artists, at the Museum Modern Art of Rio de Janeiro - MAM/RJ
1965 - São Paulo SP - 1st Salon Esso of young artists, at the Contemporary Art Museum of the University of São Paulo - MAC/USP
1965 - São Paulo SP - 2nd Exhibition of the Young National Drawing, at MAC/USP
1966 - Belo Horizonte MG - 21st Salon of Contemporary Art in Belo Horizonte, at MAP - Painting Acquisition Award
1966 - Belo Horizonte MG - 21st Salon of Fine Arts in the city of Belo Horizonte, at MAP
1966 - Curitiba PR - 23rd Salão Paranaense de Belas Artes, at the Public Library of Paraná
1966 - Porto Alegre RS - Arte-Today, at Margs
1966 - Ribeirão Preto SP - 40 national and foreign prints from the MAC collection, at the School of Plastic Arts in Ribeirão Preto
1966 - Rio de Janeiro RJ - 1st April Salon, at the Museum of Modern Art of Rio de Janeiro - MAM/RJ
1966 - São Paulo SP - 13 artists from Rio Grande do Sul, at MAC/USP
1966 - São Paulo SP - 40 national and foreign engravings of the MAC collection, at MAC/USP
1967 - Barcelona (Spain) - International Drawing Award Joan Miro, at Fundació Joan Miró
1967 - Osaka (Japan) - Collective of Recorders Gauchos
1968 - Curitiba PR - 25th Salão Paranaense, at the Public Library of Paraná
1968 - Mayaguez (Porto Rico) - 1st International Exposición de Dibujo, in the Universidad de Puerto Rico
1968 - Piracicaba SP - 40 national and foreign prints from the MAC collection, at USP. ESALQ
1968 - Rio de Janeiro RJ - 1st Dibujo International Exposición, at MAM/RJ
1970 - Olinda PE - 40 national and foreign engravings of the MAC collection, Mac/Olinda
1970 - Penápolis SP - 40 national and foreign engravings of the MAC collection, at the Faculty of Philosophy, Sciences and Letters of Penápolis
1970 - São Paulo SP - 70's, in the MAC/USP
1972 - Mayaguez (Porto Rico) - International Artistis Cooperation, at the University of Puerto Rico. Art Room
1973 - Biella (Italy) - Internazionale Primio de Biella per I'incisione
1973 - Richmond (United States) - International Cyclopedia of Plans and Ocurrences
1973 - São Paulo SP - New donations and acquisitions, at MAC/USP
1974 - Buenos Aires (Argentina) - Art of Systems, organized by the Centro de Arte y Comunicacion - CAYC
1974 - Montevideo (Uruguay) - The Creative Post Card Show, at the U
Gallery 1974 - São Paulo SP - 8th Young Contemporary Art, at MAC/USP
1974 - São Paulo SP - Prospectiva' 74, at MAC/USP
1975 - Ferrara (Italy) - Latin American Graphics, at the Galleria Civica d'Arte Moderna - organized by Cayc
1975 - Ljubljana Current Slovenia) - 11th International Engraving Biennial, at the modern Gallerija Ljubljana
1975 - Lund (Sweden) - Latin American Graphics, University of Lund - organized by Cayc
1975 - Maastricht (Netherlands) - Latin American Graphics, at the Ágora Gallery - organized by Cayc
1975 - Montreal (Canada) - Latin American Graphics, NA Vehicule Art - Organized by Cayc
1975 - Paris (France) - Rencontre Internacionale ouVerte de Video, at Espace Pierre Cardin - organized by Cayc
1976 - Antwerp (Belgium) - Small Press Show, at the Kontakt Gallery
1976 - Bahia Blanca (Argentina) - 20 Brazilian artists, at the Bahia Blanca Museum of Fine Arts
1976 - Buenos Aires (Argentina) - 20 Brazilian artists, at the Centro de Arte y Comunicación - Cayc
1976 - Buenos Aires (Argentina) - Grabado Brasileño, at the Centro de Arte y Comunicación - Cayc
1976 - Michigan (United States) - Modern Art in Brazil, Michigan State University. Kresge Art Museum
1976 - Montecatini (Italy) - 18 artists from Brazil, at Galleria Spazio Alternativa
1976 - São Paulo SP - 70's at the Centro de Arte y Comunicación - Cayc
1976 - São Paulo SP - 70's, at Mac/USP
1976 - São Paulo SP - Multimedia 2, at MAC/USP
1976 - Tokyo (Japan) - 10th International Biennial Exhibition of Prints
1977 - Antwerp (Belgium) - Editions & Communications in Latin America
1977 - Barcelona (Spain) - 50 Latin American artists, at Fundación Cultural Joan Miró - organized by Cayc
1977 - São Paulo SP - The city of São Paulo: Reflections on engraving, in the Graphic Arts Office
1977 - São Paulo SP - Visual Poetics, at MAC/USP
1977 - São Paulo SP - Video - MAC, at MAC/USP
1978 - Alkmaar (Holland) and Budapest (Hungary) - From Bookworks to Mailworks at the Alkmaar Municipal Museum and Fiatal Mûvészek Klubja
1978 - Amsterdam (Netherlands) - Rubber: Stamps Designs
1978 - Mexico City (Mexico) - América en La Mira at the Autonôma Metropolitan University Mexico City
1978 - Hungary - From Bookworks to Mailworks
1978 - Morelia (Mexico) - América en la Mira, at the Contemporary Art Museum of Morelia
