Ernesto Neto (Rio de Janeiro RJ 1964)
Ernesto Neto is a multimedia artist. In the 1980s, he studied sculpture with Jaime Sampaio and João Carlos Goldberg at the Escola de Artes Visuais do Parque Lage (EAV/Parque Lage). He also took courses in urban intervention and sculpture with Cleber Machado and Roberto Moriconi at the Museu de Arte Moderna do Rio de Janeiro (MAM/RJ). His production lies between sculpture and installation. Early in his career, his path was marked by the works of José Resende and Tunga, in exploring the formal and symbolic articulation of different materials. He later came to use mainly polyamide stockings and other more flexible, everyday materials. In the second half of the 1990s, he produced sculptures using tubes of fine, translucent mesh filled with spices of various colors and aromas, such as saffron or ground cloves. The sculptures allude to the human body, both in the fabric that recalls skin and in the sinuous forms that occupy the space. In the late 1990s, he began to create his "naves", structures of transparent, flexible fabric that the public can enter.
Critical Commentary
Ernesto Neto's works lie between sculpture and installation. Early in his career, his path was marked by the works of José Resende (1945) and Tunga (1952), in exploring the formal and symbolic articulation of different materials. In the work A-B-A (chapa-corda-chapa) [A-B-A (plate-rope-plate)], from 1987, he explores the tension established between rectangular iron plates joined by a nylon rope. He opts for simple constructive procedures, which involve the articulation of these materials also in relation to the surrounding environment.
In the installation Copulônia (1989), he places small lead balls inside polyamide stockings, which hang from the ceiling or lie on the floor. He thus explores the weight of the metal, the plasticity provided by the small balls and the apparent fragility of the fabric. The use of polyamide stockings marks the artist's gradual abandonment of more rigid constructive elements and his search for more flexible, everyday materials.
In the second half of the 1990s, Ernesto Neto began making sculptures using tubes of fine, translucent mesh filled with spices of various colors and aromas: saffron, annatto, cumin, ground black pepper or ground cloves. In some works, the piles of spices lie on the floor while the ends of the fabric tubes are tied to the ceiling, creating the verticality of the sculptures as well as an interaction with the exhibition space. The sculptures allude to the human body, in the fabric that resembles skin and in the sinuous forms established in space. The titles of the works reiterate the artist's intention to place the human body at the center of his work: O Céu É a Anatomia do Meu Corpo [The Sky Is the Anatomy of My Body] or Acontece na Fricção dos Corpos [It Happens in the Friction of Bodies] (both from 1998).
In the late 1990s, Ernesto Neto began to create structures of transparent, flexible fabric that the public can enter. Some of these sculptures are called "naves". In the opinion of the art critic Moacir dos Anjos, the naves show the inspiration of works by Hélio Oiticica (1937 - 1980) and Lygia Clark (1920 - 1988).
Ernesto Neto also produces another group of works revealing a desire to capture the human body inside the sculptures, as with Humanóides [Humanoids] (2001), in which the viewer wears the sculpture, conveying a sense of comfort and coziness. In works shown between 2002 and 2003, he uses basically light and fabric. He creates lycra surfaces inside which the viewer can walk, immersed in fields of color. The fabric ceases to be a container for pigments and becomes, simultaneously, matter and color.
In his works, the artist creates spaces of exchange that ask the viewer to go beyond a merely visual experience, sharpening the senses. The body prevails as the axis of his proposal. He constantly uses forms that touch in space, suggesting sensuality and physical union, present in much of his production.
Critiques
"The mass of lead, centered on the elastic surface of lycra or silk, deforms it, tensing the fabric and expanding the static force toward the edges. The intensity of the gravitational force is diluted as it is distributed across a field held in the air by nylon or cotton threads attached to copper tubes and/or iron bars. Each constituent element plays an indispensable role in keeping the whole cohesive, whether through its power to induce or undergo changes, or through its capacity to create resistance or channel tensile energy. From the alteration of the surface, the event takes place: through the tensioned threads, a constant flow of vital energy is unleashed in centripetal and centrifugal directions.
Tension, force, resistance and balance are the results of intuitive calculations that the artist makes possible in his physical struggle with the material. Structuring the work requires precise movements, as there is always the risk of an imminent catastrophe. Any abrupt or miscalculated gesture, any unconsidered change, upsets the vector forces and the work may collapse. Without the tension, the event would not take place.
