Poty Lazzarotto (Curitiba PR 1924 - Idem 1998)
Poty Lazzarotto was a recorder, designer, illustrator, muralist and teacher. In 1942, he moved to Rio de Janeiro, where he studied painting at the National School of Fine Arts (ENBA). He attended the engraving course taught by Carlos Oswald (1882–1971) at the Lyceum of Arts and Crafts in Rio de Janeiro. In 1946, he traveled to Paris, where he stayed for a year. In the French capital, he studied lithography at the École Supérieure des Beaux-Arts, with a scholarship granted by the French government. plastics, where he started teaching drawing and engraving. In the same period, he organized the first engraving course at the São Paulo Assis Chateaubriand Art Museum (MASP). During the 1950s, he promoted engraving courses in several Brazilian cities, such as Curitiba, Salvador and Recife.
From the 1960s onwards, he gained prominence as a muralist, executing works in public and private buildings both in Brazil and abroad. He also had a significant role as an illustrator of literary works by renowned authors such as Jorge Amado, Graciliano Ramos, Euclides da Cunha and Dalton Trevisan, among others. He published the books about figurines, in 1986, and Curitiba, of us, in 1989, the latter in partnership with Valêncio Xavier Niculitcheff.
Among his most emblematic murals are that of Casa do Brasil, in Paris, held in 1950, and the panel of the Latin America Memorial, in São Paulo, carried out in 1988. From the 1980s onwards, several publications began to be released about his work, such as Poty Illustrator, by Antônio Houaiss (1915–1999), in 1988; Poty: trails, trails and traces, by Valêncio Xavier Niculitcheff, in 1994; and Poty: the lyricism of the 90s, by Regina Casillo, in 2000.
Critical Commentary
Poty has an extensive graphic work, having initially performed several comic books and illustrated books by several national authors and foreigners. A major propagator of engraving, he works as a teacher in several Brazilian cities. It is due to one of the first known artistic appropriations of lithography: lithographic stones previously used in the printing of industrial labels are reworked by the artist who maintains traces of previous recordings. woodcut. However, it can also switch between the stain and the dash, approaching, for example, the work of Aldemir Martins (1922-2006) and other artists of the 1940s and 1950s generation. In 1968, the artist is Invited by the sertanistas Orlando Villas Boas and Noel Nütels for a stay in the Xingu National Park, during which he makes about 200 drawings on the habits and customs of the indigenous people. For art criticism Nilza Procopiak, in these works, the artist demonstrates a remarkable mastery of form and technique, both in the gradation between the thickness of the lines, in the planes, contours, in the observation of the geometric motifs present in basketry and ceramics.
Poty is also dedicated to the realization of monumental works in wood, concrete and ceramics. Its murals, stained glass and panels have a wide relationship with their engraver activity, mainly due to the approximation to the visuality of the woodcut. For the scholar Orlando Dasilva, a common element in his production is the vigor present in the drawings of the drawings, in the decisive and deep cut of the wood for the engraving, as well as in the carving and in the murals.
Criticism
"By analyzing Poty's set of recorded work, we have to learn, even if it is in a panoramic look, of his works in other techniques. How to reconcile your mural work, especially when concrete, with graphic works in metal, wood or stone; why does the decorative line, almost always present in your xilos, rarely appear in your calcogravures?
In your xylo we often find links with The mural, even because in numerous cases the material used is the same, the wood.
But there is a common line that unites all his work: it is the vigor, either in the energetic line of his drawings thrown quickly and nervously on paper, or in the decisive cut and bottom in the wood for the xylo, the carving or the wall; It is the paint greasing the stone on its litters and creating striking contrasts; It is the accentuated relief of its concrete murals; It is the deep wound caused by the dry tip or acid in the engravings in metal.
Knowing your personality, it is only possible to understand the decorativism of your murals and xylos, not only through the study of the material used, but also becoming aware of its ease and manual skill, still adding the memory Visual, which facilitates the simplified line and racing. This easy coexistence with the technique, without the need to evidence it, makes us find Poty in all his work, even though this is expressed with different languages. the study we now do. They facilitate the understanding of their other works with different techniques, show them their beginnings, with the artist presenting himself totally stripped of schooling, which sometimes drowns the student's personal personality. The engraving in metal, among all the works of different techniques that he practices, is the one that best reveals the designer who, in turn, is the one who best discloses his 'I'. We want to emphasize here that, above all, Poty is a designer".