1978 - New York (United States) - First International Mail Art Show, at St. John's University
1978 - Puebla (Mexico) - América en la Mira, at the Antonio Ximenez de las Cuevas University Gallery
1978 - Recife PE - Stepel: International Exhibition of Drawings with Rubber Stamps
1978 - São Paulo SP - 1st International Video Art Meeting of São Paulo, at the Museum of Image and Sound - MIS/SP
1978 - São Paulo SP - 70's, at the Faculty of Architecture and Urbanism at the University of São Paulo FAU/USP
1978 - São Paulo SP - Papers and Company, at Paço das Artes
1978 - São Paulo SP - Few and rare, at the São Paulo Museum of Art -Masp
1978 - Toluca (Mexico) - América en la Mira, at Galeria Universitária Escola de Diseno y Artesanias
1979 - Buenos Aires (Argentina) - 1st Latin American Triennial del Grabado, in the national rooms of Exposición
1979 - Curitiba PR - 1st Brazilian Drawing Exhibition, at the Museu de Arte do Paraná - Curitiba City Hall Award
1979 - Curitiba PR - 2nd Annual Engraving Exhibition City of Curitiba, at the Creativity Center of Curitiba
1979 - Genoa (Italy) - Mail Art, in the center of Communicazione Ristretta
1979 - Lisbon (Portugal) - Lis' 79: International Exhibition of Drawings
1979 - Mendonza (Argentina) - 1st Latin American Trienal del Grabado, at the Museum of Modern Art
1979 - New York (United States) - Contemporary Brazilian Works on Paper: 49 Artists at Nobé Gallery
1979 - New York (United States) - Mail Art Show-Castle Gallery, at the College of New Rochelle
1979 - Recife PE - Exhibition International Art Correio, at UNICAP
1979 - São Paulo SP - 70 Brazilian recorders, at Mac/USP
1979 - São Paulo SP - Gerox: Exhibition of engravings in Xerox, at Espaço Max Pochon
1979 - São Paulo SP - International Multimedia, at the School of Communication and Arts of the University of São Paulo - ECA/USP
1979 - São Paulo SP - Drawing as an instrument, at the Pinacoteca do Estado de São Paulo
1979 - Sttutgart (Germany) - Mail Art Exhibition, at Artist's Meeting Place
1980 - Caxias do Sul RS - Xerografias, at UCS. Youth Club
1980 - Curitiba PR - Engravings, at the Curitiba Creativity Center
1980 - João Pessoa PB - Xerografias, at the Center for Contemporary Art
1980 - Joinville SC - Xerografias, at the Museum of Art of Joinville
1980 - Lisbon (Portugal) - Postal Art, at the Quadrum Gallery
1980 - Madrid (Spain) - Postal Object, at the gallery Ambito
1980 - Piracicaba SP - Xerografias, at Casa das Artes Plásticas
1980 - Porto Alegre RS - Gerox, at the space at Galeria Chaves
1980 - Reykjavík (Iceland) - Book Show at The Living Museum
1980 - São Paulo SP - 12th Panorama of Current Brazilian Art, at MAM/SP
1980 - São Paulo SP - 30 years of TV in Brazil: exhibition of VT Arte, at Pinacoteca do Estado
1980 - São Paulo SP - Two meters and one page, at the Cooperative of Plastic Artists
1980 - São Paulo SP - Gerox: Exhibition of Engravings in Xerox, at the Pinacoteca do Estado
1980 - São Paulo SP - About São Paulo, at the Plastic Artists Cooperative
1980 - São Paulo SP - Xerografias, at the Pinacoteca do Estado
1980 - Spartanburg (United States) - Excentric Images, at Converse College
1981 - Amsterdam (Netherlands) - Kunstenaarsboeken: Artist's Book at the Stedelijk Museum Amsterdam
1981 - Cali (Colombia) - 4th Graphic Arts Biennial
1981 - São Paulo SP - 16th São Paulo International Biennial, at the Bienal Foundation
1981 - São Paulo SP - Contemporary Brazilian artists, at the São Paulo Art Gallery
1981 - São Paulo SP - Photo/Idea, at MAC/USP
1981 - São Paulo SP - Heliography Exhibition, at the Pinacoteca do Estado
1981 - São Paulo SP - Video Show, at the Aster Study Center
1982 - Amsterdam (Holland) - Art Photocopies Exhibition, at Centrum't Hoogt
1982 - Caxias do Sul RS - Artemicro, at the University of Caxias do Sul
1982 - Coimbra (Portugal) - Microarte, in the Circle of Plastic Arts
1982 - La Plata (Argentina) - Libros de Artistas, at the Museo de Bellas Artes de La Plata
1982 - Lisbon (Portugal) - Microarte, at Cooperativa Diferença
1982 - Rio de Janeiro RJ - Artemicro, at MAM/RJ
1982 - São Paulo SP - Art in Process, at MAM/SP
1982 - São Paulo SP - Artemicro, at MIS/SP
1982 - São Paulo SP - Intercommunicable/Intercommunicabile, at MAC/USP
1983 - Dallas (United States) - Artemicro, at Bath House Cultural Center
1983 - Natal RN - Multimedia, at the Federal University of Rio Grande do Norte - UFRGN
1983 - New York (United States) - Latin-American Artist's Multiples, at Franklin Furnace ARCHIVE, INC.