The tension taken to the limit, the fragility and dynamics of the structures are confirmed when the work is touched. There is then a physical-structural understanding of the work, in which form is a consequence of functional needs and the materials meet requirements of weight, elasticity and resistance.
From the range of available materials, Ernesto Neto chooses white lycra and silk and polyamide stockings - light, transparent materials that contrast with compact metal bars and plates and solid lead balls of various diameters. To this unusual combination of materials of different natures is added an estrangement that sharpens the viewer's senses: tensed to the extreme, the once delicate weaves of the fabrics become rigid and taut; in turn, the iron plates tilted at different angles, the dense metal bars hovering in the air with their weight apparently canceled, and the altered surfaces floating far from the ground create an illusion of lightness, defying the laws of gravity. Perplexed, the viewer encounters an event that intervenes in the order of things and explores possibilities of knowing the world, poetically subverting rigorous principles of physics".
Regina Teixeira de Barros
BARROS, Regina Teixeira de. Ernesto Neto. Galeria: revista de arte, São Paulo, n. 31, p. 47, 1992.
"Some questions have been constant since the beginning of Ernesto Neto's career: problems of weight and the resistance of materials, elastic bodies that hold up under pressure, organisms treated as a permanent flow of transformation. In the late 1980s, Neto produced the series of 'silk stocking bags' filled with small lead balls, which introduced sensuality into the work in a more marked way.
Handleable, erotic and fluid, these male/female objects extended into space in mobile and random states, like active bodies stretching their 'skin'. At the time, the artist spoke of these objects as a way of feeling his 'own skin' in the work, as if, by reproducing and multiplying, they were an extension of himself - 'pieces of me that proliferate'.
Now the artist has been choosing to declare his presence within the work openly. Lead or plaster casts, reproducing the artist's head or hands, have been bringing these 'pieces of me' into the very structure of the work. The idea is to make visible the traces of the subject in the construction of its object; to affirm the presence of the hands and mind that made it, like Rodin's fingers on bronze, imprinting and declaring the process of sculpting".
Ligia Canongia
ESCULTURA plural. Salvador: MAM, 1996.
Solo Exhibitions
1988 - Rio de Janeiro RJ - Solo, at Petite Galerie
1989 - Rio de Janeiro RJ - Solo, at Galeria Macunaíma/Funarte
1990 - Rio de Janeiro RJ - Solo, at Espaço Cultural Sérgio Porto
1990 - São Paulo SP - Solo, at Galeria Millan
1991 - Rio de Janeiro RJ - Solo, at Galeria do Ibeu
1991 - São Paulo SP - Solo, at CCSP
1992 - São Paulo SP - Solo, at MAM/SP
1993 - Rio de Janeiro RJ - Drawings, at Espaço Cultural Sérgio Porto
1994 - São Paulo SP - Solo, at Galeria Camargo Vilaça
1996 - Caracas (Venezuela) - Solo, at Espacio 204
1996 - Chicago (United States) - Solo, at Zolla-Lieberman Gallery
1996 - Madrid (Spain) - Solo, at Elba Benitez Galeria
1996 - Rio de Janeiro RJ - Solo, at Paço Imperial
1996 - Santa Monica (United States) - Solo, at Christopher Grimes Gallery
1997 - Brasília DF - Solo, at Fundação Cultural do Distrito Federal
1997 - Porto (Portugal) - Solo, at Galeria Pedro Oliveira
1997 - Santa Monica (United States) - Solo, at Christopher Grimes Gallery and at Tanya Bonakdar Gallery