Orlando Dasilva
DASILVA, Orlando. Poty, the graphic artist. Curitiba: Curitiba Cultural Foundation, 1980.
"Poty is due to one of the first known artistic appropriations of the lithographic stone used industrially in the printing of labels, cans, and others, which find further echoes in Lotus Lobo and João Câmara: using the Ciccillo Matarazzo, with which the industry of this company printed cans, generalized their artistic use, which he also did in Bahia, putting at the service of the artists, to whom he taught lithography, the stones that printed cigar stamps. Poty's graphic work is monumental, both in small formats, such as vignettes and illustrations of books by the publisher José Olympio, where it illustrates, among others, Guimarães Rosa and Mário Palmério, and in the large ones, in which the same stylized cleaning of the little ones is printed, the most sometimes rhythmically. In Poty, the styling of the drawing can seek the effect of woodcuts, because, very stylized in the cut and in the alternating fills with voids, it goes to the essentialist: essentialist, the work of Poty in all techniques, excepting, generically, the metal, to mimic the woodcut, certainly in the hoist, but also in the stained glass and concrete panel. Its design, however, can alternate the blur and trace, like Aldemir Martins in another key, both of which are found in the conjugation of the very open stain and the very marked line, a current trace in the 40s and 50s".
Leon Kossovitch and Mayra Laudanna
Brazilian engraving: Brazilian art of the 20th century. São Paulo: Itaú Cultural: Cosac & Naify, 2000. p. 32-33.
Individual exhibitions
1943 - Curitiba PR - Individual, at Cine Palácio
1943 - Rio de Janeiro RJ - Individual, at Enba
1944 - Rio de Janeiro RJ - Individual, IAB/RJ
1946 - São Paulo SP - Individual, at the Municipal Library
1948 - Rio de Janeiro RJ - Individual, at Enba
1949 - Curitiba PR - Individual, at Cine Broadway
1950 - Salvador BA - Individual, at Teatro Guarany
1951 - Salvador BA - Individual, at the Castro Alves Theater
1953 - Salvador BA - Individual, at Galeria Oxumaré
1955 - Rio de Janeiro RJ - Individual, at the Library National
1957 - Curitiba PR - Individual, at the Paraná Public Library
1963 - Rio de Janeiro RJ - Individual, at the Bonino Gallery
1969 - Brussels (Belgium) - Xingu: Indians and Myths
1969 - Curitiba PR - Individual, at the Paulo Valente Gallery
1969 - Washington (United States) - Individual, at the Brasilian-American Cultural Institute
1973 - Rio de Janeiro RJ - Artist, at Rua Senador Vergueiro, 66/702
1974 - Curitiba PR - Poty: 50 years old, at Badep
1974 - Rio de Janeiro RJ - Individual, at the Lume Cultural Center
1982 - Curitiba PR - Individual, at the Banestado Art Gallery
1982 - Rio de Janeiro RJ - Individual, at the Banerj Art Gallery
1982 - Salvador BA - Poty: drawings, engravings, tapestries, carved woods, outreach. Arts Center
1983 - Curitiba PR - 40 years of work, at the Engraving Museum
1984 - Curitiba PR - Poty: Drawing and engraving, at the Banestado Art Gallery
1986 - Londrina PR - Poty: Drawing, at the Banestado Art Gallery
1988 - Curitiba PR - Poty and PUC, at PUC/PR
1988 - Curitiba PR - Poty and the cinema, at MIS/PR
1988 - Curitiba PR - Poty Illustrator, at the IBM Cultural Space
1988 - Rio de Janeiro RJ - Poty Illustrator, at MNBA
1988 - Brasília DF - Poty Illustrator, at MAB/DF
1989 - São Paulo SP - Poty illustrator, at the Lasar Segall Museum
1990 - Curitiba PR - Poty and the dry tip, at the Engraving Museum
1990 - Curitiba PR - Poty Lazzarotto, at Studio R. Krieger
1990 - Curitiba PR - Poty: Drawing, at the Banestado Art Gallery
1993 - Curitiba PR - Poty Lazzarotto and 300 years old, in the stone room - FCC