1983 - Porto Alegre RS - Art Livro Gaúcho: 1950/1983, at Margs
1983 - Porto Alegre RS - From the past to the present: the plastic arts in Rio Grande do South, at Cambona Centro de Arte
1983 - Ribeirão Preto SP - Xerografia: Brazilian sampling, at the Campus Gallery
1983 - San Juan (Porto Rico) - 6th Bienal de San Juan del Grabado Latinoamericano y del Caribe, at the Puertorriqueña Institute of Culture - Special Mention
1983 - São Paulo SP - 17th São Paulo International Biennial, at the Biennial Foundation
1983 - São Paulo SP - ART lit
1983 - São Paulo SP - Art on the Street
1983 - São Paulo SP - Language, at Monica Filgueiras Art Gallery
1984 - Curitiba PR - 6th Exhibition of Engraving City of Curitiba. The woodcut in the history of Brazilian art, at Casa Romário Martins
1984 - Dallas (United States) - Brasil Works, at the Bath House Cultural Center
1984 - Havana (Cuba) - 1st Havana Biennale, at the Museo Nacional de Bellas Artes
1984 - Ribeirão Preto SP - Brazilian tape recorders 50/60, at the Campus-USP-Banespa Gallery
1984 - Rio de Janeiro RJ - A Woodcut in the history of Brazilian art, at Funarte. Sérgio Milliet Gallery
1985 - Penápolis SP - 6th Northwest Plastic Arts Hall, at the Penápolis Foundation of the Arts. Faculty of Philosophy, Sciences and Letters of Penápolis
1985 - Porto Alegre RS - Iberê Camargo: trajectory and meetings, at Margs
1985 - São Paulo SP - Art and Technology, at MAC/USP
1985 - São Paulo SP - Art Novos Meios/Multimeios: Brasil 70/80, at the Brazilian Museum of Aarte - MAB/FAAP
1985 - São Paulo SP - Highlights of Brazilian contemporary art, at MAM/SP
1985 - São Paulo SP - Contemporary Graphic: A Tradition, at the Humberto Tecidos Cultural Space
1985 - São Paulo SP - Artist Book Trends in Brazil, at the São Paulo Cultural Center - CCSP
1986 - Brasília DF - Iberê Camargo: trajectories and meetings, at the Gallery of the Municipal Theater of Brasília
1986 - Fortaleza CE - 1st International Exhibition of Ephemera Sculptures, at the Fundação Demócrito Rocha
1986 - Fortaleza CE - Imagine: The planet welcomes the Comet, in Gallery Art
1986 - Havana (Cuba) - 2nd Biennial of Havana
1986 - New York (USA) - Couriers: Six Brazilian Artists at Snug Harbor Cultural Center
1986 - Porto Alegre RS - Paths of Brazilian Design, at Margs
1986 - Rio de Janeiro RJ - Iberê Camargo: Trajectories and Encounters, at MAM/RJ
1986 - São Paulo SP - The new dimension of the object, at MAC/USP
1986 - São Paulo SP - Contemporary Artistic Graphics Module III: the alternative, in the Humberto Tecidos Cultural Space
1986 - São Paulo SP - Iberê Camargo: trajectories and meetings, in the MASP
1986 - São Paulo SP - Red Project-Proggetto Rosso, at MAB/FAAP
1986 - São Paulo SP - XX-XXI: A turn in the century, at the Pinacoteca do Estado
1987 - Paris (France) - Le Jeune Gravure Contemporaire et ses Invités de Brésil, at the Galeries Nationales du Grand Palais
1987 - São Paulo SP - 18th Panorama of Current Brazilian Art, at MAM/SP
1987 - São Paulo SP - The plot of taste: another look at everyday life, at Fundação Bienal - APCA Award, Best Installation in Visual Arts
1987 - São Paulo SP - photo/idea, MAC/USP
1988 - Campinas SP - 13th Salon of Contemporary Art of Campinas, at the Museum of Contemporary Art of Campinas - MACC
1988 - Madrid (Spain) - Lo Permeable del Gesso, at the Cultural Center Galileo
1988 - Montevideo (Uruguay) - Primer International Encuentro de Grabado de Montevideo, at the National Museum of Visual Arts
1988 - Ribeirão Preto SP - Art Hoje 88, at the Casa da Cultura de Ribeirão Preto
1988 - São Paulo SP - 19th Panorama of Current Brazilian Art: Three-dimensional Forms, at MAM/SP
1988 - São Paulo SP - Contemporary Engraving: Brazil-France, in the MAC/USP
1988 - Tolosa (Spain) - Copy Art Show, Video Festival, at Casa de la Cultura
1989 - Belo Horizonte MG - 50 years of graphic creation, at MAP