1997 - São Paulo SP - Solo, at Galeria Camargo Vilaça
1998 - Mexico City (Mexico) - Solo, at Museo del Arte Contemporáneo Carrillo Gil
1998 - New York (United States) - Solo, at Bonakdar Jancou Gallery
1999 - Brussels (Belgium) - Solo, at James Van Damme Gallery
1999 - Houston (United States) - Solo, at Contemporary Art Museum
2002 - Brasília DF - Humanóides, at Arte Futura e Companhia
2004 - São Paulo SP - Solo, at CCSP
2004 - Belo Horizonte MG - Solo, at MAP
2007 - Rio de Janeiro RJ - Ernesto Neto, at Artur Fidalgo Escritório de Arte
2010 - New York (United States) - Ernesto Neto: Navedenga, at Museum of Modern Art
Group Exhibitions
1985 - Rio de Janeiro RJ - Instituições de Arte do Rio de Janeiro e Seus Destaques de 85, at Espaço Petrobrás
1986 - Rio de Janeiro RJ - 10th Carioca Salon of Visual Arts
1987 - Rio de Janeiro RJ - Nova Escultura, at Petite Galerie
1987 - São Paulo SP - 5th São Paulo Salon of Contemporary Art, at Pinacoteca do Estado
1988 - Rio de Janeiro RJ - 10th National Salon of Visual Arts
1988 - Rio de Janeiro RJ - O Eterno é Efêmero, at Petite Galerie
1988 - São Paulo SP - 6th São Paulo Salon of Contemporary Art
1989 - Rio de Janeiro RJ - 11th National Salon of Visual Arts, at Funarte
1989 - Rio de Janeiro RJ - A Ordem Desfeita, at Galeria 110 Arte Contemporânea
1989 - Rio de Janeiro RJ - Rio Hoje, at MAM/RJ
1989 - São Paulo SP - O Pequeno Infinito e o Grande Circunscrito, at Arco Arte Contemporânea Galeria Bruno Musatti
1990 - Brasília DF - Brasília Prize for Visual Arts, at MAB/DF
1991 - Caracas (Venezuela) - Brasil: la nueva generación, at Fundación Museo de Bellas Artes
1991 - Curitiba PR - 80/90 Formas Tridimensionais: A Questão Orgânica, at Museu Municipal de Arte
1991 - Rio de Janeiro RJ - Processo nº 738.765-2, at EAV/Parque Lage
1991 - São Paulo SP - 22nd Panorama of Contemporary Brazilian Art, at MAM/SP
1991 - São Paulo SP - O Clássico no Contemporâneo, at Paço das Artes
1991 - São Paulo SP - Programa de Exposições de Artes Plásticas, at CCSP
1992 - São Paulo SP - A Sedução dos Volumes: os tridimensionais do MAC, at MAC/USP
1992 - São Paulo SP - Group show, at MAM/SP
1992 - São Paulo SP - Programa Anual de Exposições de Artes Plásticas 91, at Fundação Bienal
1993 - Bogotá (Colombia) - Brasil Hoy, at Valenzuela e Klener Galeria
1993 - São Paulo SP - Group show, at Galeria Camargo Vilaça
1993 - Florence (Italy) - Brasil: Segni d'Arte, at Biblioteca Nazionale Centrale di Firenze
1993 - Milan (Italy) - Brasil: Segni d'Arte, at Biblioteca Nazionale Braidense
1993 - Rome (Italy) - Brasil: Segni d'Arte
1993 - Venice (Italy) - Brasil: Segni d'Arte, at Fondazione Scientifica Querini Stampalia
1994 - Frankfurt (Germany) - A Espessura do Signo, Karmeliter Kloster
1994 - Rio de Janeiro RJ - Escultura Carioca, at Paço Imperial
1994 - Rio de Janeiro RJ - Matéria e Forma, at Paço Imperial
1994 - São Paulo SP - Bienal Brasil Século XX, at Fundação Bienal
1994 - São Paulo SP - Group show, at Espaço Namour
1995 - Curitiba PR - Printmaking Exhibition, at Solar do Barão
1995 - Kwangju (South Korea) - 1st Kwangju International Biennale
1995 - New York (United States) - Country Code, at Bravin Post Lee Gallery
1995 - New York (United States) - The Education of the Five Senses, at White Columns
1995 - Rio de Janeiro RJ - Anos 80: o palco da diversidade, at MAM/RJ
1995 - Rio de Janeiro RJ - Entre o Desenho e a Escultura, at Palácio Gustavo Capanema
1995 - Rio de Janeiro RJ - Libertaris Libertinos, at Palácio Gustavo Capanema