1994 - Curitiba PR - 40 drawings of Poty, at the Public Library of Paraná
1994 - Curitiba PR - Individual, Out-Doors spread in the city of Curitiba
1994 - Curitiba PR - Individual, at the Metropolitan Museum of Curitiba
1994 - Curitiba PR - Individual, at Associação Cultural Solar do Rosário
1994 - Florianópolis SC - Individual, at MASC
1994 - São Paulo SP - Individual, at the Latin America Memorial
1997 - Curitiba PR - Poty and the book, at the of Art of Paraná
1997 - Curitiba PR - Poty: new engravings, at the Solar do Rosário Cultural Association
1998 - Curitiba PR - The Monumental Work of Poty, in the Cultural Complex of Caixa - Itinerante
1998 - Curitiba PR - Individual, at Livraria Curitiba
Collective exhibitions
1942 - London (England) - Exhibition in honor of RAF
1942 - Rio de Janeiro RJ - 48th National Salon of Fine Arts, in the MNBA - Honorable Mention in Drawing
1943 - London (England) - Exhibition in honor of the RAF
1943 - Rio de Janeiro RJ - 49th National Salon of Fine Arts, at the MNBA - Silver Medal in Drawing and Graphic Arts
1944 - Belo Horizonte MG - Exhibition of Modern Art, at the Mariana Building
1944 - London (England) - Exhibition of Modern Brazilian Paintings, at the Royal Academy of Arts
1944 - Rio de Janeiro RJ - 50th National Salon of Fine Arts, at the MNBA - Silver Medal in Drawing
1945 - Rio de Janeiro RJ - 51st National Salon of Fine Arts, at the MNBA - Bronze Medal in Engraving and painting
1946 - Rio de Janeiro RJ - The painters go to the people's school, at Enba
1948 - Ponta Grossa PR - Arte do Paraná
1949 - Curitiba PR - 6th Salão Paranaense de Belas Artes, at the Institute of Education - Silver Medal
1949 - Rio de Janeiro RJ - 55th National Salon of Fine Arts - Modern Division, at the MNBA - Travel to the Country Award
1949 - Salvador BA - 1st Baiano Salão de Belas Artes, at the Hotel Bahia
1950 - Curitiba PR - 1st May Salon, at the Inter American Cultural Center
1950 - Curitiba PR - 7th Salão Paranaense de Belas Artes, at the Institute of Education
1950 - Rio de Janeiro RJ - 56th National Salon of Fine Arts, at the MNBA - Gold Medal in Drawing
1950 - Salvador BA - 2nd Baiano Salão de Belas Artes, at Belvedere da Sé - Gold medal in engraving
1951 - Curitiba PR - 8th Salão Paranaense de Belas Artes, in the Department of Culture
1951 - Salvador BA - 3rd Baiano Salão de Belas Artes, at Belvedere da Sé
1951 - São Paulo SP - 1st International Biennial of São Paulo, in the Trianon Pavilion
1952 - Curitiba PR - 9th Salão Paranaense de Belas Artes, in the Department of Culture - Gold Medal
1952 - Feira de Santana BA - 1st Exhibition of Modern Art of Feira de Santana, at the Economical
1952 - Rio de Janeiro RJ - 1st National Salon of Modern Art, at Funarte
1952 - Rio de Janeiro RJ - Exhibition of Brazilian Artists, at MAM/RJ
1953 - Salvador BA - Poty, Carlos Bastos and Raimundo Oliveira, at Galeria Oxumaré
1953 - São Paulo SP - 2nd São Paulo International Biennial, in the State Pavilion
1954 - Geneva (Switzerland) - Brazilian recorders, at the Rath
1954 - São Paulo SP - Contemporary Art: Exhibition of the collection of the Museum of Modern Art of São Paulo, at MAM/SP
1955 - Curitiba PR - 1st City Hall, at the City Hall - as a tribute from the organizers to the artist, they are exposed, outside of competition, five engravings
1955 - Salvador BA - 5th Baiano Salão de Belas Artes, at the Belvedere da Sé - Gold medal in engraving
1955 - São Paulo SP - 3rd International Biennial of São Paulo, at the Pavilion of the Nations
1956 - Porto Alegre RS - 7th Salon of Fine Arts, at the Institute of Fine Arts - Silver medal in engraving
1956 - Rio de Janeiro RJ - 1st Railway Salon - 1st Prize in Engraving