1989 - São Paulo SP - The Artist's Look: Haroldo de Campos - A Choice, at MAC/USP
1989 - São Paulo SP - O Pequeno Infinito and the Grande Circumscribed, at Arco Contemporary Art Gallery Bruno Musatti
1990 - Brasília DF - Brasília DF Awards Plasticas, at the Museu de Arte de Brasília - MAB/DF
1990 - Curitiba PR - 9th Mostra da Engraving Cidade de Curitiba. Guest Artists: Lithographies, at Casa Romário Martins
1990 - Curitiba PR - 9th Engraving Exhibition City of Curitiba, at the Casa da Gravura Museum
1990 - San Juan (Porto Rico) - 9th Bienal de San Juan del Grabado Latinoamericano y del Caribe, at the Instituto de Cultura Puertorriqueña
1990 - São Paulo SP - 21st Panorama of Current Brazilian Art, at MAM/SP
1990 - São Paulo SP - The presence of the drawing, at Paço das Artes
1990 - São Paulo SP - Fiber Gente, at Sesc Pompeia
1991 - Havana (Cuba) - 4th Havana Biennial
1991 - New Delhi (India) - 7th Triennial of India
1991 - New York (United States) - Brazilian Art Today, at the Gray Art Gallery
1991 - New York (United States) - dissimilar Identity, at Scott Alan Gallery
1991 - Porto Alegre RS - Exhibition Atelier Livre: 30 years - Artist Students, at the Free Atelier of the Porto Alegre City Hall
1991 - São Paulo SP - 2nd Studio International Image Technologies, at SESC Pompéia
1991 - Mexico City (Mexico) - Imaquinaciones: 16 Miradas AL 92
1991 - Madrid (Spain) - Imaquinaciones: 16 Miradas AL 92
1992 - Buenos Aires (Argentina) - Muestra Abierta International Art: 500 Años de Représion, at the Recoleta Cultural Center
1992 - Curitiba PR - 10th Engraving Exhibition City of Curitiba, at the Engraving Museum
1992 - Houston (United States) - Houston International Festival. Imaquinaciones: 16 Miradas Al 92
1992 - Rio de Janeiro RJ - Art Engraving in Brazil: Proposal for a mapping, at the Centro Cultural Banco de Brasil (Rio de Janeiro, RJ)
1992 - Seville (Spain) - Expo 92: Imaquinaciones: 16 Looks Al 92
1993 - Brasília DF - A look at Joseph Beuys, at the Athos Bulcão Foundation
1993 - João Pessoa PB - woodcut: from cordel to the gallery, at Funesc
1993 - Lisbon (Portugal) - Brazilian matrices and prints: Guita and José Mindlin collection, at the José de Azeredo Modern Art Center Perdigão
1993 - New York (United States) - Drawings: 30th Anniversary Exhibition, at Leo Castelli Gallery
1993 - New York (United States) - The Return of the Cádavre Exquis, at The Drawing Center
1993 - New York (United States) - Woman at Art, at the ledisflam gallery
1993 - São Paulo SP - The presence of ready-made: 80 years, at MAC/USP
1993 - São Paulo SP - Brazilian graphics: Editoria Alternativa, at MIS/SP
1993 - Washington (United States) - Ultramodern: The Art of Contemporary Brazil, at The National Museum of Women in the Arts
1994 - Albuquerque (United States) - Arts of the Americas 1994, at the College of Fine Arts
1994 - Belo Horizonte MG - America
1994 - Brasília DF - 3rd Brasília Visual Arts Forum, at MAB/DF
1994 - Brasília DF - America
1994 - Brasília DF - Imagined City-Imagined City, at the Athos Bulcão Foundation
1994 - Havana (Cuba) - 5th Havana Biennial
1994 - Juiz de Fora MG - America, at UFJF
1994 - New York (United States) - Recovering Popular Culture, Barrio
1994 - Rio de Janeiro RJ - America
1994 - Rio de Janeiro RJ - via fax, at the Telephone Museum
1994 - Rio de Janeiro RJ - VideoArte Brasil: Os Pioneiros, CCBB
1994 - San Juan (Porto Rico) - small Latin American format 94, at Luigi Marrozzini Gallery
1994 - São Paulo SP - 2nd Art City: The City and its Flows
1994 - São Paulo SP - Contaminated photography, at the CCSP
1994 - São Paulo SP - America, at Masp
1994 - São Paulo SP - Behind the scenes of creation, at the Oswald Cultural Workshop Andrade
1994 - São Paulo SP - Bienal Brasil Século 20th Century, at the Fundação Bienal
1994 - São Paulo SP - Images of the city, at the CCSP
1994 - São Paulo SP - Xylograph: do Cordel to the gallery, on the Metro