1995 - Rome (Italy) - The Education of the Five Senses, at Palazzo Pamphili
1995 - São Paulo SP - Anos 80: o palco da diversidade, at Galeria de Arte do Sesi
1995 - São Paulo SP - Group show, at Galeria Camargo Vilaça
1995 - São Paulo SP - Entre o Desenho e a Escultura, at MAM/SP
1996 - Caracas (Venezuela) - Sin Fronteras: Arte latino-americano Actual, at Museo Alejandro Otero
1996 - Graz (Austria) - 2º Internationales Projekt Für Bildende Kunst 1996, Kunstbrau Next, Verein für Bildende Kunst
1996 - Miami (United States) - Defining the Nineties, at Museum of Contemporary Art
1996 - Rio de Janeiro RJ - Transparências, at MAM/RJ
1996 - Rio de Janeiro RJ - Pequenas Mãos, at Paço Imperial and at Centro Cultural Alumni
1996 - São Paulo SP - Pequenas Mãos, at Paço Imperial and at Centro Cultural Alumni
1996 - Salvador BA - Escultura Plural, at MAM/BA
1996 - São Paulo SP - Camargo Vilaça Bis, at Galeria Camargo Vilaça
1996 - Vienna (Austria) - Transformal, Wiener Secession
1997 - Berlin (Germany) - Die Anderen Modernen, Haus der Kulturen der Welt
1997 - Bogotá (Colombia) - Sueños Concretos, at Biblioteca Luis Angel Arango
1997 - Mexico City (Mexico) - Así Está la Cosa: Arte Objeto e Instalación de Iberoamérica, at Centro Cultural Arte Contemporáneo
1997 - Connecticut (United States) - Best of the Season: Selected Work from 1996-97 Gallery Exhibition, at The Aldrich Museum of Contemporary Art
1997 - Curitiba PR - A Arte Contemporânea da Gravura, at Museu Metropolitano de Arte de Curitiba
1997 - Rio de Janeiro RJ - Escultura Plural, at MAM/RJ
1997 - Sydney (Australia) - Material Immaterial, at The Art Gallery of New South Wales
1997 - Rio de Janeiro RJ - Novas Aquisições, at Museu de Arte Moderna
1998 - Brasília DF - Brasília Prize for Visual Arts, at Teatro Nacional
1998 - Caracas (Venezuela) - Bienal del Barro, at Fundación Museo Alejandro Otero
1998 - Caracas (Venezuela) - Puntos Cardinales, at Fundación Museo Alejandro Otero
1998 - London (England) - Loose Threads, at Serpentine Gallery
1998 - Maracaibo (Venezuela) - 3rd Bienal Barro de América, at Centro de Arte de Maracaibo Lia Bermúdez
1998 - Niterói RJ - Espelho da Bienal, at MAC/Niterói
1998 - Porto (Portugal) - Corpos em Trânsito, at Galeria Pedro Oliveira
1998 - Rio de Janeiro RJ - Poéticas da Cor, at Centro Cultural Light
1998 - Santa Monica (United States) - Amnesia, at Track 16 Gallery and at Christopher Grimes Gallery
1998 - São Paulo SP - 24th São Paulo International Biennial, at Fundação Bienal
1998 - São Paulo SP - Bienal del Barro, at Memorial da América Latina
1998 - São Paulo SP - Camargo Vilaça BIS, at Galeria Camargo Vilaça
1998 - São Paulo SP - O Moderno e o Contemporâneo na Arte Brasileira: Coleção Gilberto Chateaubriand - MAM/RJ, at MAM/SP
1998 - Sydney (Australia) - 11th Biennale of Sydney
1999 - Bogotá (Colombia) - Amnesia, at Biblioteca Luis Angel Arango
1999 - Boston (United States) - Collectors Collect Contemporary: 1990-99, at The Institute of Contemporary Art
1999 - Caracas (Venezuela) - Desde el Cuerpo, at Fundación Museo Alejandro Otero
1999 - Cincinnati (United States) - Amnesia, at The Contemporary Arts Center
1999 - Connecticut (United States) - The Best of the Season, at The Aldrich Museum of Contemporary Art
1999 - Liverpool (England) - 1st Liverpool Biennial of Contemporary Art, at Tate Gallery
1999 - Madrid (Spain) - A Vueltas con los Sentidos, at Casa de América
1999 - Mar del Plata (Argentina) - Las Metamorfosis de las Manos
1999 - New York (United States) - Drawing, at Bonakdar Jancou Gallery