1957 - Buenos Aires (Argentina) - Modern Art of Brazil
1957 - Santiago (Chile) - Modern Art of Brazil
1957 - Lima (Peru) - Modern Art of Brazil
1957 - Rio de Janeiro RJ - Salon for All, at MEC
1957 - Salvador BA - Nós e as Artes Populares, at Galeria Oxumaré
1959 - Leverkusen (Germany) - 1st collective exhibition of Brazilian artists In Europe
1959 - Vienna (Austria) - 1st Collective Exhibition of Brazilian Artists in Europe
1960 - Curitiba PR - 1st Annual Hall of Curitiba, at the Diário do Paraná
1960 - Hamburgo (Germany) - 1st Collective Exhibition of Brazilian Artists in Europe
1960 - Utrecht (Holland) - 1st Collective Exhibition of Brazilian Artists in Europe
1961 - Curitiba PR - 18th Salão Paranaense de Belas Artes, At the Public Library of Paraná
1962 - Rome (Italy) - Sacred Art Biennial
1962 - Salzsburg (Austria) - Sacred Art Biennial
1963 - Lagos (Nigeria) - Contemporary Brazilian artists
1965 - Londrina PR - 1st Brazilian Religious Art Hall, at SEEC
1965 - Salvador BA - Engraving in Bahia, at Galeria Convivium
1966 - Austin (States United) - Art of Latin America Since Independence, at the University of Texas at Austin. Archer M. Huntington Art Gallery
1966 - New Haven (United States) - Art of Latin America Since Independence, at The Yale University Art Gallery
1966 - San Diego (States) United States) - Art of Latin America Since Independence, at the La Jolla Museum of Art
1966 - New Orleans (United States) - Art of Latin America Since Independence, at the Isaac Delgado Museum of Art
1966 - San Francisco (United States) - Art of Latin America since Independence, at the San Francisco Art Museum
1966 - Rio de Janeiro RJ - Self-portraits, at the Ibeu Copacabana Gallery
1966 - Salvador BA - 1st National Biennial of Plastic Arts
1968 - Rio de Janeiro RJ - The Brazilian engraving, at the National Historical Museum
1969 - Brussels (Belgium) - fair organized by the Ministry of Industry and Commerce
1969 - Londrina PR - 5th Brazilian Religious Art Salon, at SEEC
1970 - Liverpool (England) - 12 contemporary Brazilian artists at the University of Liverpool
1971 - Curitiba PR - 28th Salão Paranaense, at the Paraná Public Library
1972 - Curitiba PR - Artists from Paraná
1973 - Curitiba PR - 200 years of religious art, at DAC
1973 - Curitiba PR - 2nd Bandeiras Fair - Show of Artists from Paraná
1973 - Curitiba PR - 30th Salão Paranaense, at Teatro Guaíra
1973 - Curitiba PR - Art Exhibition - Private Collections, in Badep
1974 - Curitiba PR - Contemporary Artists from Paraná, at the Eucatexpo Gallery
1974 - Curitiba PR - Paranaenses Artists of All Times, at Galeria Eucatexpo
1974 - Curitiba PR - Collective 74, at Galeria Acaiaca
1974 - Londrina PR - 6th Brazilian Religious Art Salon, at SEEC
1975 - Curitiba PR - 1st Anniversary Accrochage, at Galeria Acaiaca
1975 - Curitiba PR - Folia de Reis, at Casa de Arte Alpendre
1976 - Curitiba PR - 1st Passarola Salon, at Galeria Acaiaca
1976 - Curitiba PR - Collective Class A, at Galeria Acaiaca
1976 - Curitiba PR - Exhibition São Francisco, at Casa de Arte Alpendre
1976 - Curitiba PR - Panorama of Art in Paraná: 3 contemporary artists, at Badep
1976 - Curitiba PR - Summer 76, at Galeria Acaiaca
1977 - Curitiba PR - Art & Economy, at Badep
1977 - Curitiba PR - ART CLASS A, at Galeria Acaiaca
1977 - Curitiba PR - Festa das Colors, at Galeria Acaiaca
1978 - Curitiba PR - The Art of Engraving, in the Badep
1979 - Curitiba PR - 1st Brazilian Drawing Exhibition, at the Paraná Art Museum
1979 - Curitiba PR - A wood engraving, at Badep
1979 - Curitiba PR - Festa das Colors, at the gallery Acaiaca
1979 - Curitiba PR - Cocaco Art Gallery: 20 years later, at Galeria Cocaco