1995 - Le Spezia (Italy) - Children's Corner, at Galleria d'Arte Il Gabbiano
1995 - New York (USA) - prints Brooke Alexander Gallery
1995 - São Paulo SP - Object book: The frontier of the voids, at MAM/SP
1995 - São Paulo SP - The drawing in São Paulo: 1956-1995, at the Nara Roesler Gallery
1995 - São Paulo SP - Annual Visual Arts Exhibition Program, at the CCSP
1996 - La Spezia (Italy) - Art in Scatola, at Galleria Il Gabbiano
1996 - São Paulo SP - Contemporary Brazilian Art: Recent Donations/96, at MAM/SP
1996 - São Paulo SP - Ex Libris/Home Page, at Paço das Artes
1997 - Belo Horizonte MG - 25th Belo Horizonte National Art Salon, at MAP
1997 - Caracas (Venezuela) - Collective, at the Museo de Bellas Artes
1997 - Irving (United States) - Contemporary Brazilian Prints, at the University of Dallas. Haggar Art Gallery
1997 - Little Rock (United States) - Re-Aligning Visions: Alternative Currents in South American Drawing, at Arkansas Art Center
1997 - Monterrey (Mexico) - Collective, at the Museum of Contemporary Art
1997 - New York (United States) - Re-Aligning Visions: Alternative Currents in South American Drawing, at El Museo del Barrio
1997 - Odessa (United States) - Contemporary Brazilian Prints, at the Gallery at the University of Texas of the Permian Basin
1997 - Plan (United States) - Contemporary Brazilian Prints, at Collin County Community College. Spring Creek Art Gallery
1997 - São Paulo SP - The City of Artists, at MAC/USP
1997 - São Paulo SP - Ao Cubo, at Paço das Artes
1997 - São Paulo SP - Brito Cimino Contemporary Art: Inaugural Exhibition, at Galeria Brito Cimino
1997 - São Paulo SP - Diversity of contemporary Brazilian sculpture, on Avenida Paulista - Realization Ministry of Culture/Itaú Cultural
1997 - São Paulo SP - Three-dimensionality in Brazilian art of the 20th century, in Itaú Cultural
1997 - Wichita Falls (United States) - Contemporary Brazilian Prints, at the Midwestern State University Art Gallery
1998 - Abilene (United States) - Contemporary Brazilian Prints, at Abilene Christian University Shore Art Gallery
1998 - Alverca (Portugal) - Artist's Book at the Municipal Gallery of Alverca
1998 - Amateur (Portugal) - 4th Amateur Engraving Biennial
1998 - Austin (United States) - Re-Aligning Visions: Alternative Currents in South American Drawing, at Archer M. Huntington Art Gallery
1998 - Baton Rouge (United States) - Contemporary Brazilian Prints at Louisiana State University
1998 - Belo Horizonte MG - Three-dimensionality in Brazilian art 20th century, at Itaú Cultural
1998 - Brasília DF - Three-dimensionality in Brazilian art of the 20th century, at Galeria Itaú Cultural
1998 - Caracas (Venezuela) - Re-aligning visions: alternative currents in South American Drawing, at the Museo de Bellas Artes
1998 - Kingston (Canada) - of Mudlarkers and Measureers, at the Agnes Etherington Art Center
1998 - LA Spezia (Italy) - Al Fuoco! Al Fuoco!, at Galleria d'Arte Il Gabbiano
1998 - Monterrey (Mexico) - Re-Aligning Visions: Alternative Currents in South American Drawing, at the Museum of Contemporary Art
1998 - Penápolis SP - Three-dimensionality in Brazilian art of the 20th century, at Galeria Itaú Cultural
1998 - Rio de Janeiro RJ - 16th National Salon of Plastic Arts, at MAM/RJ
1998 - Rio de Janeiro RJ - Brazilian art in the collection of the Museum of Modern Art of São Paulo: recent donations 1996-1998, at CCBB
1998 - Rio de Janeiro RJ - Reflective horizon, at the Light Cultural Center
1998 - Santiago (Chile) - El Empeño Latin American, at the Universidad de Chile. Contemporary Art Museum
1998 - São Paulo SP - 24th São Paulo International Biennial, at the Bienal Foundation
1998 - São Paulo SP - 2nd Contemporary Heritages, at MAC/USP
1998 - São Paulo SP - Art/garbage
1998 - São Paulo SP - Figurations: 30 years of Brazilian art, at MAC/USP
1998 - São Paulo SP - The Collector, at MAM/SP