1999 - Pittsburgh (United States) - Carnegie International 1999/2000
1999 - Rio de Janeiro RJ - Os 90, at Paço Imperial
2000 - Buenos Aires (Argentina) - Brasil: plural y singular, at Museo de Arte Moderno
2000 - Curitiba PR - 12th Curitiba Printmaking Exhibition. Marcas do Corpo, Dobras da Alma
2000 - Kraichtal (Germany) - Em Busca da Identidade, at Ursula Blickle Stiftung
2000 - Lisbon (Portugal) - Século 20: arte do Brasil, at Centro de Arte Moderna José de Azeredo Perdigão
2000 - Niterói RJ - Coleção Sattamini: dos materiais às diferenças internas, at MAC/Niterói
2000 - São Paulo SP - Brasil + 500 Mostra do Redescobrimento: Arte Contemporânea, at Fundação Bienal
2000 - São Paulo SP - Investigações. O Trabalho do Artista, at Itaú Cultural
2000 - Tampa (United States) - Amnesia, at University of South Florida Contemporary Art Museum
2001 - Bologna (Italy) - Em Busca da Identidade, at Galleria d'Arte Moderna di Bologna
2001 - Madrid (Spain) - El Final del Eclipse: el arte de América Latina en la transición al siglo XXI, at Fundación Telefonica
2001 - New York (United States) - Brazil: body and soul, at Solomon R. Guggenheim Museum
2001 - New York (United States) - The Thread Unraveled: contemporary brazilian art, at El Museo del Barrio
2001 - Oxford (United Kingdom) - Experiment Experiência: art in Brazil 1958-2000, at Museum of Modern Art
2001 - Rio de Janeiro RJ - O Espírito de Nossa Época, at MAM/RJ
2001 - Salzburg (Austria) - Em Busca da Identidade, at Rupertinum
2001 - São Paulo SP - Espelho Cego: seleções de uma coleção contemporânea, at MAM/SP
2001 - São Paulo SP - O Espírito de Nossa Época, at MAM/SP
2001 - São Paulo SP - Rotativa Fase 1, at Galeria Fortes Vilaça
2001 - São Paulo SP - Trajetória da Luz na Arte Brasileira, at Itaú Cultural
2001 - Venice (Italy) - 49th Venice Biennale
2002 - Brasília DF - Fragmentos a Seu Ímã, at Espaço Cultural Contemporâneo Venâncio
2002 - Buenos Aires (Argentina) - The Thread Unraveled: contemporary brazilian art, at Museo de Arte Latinoamericano de Buenos Aires
2002 - Fortaleza CE - Ceará Redescobre o Brasil, at Centro Dragão do Mar de Arte e Cultura
2002 - Liverpool (United Kingdom) - Pot
2002 - London (United Kingdom) - Vivências: dialogues between the works of Brazilian artists from the 1960s to 2002, at New Art Gallery Walsall
2002 - Madrid (Spain) - Arco/2002, at Parque Ferial Juan Carlos I
2002 - Niterói RJ - Diálogo, Antagonismo e Replicação na Coleção Sattamini, at MAC/Niterói
2002 - Rio de Janeiro RJ - Caminhos do Contemporâneo 1952-2002, at Paço Imperial
2002 - Rio de Janeiro RJ - Paralelos: arte brasileira da segunda metade do século XX em contexto, Collección Cisneros, at MAM/RJ
2002 - São Paulo SP - Fotografias no Acervo do Museu de Arte Moderna de São Paulo, at MAM/SP
2002 - São Paulo SP - Mapa do Agora: arte brasileira recente na Coleção João Sattamini do Museu de Arte Contemporânea de Niterói, at Instituto Tomie Ohtake
2002 - São Paulo SP - Paralela
2002 - São Paulo SP - Paralelos: arte brasileira da segunda metade do século XX em contexto, Colección Cisneros, at MAM/SP
2002 - São Paulo SP - Pot, at Galeria Fortes Vilaça
2003 - Petrópolis RJ - Via BR 040 - longo trecho em aclive, at Plataforma Contemporânea, Museu Imperial
2003 - Petrópolis RJ - Via BR 040: longo trecho em aclive, at Museu Imperial
2003 - Recife PE - Ernesto Neto e Rivane Neuenschwander, at MAMAM
2003 - Rio de Janeiro RJ - 2nd Alfândega, at Armazem Nº 5
2003 - Rio de Janeiro RJ - Grande Orlândia: artistas abaixo da linha do equador, at from Rua Bela, 148 to Rua General Bruce, 230.