1979 - Curitiba PR - The Italians in Paraná, at Badep
1980 - Curitiba PR - 3rd Annual Engraving Exhibition City of Curitiba, at the Engraving Museum
1980 - Curitiba PR - National Meeting of Art Critics, at FCC
1980 - Curitiba PR - Festa das Cores, at Galeria Acaiaca
1980 - Curitiba PR - Summer: Art, at Galeria Acaiaca
1981 - Curitiba PR - Year 7, at Galeria Acaiaca
1981 - Curitiba PR - Arte A class, at Galeria Acaiaca
1982 - Curitiba PR - Class A Art, at Galeria Acaiaca
1982 - Penápolis SP - Northwest Plastic Arts Salon, at the Penápolis Educational Foundation. Faculty of Philosophy, Sciences and Letters of Penápolis
1982 - São Paulo SP - Six Brazilian Expressionist Recorders: Segall, Goeldi, Abramo, Renina, Poty, Grassmann, at the Lasar Segall Museum
1983 - Olinda PE - 2nd Exhibition of the Abelardo Rodrigues Collection of Plastic Arts, at MAC/PE
1983 - Recife PE - 50 years of Casa Grande & Senzala: Itinerant Exhibition, at the Joaquim Nabuco Foundation
1983 - Rio de Janeiro RJ - 6th National Salon of Plastic Arts - Special Room, at MAM/RJ
1984 - Aracaju SE - 50 years of big house & Senzala
1984 - Brasília DF - 50 years of big house & Senzala
1984 - Curitiba PR - Acaiaca Class Art, at Galeria Acaiaca
1984 - Curitiba PR - Summer Art, at Galeria Acaiaca
1984 - Lisbon (Portugal) - 50 years from big house & Senzala, at the Gulbenkian Museum of the Calouste Gulbenkian Foundation
1984 - Rio de Janeiro RJ - Recent donations 82-84, at MNBA
1984 - Salvador BA - 50 years of big house & Senzala
1984 - São Paulo SP - Artists from Paraná, at FAAP
1984 - São Paulo SP - Tradition and Rupture: Synthesis of Brazilian Art and Culture, at the Biennial Foundation
1984 - Vitória ES - 50 years of big house & Senzala
1985 - Curitiba PR - Drawing, color and shape, at Studio R. Krieger
1985 - Curitiba PR - Ferroviarte, at the Rodoferroviária Station
1985 - Curitiba PR - Twenty times Francisco, At Galeria Acaiaca
1985 - Rio de Janeiro RJ - 8th National Salon of Plastic Arts - Black and White Salon, at the Rodrigo Mello Franco de Andrade/Funarte Gallery
1985 - Rio de Janeiro RJ - A panorama of Rio, at MNBA
1985 - São Paulo SP - 18th São Paulo International Biennial, at Fundação Bienal
1986 - Curitiba PR - 7th Annual Exhibition of Engraving City of Curitiba
1986 - Curitiba PR - 7th Collection of the National Engraving Museum - Casa da Gravura, at the Guido Viaro Museum
1986 - Curitiba PR - Tradition/Contradiction, at MAC/PR
1986 - Rio de Janeiro RJ - The new avocado flower, group Guignard - 1943 and the Dissidents - 1942, at the Banerj Art Gallery
1986 - Rio de Janeiro RJ - Paraná, Color and Forma, at MNBA
1987 - Curitiba PR - Artists Paranaenses, at ArtesPaço Saint German des Prés
1987 - Curitiba PR - Collective, at the Banestado Art Gallery
1987 - Curitiba PR - Twelve Masters of Painting, at UFIZZI Art Gallery
1987 - Curitiba PR - Inaugural Exhibition of the Municipal Museum
1987 - Curitiba PR - São Francisco revisited, at Galeria Acaiaca
1987 - Curitiba PR - Summer Art, at Galeria Acaiaca
1988 - Brasília DF - Poty Illustrator, at MAB/DF
1988 - Curitiba PR - 8th Mostra da Engraving Cidade de Curitiba, in the engraving house. Solar do Barão
1988 - Curitiba PR - Inaugural Exhibition of the Municipal Museum, at the Municipal Museum of Art
1988 - Curitiba PR - 8th Paraná engravers from the 50's/60's, at the Municipal Museum of Art
1988 - Curitiba PR - Marines: Homage to Nilo Previdi, at Studio R. Krieger
1988 - Curitiba PR - São Francisco de Assis, at Galeria Acaiaca
1988 - Salvador BA - Os Illustradores de Jorge Amado, at Fundação Casa de Jorge Amado
1989 - Curitiba PR - 30 years old, at Galeria Cocaco