1998 - São Paulo SP - The Collectors - Guita and José Mindlin: Matrices and Engravings, at the SESI Art Gallery
1998 - Bassano in Teverina (Italy) - Stelle Cadenti, at Associazione Culturale Per L'Arte Contemporânea
1998 - Vila Franca de Xira (Portugal) - Artist's book, at the Municipality of Vila Franca de Xira
1999 - Brasília DF - A Cidades dos Artistas, in the gallery do Itaú Cultural
1999 - Buenos Aires (Argentina) - Art of Las Americas: El Ojo del Milenio, at the Recoleta Cultural Center
1999 - Mexico City (Mexico) - Homenaje Al Lipiz as an instrument of Libertad, at the Museo José Luis Cuevas
1999 - Miami (USA) - Re-Aligning Vision: Alternative Currents in South American Drawing, at the Miami Art Mesum
1999 - Long Island (USA) - 100 Drawings, at PS1 Contemporary Art Center
1999 - Miami (United States) - Re-Aligning Visions: Alternative Currents in South American Drawing at the Miami Art Museum
1999 - New York (United States) - 100 Drawings, at the PS1 Contemporary Art Center
1999 - Ottawa (Canada) - Passion for Wings, at the National Aviation Museum
1999 - Paris (France) - International Contemporary Art Fair
1999 - Porto Alegre RS - 2nd Mercosul Visual Arts Biennial, at Margs, at Espaço Usina Gasómetro and at Espaço Armazém do Cais do Porto (formerly Deprec)
1999 - Rio de Janeiro RJ - Show Rio Engraving: São Paulo: Engraving today, at the Gustavo Capanema Palace
1999 - São João da Boa Vista SP - 2nd Week Fernando Furlanetto Photography, at the Municipal Theater
1999 - São Paulo SP - Enigmas, at the Brito Cimino Gallery
1999 - São Paulo SP - Nightcrawlers, at MAM/SP 
1999 - São Paulo SP - Contemporary Engravings, at Mube
1999 - São Paulo SP - Brazil in the century of art, at the SESI Art Gallery
1999 - São Paulo SP - Parallèle, at the Brito Cimino Gallery
1999 - São Paulo SP - Why Duchamp?, at the Paço das Artes
1999 - Washington (United States) - Mastering the Millenium, at the Museum of the Americas
2000 - Basel (Switzerland) - Art 31
2000 - Belo Horizonte MG - Investigations. Are they or are they not engravings?, at Itaú Cultural
2000 - Brasília DF - Investigations. Are they or are they not engravings?, at Galeria Itaú Cultural
2000 - Buenos Aires (Argentina) - 1st Bienal Argentina Gráfica Latino-Americana, at the Museo Nacional del Grabado - Gran Premio Banco de la Province of Buenos Aires
2000 - Caxias do Sul RS - Contemporary Art Exhibition, at the University of Caxias do Sul
2000 - Hannover (Germany) - Expo 2000 Hannover
2000 Rio de Janeiro RJ - Situations: Brazilian Arts 70's, at Fundação Casa França-Brasil
2000 - São Paulo SP - Conceptual Art and Conceptualism: 70's at the MAC/USP collection, at the SESI Art Gallery
2000 - São Paulo SP - Parade of cows
2000 - São Paulo SP - The role of art, at the SESI Art Gallery
2000 - São Paulo SP - New work, at MAC/USP
2001 - Ancona (Italy) - Esercizi di Sile, at the Museo Dell"Informazione and Di Arte Contemporanea de Senigaglia
2001 - Austin (USA) - Rembrandt to Rauschenberg: Building the Collection at Jack S. Blanton Museum of Art
2001 - Campinas SP - (almost) ephemera art, at Itaú Cultural
2001 - New York (United States) - Brazil: Body and Soul, at Solomon R. Guggenheim Museum
2001 - Porto Alegre RS - Liba Collection and Rubem Knijnik: Contemporary Brazilian Art, at Margs
2001 - Porto Alegre RS - Mima Lunardi, Rolf Wicker and Regina Silveira, at Torreão
2001 - Rio de Janeiro RJ - The spirit of our time, at MAM/RJ
2001 - São Paulo SP - Recortes, at the Brito Cimino Gallery
2001 - São Paulo SP - 33rd Annual of Plastic Arts at FAAP, at FAAP
2001 - São Paulo SP - Bienal 50 years: a tribute to Ciccillo Matarazzo, at the Bienal Foundation
2001- São Paulo SP - The Overexcited Body - Art and Sport in Society in Contemporary Society, Sesc Pompéia
2001 - São Paulo SP - The Spirit of Our Time, at MAM/SP
2001 - São Paulo SP - Trajectory of Light in Art Brazilian, at Itaú Cultural