2003 - Rio de Janeiro RJ - Infantil, at A Gentil Carioca
2003 - Rio de Janeiro RJ - 11th Universidarte, at Universidade Estácio de Sá
2003 - São Paulo SP - A Nova Geometria, at Galeria Fortes Vilaça
2003 - São Paulo SP - Marcantonio Vilaça - Passaporte Contemporâneo, at MAC/USP
2003 - São Paulo SP - 28th Panorama of Brazilian Art, at MAM/SP
2003 - São Paulo SP - Pele, Alma, at Centro Cultural Banco do Brasil
2003 - Havana (Cuba) - 8th Havana Biennial, at Centro de Arte Contemporáneo Wifredo Lam
2004 - Belo Horizonte MG - Pampulha, Obra Colecionada: 1943-2003, at MAP
2004 - Høvikodden (Norway) - Postcards from Cuba, at Henie Onstad kunstsenter
2004 - Madrid (Spain) - Arco/2004, at Parque Ferial Juan Carlos I
2004 - Rio de Janeiro RJ - 28th Panorama of Brazilian Art, at Paço Imperial
2004 - São Paulo SP - Bazar de Verão, at Galeria Fortes Vilaça
2004 - São Paulo SP - Still Life/Natureza Morta, at Galeria de Arte do Sesi
2004 - Kanazawa (Japan) - The encounters in the 21st Century: Polyphony - emerging resonances, at 21st Century Museum of Contemporary Art, Kanazawa
2004 - Kyoto (Japan) - Brazil: body nostalgia, at National Museum of Modern Art
2004 - Porto Alegre RS - Olho Vivo: a arte da fotografia, at Santander Cultural
2004 - Recife PE - Coleção Museu de Arte Moderna Aloísio Magalhães: doações 2001 - 2004, at Museu de Arte Moderna Aloísio Magalhães
2004 - Tokyo (Japan) - Brazil: body nostalgia, at The National Museum of Modern Art
2005 - São Paulo SP - O Corpo na Arte Contemporânea Brasileira, at Itaú Cultural
2005 - São Paulo SP - O Retrato como Imagem do Mundo, at Museu de Arte Moderna
2005 - Porto Alegre RS - 5th Mercosul Visual Arts Biennial
2006 - São Paulo SP - Fortes Vilaça na Choque Cultural, at Galeria Choque Cultural
2006 - São Paulo SP - MAM na Oca, at Oca
2006 - São Paulo SP - O Abraço do Tempo... Jazz, at Galeria Fortes Vilaça
2006 - São Paulo SP - Paralela 2006, at Pavilhão dos Estados
2006 - Zurich (Switzerland) - Seduções, at Daros Exhibitions
2007 - São Paulo SP - 80/90: modernos, pós-modernos, etc, at Instituto Tomie Ohtake
2007 - São Paulo SP - Por um Fio, at Paço das Artes
2007 - Belo Horizonte MG - Heterodoxia - Séries, at Galeria Murilo Castro
2007 - Campinas SP - Por um Fio, at Espaço Cultural CPFL
2007 - Rio de Janeiro RJ - Alumínio Digital, at Galeria Artur Fidalgo
2007 - Rio de Janeiro RJ - Arte para Crianças, at Museu de Arte Moderna
2007 - Vila Velha ES - Arte para Crianças, at Museu Vale
2008 - São Paulo SP - Bordando Arte, at Pinacoteca do Estado
2008 - São Paulo SP - MAM 60, at Oca
2008 - São Paulo SP - Panorama dos Panoramas, at Museu de Arte Moderna
2008 - Belo Horizonte MG - N Múltiplos, at Murilo Castro Escritório de Arte
2008 - Madrid (Spain) - Arco, at Instituto Feria de Madrid
2009 - São Paulo SP - Memorial Revisitado: 20 anos, at Galeria Marta Traba
2009 - São Paulo SP - Nus, at Galeria Fortes Vilaça
2009 - Brasília DF - Experiências Contemporâneas: coleção Marcantonio Vilaça no MAC USP, at Espaço Cultural Marcantonio Vilaça
2009 - Prato (Italy) - After Utopia, at Centro Per l'Arte Contemporanea Luigi Pecci
2009 - Rotterdam (Netherlands) - Brazil Contemporary, at Museum Boijmans Van Beuningen
2010 - São Paulo SP - Dengo, at Museu de Arte Moderna
2010 - Rio de Janeiro RJ - Quando A Gente Para, O Mundo Roda, at Galeria Laura Alvim
2011 - Buenos Aires (Argentina) - O Bicho SusPenso na PaisaGen, at Faena Arts Center
Source: Itaú Cultural