1989 - Curitiba PR - Self-portrait in painting from Paraná, at the Museu de Arte do Paraná
1989 - Curitiba PR - Cocaco 30 years, at the Cocaco Art Gallery
1989 - Curitiba PR - Drawing, color and form, at Studio R. Krieger
1989 - Rio de Janeiro RJ - Brazilian engraving: 4 themes, EAV/Parque Lage
1990 - Curitiba PR - 297 times Curitiba, at Galeria Acaiaca
1990 - Curitiba PR - São Francisco da Ordem, at Galeria Acaiaca
1990 - Londrina PR - Collective, at the Banestado Art Gallery
1991 - Curitiba PR - Curitiba Nosso Amor, at Galeria Acaiaca
1991 - Curitiba PR - Municipal Museum of Art: Collection, at the Municipal Museum of Art
1991 - Curitiba PR - Reflection of the years 80, at MAC/PR
1992 - Curitiba PR - 10th Exhibition of the Engraving City of Curitiba, at the Engraving Museum
1992 - Curitiba PR - Focusing on metal engraving, at the Engraving Museum
1992 - Curitiba PR - New acquisitions mini-gravures, at the Municipal Museum of Art
1992 - Rio de Janeiro RJ - Art engraving in Brazil: Proposal for a mapping, at CCBB
1993 - Curitiba PR - collective, at the Nossa Senhora da Luz dos Pinhais Cathedral
1993 - Curitiba PR - tributes to the 300th anniversary of Curitiba, at Galeria Acaiaca
1993 - João Pessoa PB - Xylograph: from Cordel to Galeria, in the Funesc
1993 - Londrina PR - Recorded images: works from the collection of the Engraving Museum City of Curitiba, at the Museum of Art of Londrina
1994 - Curitiba PR - 301 years of Curitiba, at the gallery Acaiaca
1994 - São Paulo SP - Bienal Brasil Século 20th, at Fundação Bienal
1994 - São Paulo SP - Woodcut: from cordel to the gallery, in the subway
1996 - Curitiba PR - Exhibition of pieces and paintings, at the Museum of the Archdiocese of Curitiba
1996 - Curitiba PR - 50 years ago... Joaquim, at SEEC
1996 - São Paulo SP - ex libris/home page, at Paço das Artes
1997 - Curitiba PR - The Contemporary Art of Engraving, at the Metropolitan Museum of Art in Curitiba
1997 - São Paulo SP - Paranaenses, at FAAP
1998 - Curitiba PR - Tras & words, in the Caixa Cultural Complex
1998 - Rouen (France) - Rouen International Fair: Poty, Rogério Dias and Armando Merege
Posthumous exhibitions
1998 - Curitiba PR - Arte Paranaense: Renovation Movement, in the Cultural Complex of Caixa
1998 - São Paulo SP - Os Collectoros - Guita and José Mindlin: matrices and engravings, at the SESI Art Gallery
1999 - Curitiba PR - Art and Culture: PUC 40 years old, at PUC/PR
1999 - Curitiba PR - Panorama of Brazilian Art, at the Graciosa Country Club
1999 - Rio de Janeiro RJ - Mostra Rio Engravura. Brazilian modern engraving: Collection National Museum of Fine Arts, in the MNBA
1999 - Rio de Janeiro RJ - Exhibition Rio Engraving. Brazilian literature and engraving, at ABL
1999 - São Paulo SP - Daily life/art. Consumption, at Itaú Cultural
2000 - Curitiba PR - 12th Exhibition of the Engraving of Curitiba. Body marks, folds of the soul
2000 - Curitiba PR - Exhibition Collection Badep, at SEEC
2000 - Curitiba PR - Publication of the Brazil 500 Years Collection, at the Cultural Foundation of Curitiba
2000 - São Paulo SP - Research. The Brazilian engraving, at Itaú Cultural
2000 - Valencia (Spain) - from La Anthropophagia to Brasilía: Brazil 1920-1950, at IVAM. Center Julio Gonzáles
2001 - Brasília DF - Investigations. The Brazilian engraving, at Galeria Itaú Cultural
2001 - Penápolis SP - Investigations. Brazilian engraving, at Galeria Itaú Cultural
2002 - São Paulo SP - From Anthropophagia to Brasília: Brazil 1920-1950, at MAB/FAAP
2003 - São Paulo SP - Art and Society: a relationship Controversy, at Itaú Cultural
2004 - São Paulo SP - Paper Office, at CCSP
2004 - São Paulo SP - New acquisitions: 1995 - 2003, at MAB/FAAP
Source: Itaú Cultural