2001 - Washington (United States) - Virgin Territory: Women, Gender, and History in Contemporary Brazilian Art, at the National Museum of Women in the Arts
2002 - Brasília DF - Fragments to its magnet, in the contemporary cultural space Venâncio
2002 - Curitiba PR - Materials, at the Museum of Art, Architecture and City
2002 - Londrina PR - Are they or are they not engravings?, at the Museum de Arte de Londrina
2002 - Rio de Janeiro RJ - Archipelagos - The plural universe, at MAM/RJ
2002 - Rio de Janeiro RJ - Artefoto, at CCBB
2002 - Rio de January RJ - Caminhos do Contemporânea 1952-2002, at Paço Imperial
2002 - São Paulo SP - 4th ArtecidadeZonhanalest, at SESC Belenzinho
2002 - São Paulo SP - From the concept to space, in the Instituto Tomie Ohtake
2002 - São Paulo SP - Emoção Art.ficial, at Itaú Cultural
2002 - São Paulo SP - Strategies to dazzle, at the SESI Art Gallery
2002 - São Paulo SP - Strategies to dazzle, at MAC/SP 
2002 - São Paulo SP - Appropriate images, at MAM/SP
2002 - São Paulo SP - Paralela, in the shed located on Avenida Matarazzo, 530
2003 - Brasília DF - ARTFOTO, at CCBB
2003 - Curutiba PR - Imagética, Cultural Foundation of Curitiba
2003 - Frankfurt (Germany) - Art Frankfurt 2003
2003 - Grinnel (USA) - Layers of Brazilian Art, at Faulconer Gallery
2003 - Iowa City (United States) - Layers of Brazilian Art, Faulconer Gallery
2003 - Ribeirão Preto SP - Electronic image, at the Casa da Cultura de Ribeirão Preto
2003 - Rio de Janeiro SP - ARTEFOTO, CCBB 
2003 - Rio de Janeiro RJ - Fiat Lux: the light in art, at the Centro Cultural da Justiça Federal
2003 - São Paulo SP - The engraving goes well, thank you: the Brazilian historical and contemporary engraving, at Espaço Virgílio
2003 - São Paulo SP - The Subversion of Media, at Itaú Cultural
2003 - São Paulo SP - Art and Society: a controversial relationship, at Itaú Cultural
2003 - São Paulo SP - Arteconhecimento: 70 years USP, at MAC/USP
2003 - São Paulo SP - MAC USP 40 years: Contemporary Interfaces, at MAC/USP
2003 - São Paulo SP - My friends, at MAM/SP
2003 - São Paulo SP - Occupation Prestes Maia, in the Dual, the revolt will not be televised, Bartolomeu, Bijari, Broccoli, Story Scavengers, Fillet, Joker, Collective Skeleton, Anthills, New Folder, Tactical Media, Rejected, Piratininga Striped Transition
2003 - São Paulo SP - Extrapolated Word, at Sesc Pompéia
2004 - Belo Horizonte MG - Pampulha, work collected: 1943-2003, at MAP
2004 - Campinas SP - Metropolis Collection of Contemporary Art, at the CPFL Cultural Space
2004 - Porto Alegre RS - Hyper Electrodigital Relations, at Santander Cultural
2004 - Quito (Ecuador) - Baroque Strategies - Contemporary Art Brazilian, at the Metropolitan Cultural Center
2004 - Montreal (Canada) - We Come in Peace... - Histories of the Americas, at the Contemporary Musée d'Art
2004 - São Paulo SP - Contemporary art in the municipal collection, at the CCSP
2004 - São Paulo SP - Arteconhecimento - 70 years USP, at MAC/SP
2004 - São Paulo SP - in situ, CCSP
2004 - São Paulo SP - Paper Office, at CCSP
2004 - São Paulo SP - New acquisitions: 1995 - 2003, at MAB-FAAP
2004 - São Paulo SP - Sala de Arte, at Galeria Brito Cimino
2004 - São Paulo SP - Still Life / Still Life, at the SESI Art Gallery
2004 - São Paulo SP - Brazilian version, at the Brito Cimino Gallery
2005 - Bogotá (Colombia) - Latinoamerican fields, at Galeria Alcuadrado
2005 - Curitiba PR - Art in Metropolis, at the Oscar Niemeyer Museum
2005 - Houston (USA) - Indelible Images, at the Museum of Fine Arts
2005 - Lahore (Pakistan) - World Performing Arts Festival
2005 - Rio de Janeiro RJ - The image of sound, in the Imperial Palace
2005 - São Paulo SP - Art in Metropolis, at the Tomie Ohtake Institute
2005 - São Paulo SP - The portrait as an image of the world, at MAM/SP
2005 - São Paulo SP - Homo Ludens: do Make-believe to Vertigo, at Itaú Cultural
2006 - Berlin (Germany) - The Image of Sound: Football, at the Haus der Kulture der Welt
2006 - Caxias do Sul RS - Metal engraving: matter and concept at Atêlie Iberê Camargo, at the Dr. Henrique Ordovás Filho
2006 - Fortaleza CE - Brazilian contemporary engraving, at the Dragão do Mar Art and Culture
2006 - Jerusalem (Israel) - Tracing Shadows, at the Israel Museum
2006 - Porto Alegre RS - Ado Malagoli 100 years old, at Margs
2006 - Rio de Janeiro RJ - Football is a thing of 11, at the Museum of the Republic
2006 - São Paulo SP - The city for the city, at Galeria Olido
2006 - São Paulo SP - The image of the sound of Dorival Caymmi, at the museum Afro-brasil
2006 - São Paulo SP - Brazilian Art Show, at the Ciccilo Matarazzo Sobrinho
2006 - São Paulo SP - Engraving Club: 20 years old, at MAM/SP
2006 - São Paulo SP - Radical Maneuvers, CCBB
2006 - São Paulo SP - Paralela 2006, in the State Pavilion
2006 - São Paulo SP - VOLPI and contemporary heritages, MAC/SP
2007 - Brasília DF - Jardim do Poder, at CCBB
2007 - São Paulo - Art in Brazil 1981 - 2006, at Itaú Cultural
2007 - São Paulo - Memory of the Future - Ten years of art and technology, at Itaú Cultural
2007 - São Paulo - 70's - Art as a question, at the Tomie Ohtake Institute
2007 - São Paulo - Crop and Paste / Ctrl_C CTRL_V, at SESC Pompéia
2007 - São Paulo SP - 1st Photography Circuit, Shopping Iguatemi
2007 - São Paulo SP - Itaú Contemporâneo: Arte no Brasil 1981-2006, Itaú Cultural
2007 - São Paulo SP - Memory of the Future - Ten years of Art and Technology at Itaú Cultural, Itaú Cultural
2007 - São Paulo SP - Cutting and Paste | CTRL_C CTRL_V, SESC Pompéia
2007 - Brasília DF - Jardim do Poder, Centro Cultural Banco do Brasil
2008 - São Paulo SP - Art for the Amazon: Art and Attitude, Biennial Foundation
2008 - São Paulo SP - MAM 60, OCA
2008 - São Paulo SP - Visual Poetics: Art, Concept and Intimacy, Brazilian Art Museum - FAAP
2008 - São Paulo SP - valid map: Novas Acquisitions, Pampulha Art Museum
2008 - Belo Horizonte MG - N Multiples, Murilo Castro Art Office
2009 - São Paulo SP - Masters of engraving. Matrixes and engravings of the José e Guita Mindlin Library, BM&fbovespa Cultural Space 2009 - São Paulo SP - A World without Frames, Museum of Contemporary Art of the University of São Paulo
2009 - Belo Horizonte MG - Cyber Art, Inimá Museum of Paula
2009 - Milan (Italy) - Small large works - Brazilian contemporary art, Istituto Brasile - Italy
2010 - São Paulo SP - The postal art of the 16th São Paulo Biennial, São Paulo Cultural Center. Division of Plastic Arts (SP)
2010 - São Paulo SP - Cibernetic Art
2010 - São Paulo SP - 41st Chapel Art Show, Escola Maria Imaculada - Chapel School
2010 - São Paulo SP - Expanded Gallery, Luciana Brito Galeria
2010 - São Paulo SP - War Games, Latin America Memorial. Galeria Marta Traba
2010 - São Paulo SP - Pop-up Show, Shopping Cidade Jardim
2010 - São Paulo SP - Formas have become attitudes, SESC
2010 - São Paulo SP - 6th SP-Arte, Fundação Bienal
2010 - São Paulo SP - Tékhne, Brazilian Art Museum
2010 - São Paulo SP - One day you will have to finish: 1969/74, Museum of Contemporary Art from the University of São Paulo
2010 - Rio de Janeiro RJ - Os 70's, Progetti Gallery
2010 - Viamão RS - Silênci( )s and Sussurr( )S, Fundação Vera Chaves Barcellos
2011 - São Paulo SP - Strategies for accidental lights, Luciana Brito Galeria
2011 - São Paulo SP - Order and progress: constructive will in Brazilian art, Museum of Modern Art
2011 - São Paulo SP - 7th SP-Arte, Pavilion of Bienal
2011 - Porto Alegre RS - cybernetic art - Art and Technology Collection of Itaú Cultural, Centro Cultural Centra do Gasómetro
2011 - Rio de Janeiro RJ - War Games: Confrontations and Convergences in Brazilian Contemporary Art, Caixa Cultural
2011 - Viamão RS - A Point of Irony, Vera Chaves Barcellos Foundation
